Cinematography
Director of Photography
Esta é a história de "Os Quarenta e Sete Ronins". Baseado em eventos históricos em 1701-2, o filme conta a história da queda do clã Asano e a vingança de seu ex-samurai sobre o autor da catástrofe. Lorde Asano foi instigado, ou enganado, a desembainhar sua espada dentro do palácio do Shogun - um crime que acarretava pena de morte. O recém-instalado Shogun ficou furioso com Asano e ordenou que todos os bens de seu clã fossem apreendidos, o que significa que cerca de 20.000 samurais e plebeus ficaram desempregados e sem terras de uma só vez. Quarenta e sete desses ronin (samurais sem mestre) se uniram para se vingar do Lorde Kira, que instigou Asano a desembainhar sua espada.
Cinematography
Em uma aldeia japonesa por volta de 1895, Seki decide assassinar seu marido com a ajuda do jovem amante Toyoji. Eles estrangulam Gisaburo, se livram do corpo e mantêm o romance em segredo, para evitar suspeitas. Tempos depois, no entanto, as fofocas surgem, um inquérito é aberto e o fantasma do marido surge para assombrá-los.
Director of Photography
Film about the Ashio Copper Mine Incident and Shozo Tanaka.
Cinematography
The second film tells about the life of matured brothers and sister Sato. Taro became a foreman. He saves every yen to fulfill his dream of building his own house with stone gates. Jiro continues to work in the transportation office, he dreams of getting married. Saburo faces a moral problem: in order to get a good position, he must answer the questions of the entrance test differently than his conscience tells him. At the exam, Saburo does not hide his views on life and is deprived of the promised position. Orie and Suekiti believe that he did wrong and betrayed his older brothers. But the anxiety in the Sato family is not limited to these events. Orie was being asked to marry a handsome, well-established young man, but she suddenly announced her decision to marry Tozaka, who was suffering from radiation sickness. Sato's peaceful home is falling apart...
Cinematography
"Young People" is a story about the lives of four brothers and a sister, Sato. After the death of his parents, the older brother, Taro, who works in construction, decides to replace them. The second brother, Jiro, is a truck driver. The third, Saburo, is a student, dreams of a better future for the whole family are connected with him, with his career. Brothers and sisters are fighting to give him a higher education. And, finally, the youngest of the brothers, Suekichi, is also going to enter the university after graduation. The life of the Sato family is complicated. Taro is kind, but limited, not always able to find a common language with his brothers and sister Orie. The girl cannot stand the despotism of her brother, leaves her home and goes to work at the factory. With her departure, everything in the house goes upside down. Suekichi fails her university entrance exams, Orie is forced to return to her family.
Cinematography
Produção japonesa contada em quatro histórias. Em "Black Hair", samurai divórcia-se da mulher que ama para se casar com outra pelo dinheiro; em "The Woman in the Snow", lenhador encontra mulher congelada e o espírito dela aparece para revelar detalhes de sua vida, pedindo a ele que jamais conte a ninguém - mas dez anos depois ele esquece a promessa; em "Hoichi the Earless", o jovem e cego Hoichi vive num monastério e passa a cantar para fantasmas do império; e "In a Cup of Tea" fala de um escritor que vê uma misteriosa face refletida numa xícara de chá.
Director of Photography
Em um tempo de paz os samurais não eram necessários e estavam vivendo em completa miséria sem alguma casa para servir. Alguns pediam para realizar o harakiri dentro das residências de nobres apenas para extorquí-los; com pena, os senhores davam algum dinheiro ao guerreiro e o mandavam embora. Um nobre recebe um jovem samurai com este propósito e decide obrigá-lo a tirar a própria vida.
Director of Photography
The basic story in Love under the Crucifix is about Ogin, daughter of a tea master, who are both Christians in feudal Japan. Ogin falls in love with a feudal prince, also a Christian who is already married, and that creates problems. Further, when the Shogun bans Christianity, the situation worsens.
Director of Photography
The Weavers of Nishijin captures the process of traditional textile manufacture in Nishijin.
Director of Photography
Nesta parte final da trilogia, Kaji é o único sobrevivente de sua unidade e acaba se rendendo ao exército Soviético. Ele é preso na Sibéria, onde espera melhor tratamento do que recebeu de seu próprio exército, mas, ao contrário, é acusado de assassinato e ameaçado de execução. Kaji tenta, desesperadamente, recuperar sua liberdade.
