Enrique Piñeyro

The journalist Andrés Oviedo must write about the murder of a young political activist Mariano Ferreyra for the magazine where he works. Oviedo performs a series of interviews and dialogues with familiars and friends of Ferreyra. The search for the truth and the motifs of the crime lead him to confront his publishers, who removed him from the case. In front of the arising complications, Andrés doubts to proceed with the investigation, but the support of his daughter, of the same generation as Mariano, helps him to continue. (FILMAFFINITY)

Lucio Bordenave mantém o estilo de vida Gray de um trabalhador desempregado, dedicado ao comércio de relojoaria, até que, de uma maneira um tanto misteriosa, sua esposa é admitida em um Instituto Frenopático. A partir deste ponto, a história entra em um território sem parâmetros onde a realidade é confundida com o imaginário, o sono com vigília e a insanidade com lucidez.

Argentina, the 70’s. One morning, several armed young men, dressed in military uniform, kidnap a Senior Army General and hide him in a modest cottage. There, without the hostage’s awareness of either the reason for his imprisonment or the people who planned it, the young kidnappers subject him to summary trial. In subsequent days, the military man will respond to an interrogation as severe as precise, that will lay bare the tense contradiction between two political and moral ideologies so incompatible that destruction surely awaits one of the opposite fields. The ending unveils a new chapter of a contemporary drama.

"El Rati Horror Show" is a documentary portraying the dramatic story of Fernando Ariel Carrera, an ordinary man unjustly convicted to 30 years of prison -not by mistake but deliberately- by the manipulation of a Judicial Case. The movie takes as a central point the way in which Fernando Carrera's case was set up: the manipulation and alteration of evidence at the scene; the manipulation by the police of the testimonies of the few witnesses called to declare; the manipulation of national media by Rubén Maugeri, key witness and president of the 34th Precinct Friends Association. On the other hand, we show how Fernando Carrera lives his days in prison, knowing he is another victim of police excesses and of a legal system that unjustly convicted him

"El Rati Horror Show" is a documentary portraying the dramatic story of Fernando Ariel Carrera, an ordinary man unjustly convicted to 30 years of prison -not by mistake but deliberately- by the manipulation of a Judicial Case. The movie takes as a central point the way in which Fernando Carrera's case was set up: the manipulation and alteration of evidence at the scene; the manipulation by the police of the testimonies of the few witnesses called to declare; the manipulation of national media by Rubén Maugeri, key witness and president of the 34th Precinct Friends Association. On the other hand, we show how Fernando Carrera lives his days in prison, knowing he is another victim of police excesses and of a legal system that unjustly convicted him

"El Rati Horror Show" is a documentary portraying the dramatic story of Fernando Ariel Carrera, an ordinary man unjustly convicted to 30 years of prison -not by mistake but deliberately- by the manipulation of a Judicial Case. The movie takes as a central point the way in which Fernando Carrera's case was set up: the manipulation and alteration of evidence at the scene; the manipulation by the police of the testimonies of the few witnesses called to declare; the manipulation of national media by Rubén Maugeri, key witness and president of the 34th Precinct Friends Association. On the other hand, we show how Fernando Carrera lives his days in prison, knowing he is another victim of police excesses and of a legal system that unjustly convicted him

"El Rati Horror Show" is a documentary portraying the dramatic story of Fernando Ariel Carrera, an ordinary man unjustly convicted to 30 years of prison -not by mistake but deliberately- by the manipulation of a Judicial Case. The movie takes as a central point the way in which Fernando Carrera's case was set up: the manipulation and alteration of evidence at the scene; the manipulation by the police of the testimonies of the few witnesses called to declare; the manipulation of national media by Rubén Maugeri, key witness and president of the 34th Precinct Friends Association. On the other hand, we show how Fernando Carrera lives his days in prison, knowing he is another victim of police excesses and of a legal system that unjustly convicted him

Mulher dirigindo pela rodovia se distrai e atropela algo (ou alguém). Temerosa, vai embora sem parar e guarda esse segredo. O incidente deixa a mulher ao mesmo tempo traumatizada e em estado de alerta. Uma noite, no entanto, diz ao marido que teme ter matado alguém na estrada. Eles vão até lá, mas descobrem apenas um cachorro morto. Amigos do casal próximos a policiais também confirmam que não houve nenhum relato de uma pessoa atropelada. Tudo volta ao normal na vida da mulher, até que notícias de uma descoberta terrível passam a atormentar a todos.

The movie depicts the last days of life of photographer Gabriela Liffschitz, who went into a coma the following day after the shooting and died two days later, on February 13, 2004, as a result of breast cancer. Liffschitz, who knew that he was affected by a terminal breast cancer film project along with Enrique Piñeyro, assuming you had a few months to live.

