Vlado Kreslin

"Instead of Whom a Flower Now Blooms", "That Black Guitar", "Dizzy Heights" and other songs by the singer, poet and author Vlado Kreslin have already become folk tunes. Vlado is an eminent performer of popular music with a cult status, which is not a result of self-promotion strategies, but rather a consequence of his exceptional personal charisma and suggestive music expression. The documentary takes a look at the key stages of how Vlado Kreslin developed his authentic artistic expression. At the same time it frames the wider cultural context that Vlado has been creating in for more than forty years. However, this is first and foremost a film about music and music lovers.

Ulay is a conceptual artist whose photography pushed boundaries, and whose love affair with Marina Abramovic produced some of the best pieces of performance art. Diagnosed with cancer shortly after agreeing to film the documentary, Ulay's illness informs Project Cancer, which is part-retrospective, part-visual document of the year he believed could be the last of his extraordinary life.

A story about the price of success. It reveals the cruelty of the music scene that a young and talented girl has to cope with in order to succeed.

Tadej and Lana, a young couple, are struggling through the world of drugs, dealers, addicts and prostitution. He is addicted to heroin and she is trying to help her boyfriend. When she realizes that all her efforts are in vain she becomes so desperate that she decides to take heroin herself in order to show Tadej how weak he is. Unfortunately the drug is stronger then her too and a year later she finds herself in the same situation. Now they are both in continuous search for daily fix.

A tragedy looms for a young Gypsy violinist whose half brother is in the throes of first love.

By a twist of fate, Damjan is mistaken for a murderer who was prowling the streets of Ljubljana in the same neighbourhood. Because of his naive, friendly approach and helpfulness, his wife walks out on him and the police have doubts about his sanity. Is Damjan really losing his memory like his father did before him? And does purity of mind and spirit necessarily lead to a person's downfall? Will Damjan, who is mysteriously attracted and connected to the cinema and who finds himself drawn into a case of mistaken identity (just like in the movies) succeed in setting his life in order in spite of the mix-up and in finding the right companion for himself?

An educationalist - a 'thief of childhood' becomes alarmed over the inappropriateness of old, fairy tale stories for children. The old book like the one about witches and monsters in her hands suddenly springs to life. Out from it escape Sophie the Witch and her companions: Black Claw, Gray Nightmare and the Red Straw Monster, as well as the water-sprite Aquiline, the shy little dwarf Tiny Peat, and the enchantress Lady Spider. They scatter among the town and woods and performed all kinds of mischief. Sophie just can't get her broom to fly, because she became too fat. The monsters, disappointed over the century in which we live, return back into the book, the witch Sophie loses her magic power and becomes 'Aunt Sophie', and Tiny Peat has changed into a black cat.

In the wild times of the Second World War, Blanka marries political grandee Pavle, who is shortly afterwards sent to Goli Otok as a political prisoner. Blanka has enthusiasm for photography, becomes independent and opens a studio of photography with Laco. But soon she realizes that her business partner is an impostor. Pavle returns from prison, but their relationship, despite awareness of the political interference in their intimate sphere, imbues the bitter chill and misunderstanding. Blanka tries to drown her endless problems in alcohol and seduce her only male friend, but her last rescue, the thread of love, is being interrupted as well. Is every love of Blanka Kolak sentenced to death, is love possible at all, is worth living without it?