Director of Photography
A trilogia humanista de Kobayashi continua tendo, neste segundo filme, o idealista Kaji sendo mandado à longínqua Manchúria e com as mais selvagens atrocidades ocorrendo durante a Segunda Guerra Mundial. Ao descobrir que os soldados são cruelmente maltratados pelo seu sargento e oficiais, Kaji resolve fazer um protesto.
Director of Photography
Follows the life of Tsuru, the poor daughter of farmers in Shinshu, Japan.
Director of Photography
Kaji, um administrador civil pacifista, foi nomeado supervisor de um campo de prisioneiros na Manchúria durante a 2ª Grande Guerra. Seus problemas começam quando o tratamento humanitário com os trabalhadores das minas e os prisioneiros de guerra que Kaji supervisiona irrita seus superiores.
Director of Photography
A young, struggling couple are making every sacrifice so they will one day in the not-too-distant-future, have enough money to get married. As they have agreed on this procedure, it comes as a shock to the young woman to find out from her husband-to-be that he just loaned all the money they had saved to a friend. She is understandably miffed, and a big disagreement results. But after some time goes by, she discovers why the friend needed the money so badly, and the couple are back on solid footing again.
Director of Photography
Japanese drama film.
Director of Photography
Set in the 1860s, the final years of the Tokugawa Shogunate, The Fireflies focuses on Tose (Awashima Chikage), the mistress of the Teradaya, a small inn in the Kyoto suburb of Fushimi. She does not have an easy life. Her husband, Isuke (Ban Junzaburo), is a wastrel who fancies himself a kabuki singer and who is obsessed with cleanliness. Her mother-in-law, Sada (Miyoshi Eiko) dislikes her because of her humble origins (her family are farmers) and because she fears that she will inherit the inn instead of Sugi, her daughter. Sada's hopes for Sugi, however, are dashed when she runs off with a con artist and leaves her child behind for Tose to take care of. When Sada becomes seriously ill, it is Tose who nurses her. On her deathbed, Sada asks her daughter-in-law's forgiveness. Meanwhile Isuke spends most of his time with a mistress he has taken, forcing Tose to manage the inn by herself
Director of Photography
A scrap iron carrier arrived at Tokyo bay. The ship swarmed with the stevedores, the souvenir seller and the hookers. The crews of ship were oppressed by arrogant captain and his officers. The crews caused an uprising. A manager of stevedore ordered his employee leader to suppress an uprising...
Director of Photography
In a military family, an illegitimate son is brutalized by his brothers. A patriarchal, feudalistic household where dissent is forbidden is used to reveal the whole imperialist system that afflicted Japan between 1921 and 1946. Winner of the Crystal Globe at the Karlovy Vary Film Festival.
Director of Photography
In this Golden Globe winner for Best Foreign-Language Film, director Heinosuke Gosho -- a master chronicler of Japanese middle-class life -- presents the story of Kiyoshi Yoshida (Koji Shitara), who feels estranged from both parents after his father returns from war. How the boy adapts to life with the virtual stranger his father has become is the film's focus. Chikage Awashima, Yûnosuke Itô and Yoshiko Kuga also star.
Director of Photography
Based on Kakuko Mori's autobiography, about her life and retirement from acting due to her increasing blindness.
Director of Photography
Poor social conditions badly affect the relationship between a married couple, when the husband, who is desperately searching for work, fails to notice the terrible sacrifices made by his wife when she accepts a job at a local inn.
Director of Photography
Director of Photography
1950s Japanese drama.
Director of Photography
Director of Photography
Describes the oppressed life of the crab fishermen and their final revolt which is bloodily suppressed by the Royal Navy. (Set in the 1920's)
Director of Photography
About the struggles of day labourers to achieve dignity and a standard of living above the starvation level. Utilising the Zenshinza theatrical troupe.
Director of Photography
Director of Photography
This film was made by the Japanese occupation authorities in the Philippines as a propaganda film to show the Philippine people the "benefits" of the Japanese invasion and takeover of their country.
Cinematography
A priest in Hokkaido adopts a blind orphan girl, and as she grows up he finds himself falling in love with her.
Cinematography
The final part of the trilogy. It is about a younger brother, Suekichi. He learned well the lessons that life taught his older brothers. Therefore, he does not think to study, but strives for material well-being alone. To make a career, he ruthlessly pushes his colleagues with his elbows. For him, the high ideals of trade union activists Jiro and Saburo are an example of old-fashioned thinking, naive behavior.