Fukumi Kuroda

Anthology of three stories about the bond between fathers and sons

Banana, Gloves and Whale Shark

During the 1980 Gwangju uprising in South Korea, a Korean man and a second-generation Korean-Japanese woman meet during the student activist movement. Under the chaos of the time the man and woman fall in love, but the woman disappears. 30 years later, the woman keeps her past a secret and worries that her daughter Mie Matsuki (Rina Uchiyama) may pursue her Korean roots. One day, Mie who already has a fine boyfriend, introduces her mother to a Korean man named Yoo Jung-Bae (Kim Eung-Soo). Yoo Jung-Bae is the man that her mother fell in love with 30 years ago during the Gwangju uprising. During his college days, Yoo Jung-Bae was the leader of the student activist movement. Now he is transferred to an investment company in Tokyo. Mie works at the same investment company. Feeling a bond with Mie, Yoo Jung-Bae walks the streets of Tokyo with Mie every weekend and begins to learn about each other.

Spurred by the disappearance of a newly-wed husband, three women in post-war Japan are drawn into a murder mystery.

The sudden death of a journalist stirs up young editor Noriko's curiosity. While investigating the case, Noriko uncovers the dark secrets hidden behind the journalist's death and its relationship to a popular female novelist.

A young girl with leukemia travels a pilgrimage by skateboard.

Three couples are staying at a lakeside cottage with their children. They want them to prepare intensely for a prestigious high school's entrance exam with the help of a private tutor. One night, one of the wives confesses to her husband that she has killed his mistress.

Magazine reporter Saeko Kawamura receives a message on her answering machine from her friend Yuka asking for help... when Saeko goes to Takamatsu in Shikoku to find Yuka, she runs into journalist Ogata!

Kodama learns that his old classmate Hayashi is getting married to an idol, and organizes a junior high school reunion.

The Rinkaiji family, by all appearances, is a well-to-do Japanese family. The father, Nariyuki, works in an elite corporation, which gives his wife Yoshiko status in their suburban neighborhood. But the daughter Sugina, who herself has secretly stopped going to school because she is being bullied. One day, they discover that Nariyuki has quit his job. As Nariyuki decides to find a new job along with Sugina, Yoshiko, a firm believer in a life based on the company, soon finds her world falling apart.

A man fed up with city life moves to a village in the mountains

An archery club on retreat in Hokkaido is forced to rescue their teacher who is kidnapped.

The film stars two of Itami's regular actors, Nobuko Miyamoto as a geisha who brings luck to the men with whom she sleeps, and Masahiko Tsugawa as her unfaithful, sometimes partner. As well as showing her relationships with the man she loves and the men who employ her, it satirizes corruption and the influence of money in Japanese politics.

A TV production crew are making a documentary about the infamous painter Mamiya Ichiro. When they start filming at his old home, they come under attack from the ghost of the painter's wife.

This film depicts from the inside the murderous intent of a street thug who attacks a passing pregnant woman. One day, after cutting a maggot to death, the man's previously dormant madness overflows like a dam and floods him with the next carnage. A maggot, a cockroach, a small dog and a pregnant woman. The film uses black-and-white and colour to depict the mental state of the protagonist as he slowly builds up to the murder. In the last scene, the inner world of the man is symbolically expressed, and the urgency with which he searches for an answer is overwhelming. This is a highly accomplished film, both visually and thematically.

O primeiro Western-Spaguetti japonês! Neste hino bem-humorado para as alegrias da comida, a história principal é sobre o motorista do caminhão Goro, um cowboy do asfalto, que "cavalga" para a cidade como um Shane moderno para ajudar a viúva e chefe de cozinha Tampopo a transformar seu restaurante no lugar perfeito para o conhecido Udon, a sopa de macarrão japonesa. Entrelaçadas nesta história principal temos uma série de pequenas histórias sobre a importância dos alimentos. Desde um gangster que mistura sexo quente com alimentos, até uma velha que aterroriza um vendedor de legumes por compulsivamente apertar suas mercadorias.

Dodon, uma Fera Espacial Guerreira, consegue se infiltrar na Base Shuttle do Esquadrão Relâmpago Changeman e sequestrá-la. Mermaid, que foi a única pessoa do grupo que conseguiu ficar dentro da nave, descobre que Dodon é vulnerável à uma onda de rádio e avisa aos outros sobre sua fraqueza. E assim a equipe tenta descobrir a origem das ondas e usá-la contra Dodon para retomar a Base Shuttle.

A documentary film showcasing life in postwar Japan as seen through the eyes of a bar hostess.