Argentine helmer Rafael Filipelli's understated and deliberate, slice-of-life drama Night Music (AKA Musica Nocturna, 2007) unfurls over the course of four evenings, with its depiction of an emotionally-strained marriage between husband and wife Federico (Enrique Pineyro) and Cecilia (Silvia Arazi), which Filipelli sets against the backdrop of semi-vacant, nocturnal Buenos Aires. He is a music critic pushing 50 and grappling with the completion of his first book; she is a playwright, in rehearsals for a major new production. Both have hit an emotional lull in their marriage that inspires each to coolly flirt with infidelity. As Federico flirts dangerously with the theatrical director's assistant, Cecilia reconnects at length with a past acquaintance, belletrist Sergio (Horacio Acosta), who may or may not have been amorously involved with Cecilia at one time.

The documentary portrays a behind-the-scenes look at the poor state of Argentina's civil aviation, and puts the blame on the Argentine Air Force. The Air Force has been in control of air traffic operations since the military takeover of General Juan Carlos Onganía in 1966. The producer/director, Enrique Piñeyro, claims Argentina and Nigeria are the only countries whose air force controls and regulates the airline industry. The film is heavily based on the Austral Líneas Aéreas Flight 2553 plane crash. Enrique Piñeyro takes his camera, secretly, into the control tower of the Ministro Pistarini International Airport also-known-as Ezeiza, the international airport at Buenos Aires.

The documentary portrays a behind-the-scenes look at the poor state of Argentina's civil aviation, and puts the blame on the Argentine Air Force. The Air Force has been in control of air traffic operations since the military takeover of General Juan Carlos Onganía in 1966. The producer/director, Enrique Piñeyro, claims Argentina and Nigeria are the only countries whose air force controls and regulates the airline industry. The film is heavily based on the Austral Líneas Aéreas Flight 2553 plane crash. Enrique Piñeyro takes his camera, secretly, into the control tower of the Ministro Pistarini International Airport also-known-as Ezeiza, the international airport at Buenos Aires.

The documentary portrays a behind-the-scenes look at the poor state of Argentina's civil aviation, and puts the blame on the Argentine Air Force. The Air Force has been in control of air traffic operations since the military takeover of General Juan Carlos Onganía in 1966. The producer/director, Enrique Piñeyro, claims Argentina and Nigeria are the only countries whose air force controls and regulates the airline industry. The film is heavily based on the Austral Líneas Aéreas Flight 2553 plane crash. Enrique Piñeyro takes his camera, secretly, into the control tower of the Ministro Pistarini International Airport also-known-as Ezeiza, the international airport at Buenos Aires.

Whisky Romeo Zulu tells the story prior to the crash of LAPA Boeing 737 that on August 31, 1999, caught fire after hitting an embankment in the center of Buenos Aires, killing 67 people. The disaster changed the history of civil and commercial aviation in Argentina, and the film recounts, from the standpoint of the director, a former airline pilot-how in some countries the safety of the flight is incredibly precarious.

Whisky Romeo Zulu tells the story prior to the crash of LAPA Boeing 737 that on August 31, 1999, caught fire after hitting an embankment in the center of Buenos Aires, killing 67 people. The disaster changed the history of civil and commercial aviation in Argentina, and the film recounts, from the standpoint of the director, a former airline pilot-how in some countries the safety of the flight is incredibly precarious.

Whisky Romeo Zulu tells the story prior to the crash of LAPA Boeing 737 that on August 31, 1999, caught fire after hitting an embankment in the center of Buenos Aires, killing 67 people. The disaster changed the history of civil and commercial aviation in Argentina, and the film recounts, from the standpoint of the director, a former airline pilot-how in some countries the safety of the flight is incredibly precarious.

Whisky Romeo Zulu tells the story prior to the crash of LAPA Boeing 737 that on August 31, 1999, caught fire after hitting an embankment in the center of Buenos Aires, killing 67 people. The disaster changed the history of civil and commercial aviation in Argentina, and the film recounts, from the standpoint of the director, a former airline pilot-how in some countries the safety of the flight is incredibly precarious.

We are in Argentina in 1977, a woman gives birth to twins. With the complicity of the midwife he manages to hide the child, second child. The first, a boy, is taken into custody by the regime's guards. The scene moves to the Milan of today. The young Rosa contacts Javier and tries to convince him that they are twin brothers, separated at birth. Thus, the two begin a journey to rediscover their origins and their past. A bitter reality is ready to overwhelm them ...

Ariel (Daniel Hendler) é um jovem judeu dividido entre sua devoção aos tradicionais laços de família e o desejo de algo diferente, e Santamaria (Enrique Piñeyro), um funcionário demitido do banco onde trabalhava e abandonado pela mulher.

Na época da ditadura militar, na Argentina, um agente secreto da polícia (Félix) leva uma vida dupla: torturador de prisioneiros e um dedicado cidadão. Um dia, sua namorada (Maria), uma jovem professora e militante de esquerda, é presa e torturada num centro clandestino de detenção conhecido como Garage Olimpo. Mesmo estando apaixonado, ele não consegue salvá-la de seu destino fatal.

Na época da ditadura militar, na Argentina, um agente secreto da polícia (Félix) leva uma vida dupla: torturador de prisioneiros e um dedicado cidadão. Um dia, sua namorada (Maria), uma jovem professora e militante de esquerda, é presa e torturada num centro clandestino de detenção conhecido como Garage Olimpo. Mesmo estando apaixonado, ele não consegue salvá-la de seu destino fatal.