Stripper
Joe Gideon (Roy Scheider) é um diretor de cinema e coreógrafo mulherengo, que trabalha simultaneamente na edição de seu filme e nos ensaios de um musical. Nisto ele sofre um infarte e, com a vida por um fio, revê momentos da sua vida, transformando-os em sua imaginação em números musicais. Sua atenção é disputada por 4 mulheres: sua namorada, a ex-esposa, a filha e a Morte, representada por uma bela loira vestida de branco, que conversa com ele de forma bem instigante.
Stripper (as Elizabeth Sunburst)
A young woman in New York City goes out looking for an apartment and finds herself getting caught up in a series of sexual adventures culminating in a wild orgy.
Betty
Meet New York's most sexually charged circle of friends. There's the stewardess who can't wait to try every cockpit in the city. There's the cabdriver who takes beautiful women for the rides of their lives. And there's the nosey neighbors who can't get enough of the non-stop sounds of love from next door.
It's Christmas Eve 1971 in Manhattan's Greenwich Village and the regulars of the local gay bar "The Blue Jay" are celebrating. Not much has changed since Stonewall and its not all "Peace on Earth. Good Will to Men" but the times are a changin.
Bambi Ferguson (uncredited)
Driving through New York City in his Sexmobile, Dr. Harrison Rogers of the Bureau of Sexological Investigation, searches out luminary figures in the world of sex.
Harem Girl (uncredited)
A projectionist bored with his everyday life begins fantasizing about his being one of the superheroes he sees in the movies he shows.
Go-Go Dancer
A pretty young girl arrives in New York City to make it in "the Big Apple", but winds up getting involved with lesbians, an escort service and the underground bondage scene.
Inspired by Giovanni Boccaccio's 14th-century collection of novellas known as The Decameron, this innovative film combines short works from seven directors who set out to interpret Boccaccio's masterwork for the modern age. The result is an assortment of titillating tales ranging from the erotic to the tragic.
Rita
When swaggering and conceited teddy boy Mike isn’t combing his wavy hair in a stance reminiscent of The Fonz, he’s latching onto each and every female who crosses his slimy path. The guy is bad news and has everybody fooled, except Mr. Dite, an advertising executive and recent recipient of Mike’s services as a whip-wielding sadist. Taking advantage of the weak-willed masochist, Mike blackmails Dite into giving him a cushy job, then takes advantage of his new position by stealing Dite’s clients, seducing Dite’s elegant daughter, Sara, and climbing his way up the social ladder.
Obscure sexploitation feature charting a young girl's descent from virginal bride to total slut.
Sex Inserts
A deranged, wealthy woman offers $100,000 to three men if they can stay alive for 24 hours in Manhattan, and then hunts them down.
Georgia (uncredited)
Barbara, a frustrated writer who is also sexually frustrated, seeks to recharge her life by moving into a Manhattan apartment, where she earns money typing up manuscripts for other writers. Next door, a sexy young lady plays a variety of erotic games revolving around her hypnotically humming vibrator. When Julie, Barbara's hot-to-trot sister shows up, she reluctantly allows her to stay, even though memories of incestuous girlhood explorations between them cause her obvious distress.
A sex-crazed Jekyll & Hyde riff wherein an elderly professor uses a maysterious chemical to turn himself into a swinger.
Jeannie (as Joanna Cunningham)
Jeannie relates her life story to her shrink.
Sunbather
A loner who works in a mannequin factory stalks and strangles women in Times Square.
The film starts out B&W and shows Oliver Nibble being berated by his wife. They go to a cinema and Oliver's imagination runs wild. The film turns into color as Oliver photographs his models in various stages of dress (and undress).
Corpse
Sex film about a series of case study sketches collected by a man studying abnormal sexual behavior.
Call Girl (uncredited)
Presented as an inquiry into the ways of lust, this film is staged as a documentary. It moves from rural prostitution (the roadhouse) to pornographers, then on to streetwalkers, male hustlers, and high-class call girls. The madam runs the bordello, she depends on the photographer to supply her with pornography; he's in the city, using his camera to lead him into depravity. The streetwalkers risk arrest from the cops and abuse from the johns. Even the call girls have a tough time: from their expenses to their lack of self-reflection. Their motto: "Live fast, die young, and make a beautiful corpse."
Three girls head from boarding school to NYC, arriving by bus at Port Authority and vowing to "get into trouble." These "girls gone wild" forerunners head to a Greenwich Village bar where they copycat a girl stripping to dance topless atop the bar, then head to a Village party and finally crash a posh uptown party before catching the bus home.
Cultist
A magician/hypnotist gets the idea that he can make more money (and have a better time) by starting a sex cult than by continuing his magic act, so he becomes Brother Eros whose motto is "Love is all that counts."
Prostitute
Madame Sue runs a successful Prostitute operation in the heart of NYC, and as it should happen, The Mob wants to get a piece of the action. Still, being the go ahead women they are, they decide to fight back and keep themselves independent of any outsider business influence.
Girl Running in Slow Motion
A photographer tries to show us in the audience how to make a nudie-cutie, only for everything to go totally wrong.