Editor
Heists do not solely exist in the movies. These high profile schemes are elaborately planned, artful in their Machiavellian plotting, and so meticulously coordinated that they are often referred to as "the masterpieces of the confidence game". Often aimed at impossibly ambitious targets - casinos, jewelry stores, or famous museums - the masterminds behind these crimes are often heralded as the ingenious magicians of the underworld. The mystery and magnitude of these real crime stories sparks an undeniable interest for us innocent onlookers - a sense of seduction, spectacle and entertainment.
Editor
Susan Tedeschi’s debut album earned her a prestigious Grammy nomination for Best New Artist in 2000 (she lost to Christina Aguilera!). She sounds like part Bonnie Raitt, part Janis Joplin, part Aretha Franklin, yet she can belt out a song without losing control in a way that gives her an edge that no other singer can compare to. Add to her vocal prowess, her guitar slinger skills and you have a rare combination in a contemporary female performer. Recorded in 2003, Tedeschi’s performance is the essence of what Austin City Limits is all about, drawing from the best of blues, rock, soul and funk. But what she does best comes from deep within her heart and soul.
