Lucrecia Martel

Lucrecia Martel

Nascimento : 1966-12-14, Salta, Argentina

História

Lucrecia Martel (born December 14, 1966) is an Argentine film director, screenwriter, and producer. She is a part of the New Argentine Cinema wave of contemporary film-making that began in the mid-1990s.

Perfil

Lucrecia Martel
Lucrecia Martel
Lucrecia Martel
Lucrecia Martel
Lucrecia Martel

Filmes

Camarera de piso
Writer
A woman applies for a job as a maid, while a difficult situation with her family haunts her.
Camarera de piso
Director
A woman applies for a job as a maid, while a difficult situation with her family haunts her.
North Terminal
Director
Durante o confinamento de 2020, Lucrecia Martel volta para casa em Salta, a região mais conservadora da Argentina. Lá, ela acompanha Julieta Laso que, como uma musa, a apresenta a um grupo de artistas femininas e pessoas insolentes que trocam olhares e opiniões ao redor de uma fogueira.
North Terminal
Writer
Durante o confinamento de 2020, Lucrecia Martel volta para casa em Salta, a região mais conservadora da Argentina. Lá, ela acompanha Julieta Laso que, como uma musa, a apresenta a um grupo de artistas femininas e pessoas insolentes que trocam olhares e opiniões ao redor de uma fogueira.
AI
Writer
In the almost two-minute film AI, which Lucrecia Martel created at the Viennale’s invitation, a single shifty eye looks out from a heavily pixelated image; a mouth is vaguely visible and declares: “I am not completely like other people.” Is AI coming to life here, entering a world that’s still foreign to it and that crackles, scratches and echoes? And how does our view of this eerie image change, knowing that the pixels are superimposed on a historical recording from 1961 that documents the anamnesis of a catatonic schizophrenic?
AI
Producer
In the almost two-minute film AI, which Lucrecia Martel created at the Viennale’s invitation, a single shifty eye looks out from a heavily pixelated image; a mouth is vaguely visible and declares: “I am not completely like other people.” Is AI coming to life here, entering a world that’s still foreign to it and that crackles, scratches and echoes? And how does our view of this eerie image change, knowing that the pixels are superimposed on a historical recording from 1961 that documents the anamnesis of a catatonic schizophrenic?
AI
Director
In the almost two-minute film AI, which Lucrecia Martel created at the Viennale’s invitation, a single shifty eye looks out from a heavily pixelated image; a mouth is vaguely visible and declares: “I am not completely like other people.” Is AI coming to life here, entering a world that’s still foreign to it and that crackles, scratches and echoes? And how does our view of this eerie image change, knowing that the pixels are superimposed on a historical recording from 1961 that documents the anamnesis of a catatonic schizophrenic?
Zama
Writer
Don Diego de Zama é um magistrado espanhol do século XVIII esperando ser transferido do posto avançado para o qual foi rebaixado. Quando sua última esperança de partida não dá em nada, Zama se junta a uma expedição para localizar Vicuña Porto, um lendário fora-da-lei que pode ou não existir.
Zama
Director
Don Diego de Zama é um magistrado espanhol do século XVIII esperando ser transferido do posto avançado para o qual foi rebaixado. Quando sua última esperança de partida não dá em nada, Zama se junta a uma expedição para localizar Vicuña Porto, um lendário fora-da-lei que pode ou não existir.
Light Years
Producer
Making-of documentary for Lucrecia Martel's Zama. Tracks director Manuel Abramovich's attempts to get Martel to let him film her in production.
Light Years
Making-of documentary for Lucrecia Martel's Zama. Tracks director Manuel Abramovich's attempts to get Martel to let him film her in production.
The Empty Classroom
Director
Eleven award winning directors explore why nearly one out of every two students in Latin America never graduates high school.
Um Filme de Cinema
Um cinema abandonado e em ruínas no interior da Paraíba é o cenário inicial de um filme sobre o cinema, que viaja nos depoimentos do romancista e dramaturgo Ariano Suassuna e de inúmeros cineastas.
Leagues
Director
Moving between classrooms – static interiors and roaring, raucous exteriors – Leagues explores the subject of academic exclusion in native communities. Named after an archaic unit of measurement, Martel's postcolonial film depicts how education, though a social tool, can also create division and discrimination.
Muta
Writer
Directed by Argentinean Lucrecia Martel, MUTA, meaning both “mute” and “transformation”, is a beautiful and cryptic portrayal of an all female world of symbolism, hidden meaning and intrigue.
Muta
Director
Directed by Argentinean Lucrecia Martel, MUTA, meaning both “mute” and “transformation”, is a beautiful and cryptic portrayal of an all female world of symbolism, hidden meaning and intrigue.
The Fish
Director
Some fishes dreamt they were a car.
