Colin Brunton

Colin Brunton

Nascimento : 1955-07-31, Toronto, Ontario, Canada

Perfil

Colin Brunton

Filmes

Empire of Dirt
Line Producer
Like many Native families, Lena Mahikan grew up in the cycle of abuse. Her father, a residential school survivor, was an alcoholic until he killed himself when Lena was 10. Her mother, only 14 years her senior, turned to the slots. By the time Lena was 15, she was pregnant and, before giving birth, was kicked to the curb by her mom. The cycle continues and Lena is now watching helplessly as her own daughter, Peeka, spirals out of control, landing herself in the hospital following a drug overdose. As a final attempt at survival, Lena decides to return home and face her own mother and a past she’s desperate to escape.
The Last Pogo Jumps Again
Director
A history of Toronto punk and new wave. A history of the first wave of Toronto punk rock and new wave music, from when the Ramones played in 1976 through to when the cops gave Teenage Head the boot at "The Last Pogo" concert in 1978.
A Colônia
Production Manager
No futuro, uma nova Era do Gelo afeta a Terra, destruindo quase toda a população do planeta. Os raros sobreviventes encontram abrigos subterrâneos, onde a vida é precária. Mas logo um pequeno grupo de resistentes vai descobrir uma ameaça ainda mais perigosa do que o clima hostil.
The Rep - A Documentary
Himself
Follows the first year of business for Alex, Charlie, and Nigel as they try to make their theatre, The Toronto Underground Cinema, a success in the dying world of repertory cinema. The film also places the cinema in context to the larger world of rep. Featuring interviews with theatres such as Film Forum in NYC, The Alamo Drafthouse in Austin, and The New Beverly Cinema in L.A., and celebrities such as Kevin Smith, John Waters, Atom Egoyan, and George A. Romero, the world of repertory cinema will come alive as a vibrant and culturally significant medium that needs to be preserved
Animal Control
Executive Producer
Before Sammy, his best friends were stuffed animals. Larry, an eccentric amateur taxidermist, works for Animal Services picking up road kill along the highway. Socially isolated, he's retreated into an emotional state where his only companions are the animals he's stuffed.
The Safety of Objects
Line Producer
In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.
Hedwig: Rock, Amor e Traição
Line Producer
Hedwig é uma cantora de rock que nasceu homem, na Alemanha Oriental, e se chamava Hansel. Criado ouvindo uma rádio norte-americana, Hansel só tinha duas certezas na vida: de que seria uma estrela de rock e que um dia encontraria sua alma gêmea. Quando conhece Luther, recruta americano que promete casar-se e levá-lo para os Estados Unidos, Hansel pensa que chegou sua vez de ser feliz. Contudo, para que seu sonho se realize, é obrigado a submeter-se a uma cirurgia de troca de sexo. Hansel torna-se Hedwig, muda-se para a América e forma uma banda de rock. Mas este é apenas o primeiro capítulo de uma história ao mesmo tempo dramática e engraçada, permeada por amores arrebatadores, amargas desilusões e rock do bom.
Cubo
Executive Producer
Um policial , um ladrão, uma matemática, uma psicóloga, um arquiteto e um jovem autista são misteriosamente presos em um labirinto de alta tecnologia. Sem comida nem água, eles precisam encontrar um meio de sair do local. Mas precisam também tomar cuidado para não acionar armadilhas letais, que surgem em estranhos cubos.
Vem Morder Comigo
Executive Producer
In 1994, in Toronto, the vampire Boya awakens from his twenty-five years of sleep in a basement hit by a golf ball. He takes a cab to the local cemetery, retrieves his belongings from a grave and lodges in a low budget hotel nearby an all-night donut shop. Boya does not drink human blood anymore but rats and pigeons blood instead. While in the donut shop, Boya befriends and protects the taxi driver Earl, who is having trouble with two criminals, and falls in love for the waitress Molly. Meanwhile, his former passion of 1969, Rita, who misses her lost youth, is trying to locate him.
The Mysterious Moon Men of Canada
Young Wesley
A filmmaker searches for two Canadians who flew to the moon in 1959, but because they were Canadian, were too modest to tell anybody about it.
The Mysterious Moon Men of Canada
Writer
A filmmaker searches for two Canadians who flew to the moon in 1959, but because they were Canadian, were too modest to tell anybody about it.
The Mysterious Moon Men of Canada
Director
A filmmaker searches for two Canadians who flew to the moon in 1959, but because they were Canadian, were too modest to tell anybody about it.
Highway 61
Producer
A naive Canadian barber who knows US popular culture inside and out meets a flamboyant roadie who needs someone to drive her and her "brother's" corpse from Thunder Bay, Ontario to New Orleans. Chaos ensues after the barber agrees to drive her, the corpse, and the drugs stashed within all the way.
Roadkill
Producer
A music promoter sends a young woman on a road trip in search of a band who hasn't been showing up for their gigs.
The Last Pogo
Director
Grab some safety pins, practice your sneer and get ready to revisit Toronto's thriving punk scene. THE LAST POGO documents the raucous 1978 punk concert held in Toronto's legendary Horseshoe Tavern-a night of unhinged music and unbridled mayhem. On December 1, 1978, legendary Toronto concert promoters Gary Topp and Gary Cormier-better known as The Garys-presented The Last Pogo, a rollicking, riotous concert at the venerable Horseshoe Tavern. On the bill were seminal bands from Toronto's punk rock scene: The Scenics, The Cardboard Brains, The Secrets, The Mods, The Ugly, The Viletones and Teenage Head. During the concert, the frenetic energy of 800+ thrashing fans in the club boiled over and a near-riot ensued. Filmmaker Colin Brunton was there with a camera crew to capture it all, from the irreverent punk musicians and the slam-dancing audience to the police who tried to stop the show and the firefighters called in to escort people from the premises.