Writer
Hsin-He, a high school sophomore who can get along just fine on her own, lives with her father. At school, the days pass slowly by, until one day, she is assigned to be the student teacher. Since she loaths math, her teacher orders Ke-Lei, student teacher from another class, to tutor her.
Director
Hsin-He, a high school sophomore who can get along just fine on her own, lives with her father. At school, the days pass slowly by, until one day, she is assigned to be the student teacher. Since she loaths math, her teacher orders Ke-Lei, student teacher from another class, to tutor her.
Writer
Beijing, 1902: an enterprising young portrait photographer named Liu Jinglun, keen on new technology, befriends a newly-arrived Englishman who's brought projector, camera, and Lumière-brothers' shorts to open the Shadow Magic theater. Liu's work with Wallace brings him conflict with tradition and his father's authority, complicated by his falling in love with Ling, daughter of Lord Tan, star of Beijing's traditional opera. Liu sees movies as his chance to become wealthy and worthy of Ling. When the Shadow Magic pair are invited to show the films to the Empress Dowager, things look good. But, is disaster in the script? And, can movies preserve tradition even as they bring change?
Writer
To achieve his dream of being a trumpet player, a man leaves his hometown and works in a touring operetta troupe. He falls in love with a girl but then contracts tuberculosis, forcing him to give up the trumpet.
Assistant Editor
Hou Hsiao-Hsien centra este seu filme (Prémio do Júri do Festival de Cannes 1993) na vida e carreira do marionetista Li Tien-Lu, cuja vida pessoal combina com a história de Taiwan entre 1909 e o fim da dominação japonesa da ilha em 1945. "The Puppetmaster," como é internacionalmente conhecido, é o segundo dos títulos da trilogia histórica do realizador, também composta por "A City of Sadness" (1989) e "Good Men, Good Women" (1995).
Assistant Camera
Hou Hsiao-Hsien centra este seu filme (Prémio do Júri do Festival de Cannes 1993) na vida e carreira do marionetista Li Tien-Lu, cuja vida pessoal combina com a história de Taiwan entre 1909 e o fim da dominação japonesa da ilha em 1945. "The Puppetmaster," como é internacionalmente conhecido, é o segundo dos títulos da trilogia histórica do realizador, também composta por "A City of Sadness" (1989) e "Good Men, Good Women" (1995).