Nueva Argirópolis
Director
Snatches of conversation, movements in coastal areas, videos circulating on the Internet warning of a conspiracy. From the Bermejo river basin there are people who sail in camalotes to the islands that are emerging in the Delta. Maybe it’s an invasion, perhaps an attempt at re-foundation.
A Mulher Sem Cabeça
Producer
Mulher dirigindo pela rodovia se distrai e atropela algo (ou alguém). Temerosa, vai embora sem parar e guarda esse segredo. O incidente deixa a mulher ao mesmo tempo traumatizada e em estado de alerta. Uma noite, no entanto, diz ao marido que teme ter matado alguém na estrada. Eles vão até lá, mas descobrem apenas um cachorro morto. Amigos do casal próximos a policiais também confirmam que não houve nenhum relato de uma pessoa atropelada. Tudo volta ao normal na vida da mulher, até que notícias de uma descoberta terrível passam a atormentar a todos.
A Mulher Sem Cabeça
Screenplay
Mulher dirigindo pela rodovia se distrai e atropela algo (ou alguém). Temerosa, vai embora sem parar e guarda esse segredo. O incidente deixa a mulher ao mesmo tempo traumatizada e em estado de alerta. Uma noite, no entanto, diz ao marido que teme ter matado alguém na estrada. Eles vão até lá, mas descobrem apenas um cachorro morto. Amigos do casal próximos a policiais também confirmam que não houve nenhum relato de uma pessoa atropelada. Tudo volta ao normal na vida da mulher, até que notícias de uma descoberta terrível passam a atormentar a todos.
A Mulher Sem Cabeça
Director
Mulher dirigindo pela rodovia se distrai e atropela algo (ou alguém). Temerosa, vai embora sem parar e guarda esse segredo. O incidente deixa a mulher ao mesmo tempo traumatizada e em estado de alerta. Uma noite, no entanto, diz ao marido que teme ter matado alguém na estrada. Eles vão até lá, mas descobrem apenas um cachorro morto. Amigos do casal próximos a policiais também confirmam que não houve nenhum relato de uma pessoa atropelada. Tudo volta ao normal na vida da mulher, até que notícias de uma descoberta terrível passam a atormentar a todos.
La ciudad que huye
Director
Short documentary about gated communities in Argentina.
The Holy Girl: Making Of
Making of documentary
A Menina Santa
Screenplay
Amalia is an adolescent girl who is caught in the throes of her emerging sexuality and her deeply held passion for her Catholic faith. These two drives mingle when the visiting Dr. Jano takes advantage of a crowd to get inappropriately close to the girl. Repulsed by him but inspired by an inner burning, Amalia decides it is her God-given mission to save the doctor from his behavior, and she begins to stalk Dr. Jano, becoming a most unusual voyeur.
A Menina Santa
Director
Amalia is an adolescent girl who is caught in the throes of her emerging sexuality and her deeply held passion for her Catholic faith. These two drives mingle when the visiting Dr. Jano takes advantage of a crowd to get inappropriately close to the girl. Repulsed by him but inspired by an inner burning, Amalia decides it is her God-given mission to save the doctor from his behavior, and she begins to stalk Dr. Jano, becoming a most unusual voyeur.
Musical Chairs
Thanks
Victor, who lives abroad, must travel to his country of origin sent by the company where he works and will have only one day to visit his family who will do the impossible to honor him in that short stay. At that time, dramatic turns and touches of humor will occur to deep solemnities, within the traditional and beloved domestic bosom.
O Pântano
Screenplay
A cidade de La Cienaga é conhecida pelas terras que se alagam com as chuvas fortes. Para lá, vão duas famílias. Em meio a um verão infernal, elas entram em conflito e a tensão entre elas aumenta.
O Pântano
Director
A cidade de La Cienaga é conhecida pelas terras que se alagam com as chuvas fortes. Para lá, vão duas famílias. Em meio a um verão infernal, elas entram em conflito e a tensão entre elas aumenta.
Silvina Ocampo: las dependencias
Director
A reconstruction of the life of the celebrated Argentine short fiction writer Silvina Ocampo, which draws on the testimonies of Ocampo's servants and friends.
Dead King
Writer
A wife tries to leave her village to get away from her abusive husband.
Dead King
Director
A wife tries to leave her village to get away from her abusive husband.
Historias Breves 1
Director
You Won't Get Her, Bastard
Producer
A historical short film, which was a job for the university.
You Won't Get Her, Bastard
Screenplay
A historical short film, which was a job for the university.
You Won't Get Her, Bastard
Director
A historical short film, which was a job for the university.
A Outra
Director
Documentary about the joys and sorrows of being trans.
Chocobar
Writer
The murder of indigenous activist Javier Chocobar and the removal of his community from their ancestral land in Argentina.
Chocobar
Director
The murder of indigenous activist Javier Chocobar and the removal of his community from their ancestral land in Argentina.