Simón Ratziel

A struggling all-female rock band kicks off a new tour, hoping to rekindle their popularity. When they catch the attention of horrors from beyond our reality, the band realizes that being forgotten by their fans is the least of their problems.

During a hot summer siesta in Entre Ríos, Malena terrifies her younger brother Santiago, with a legend in which children are watched over by pigeons and captured by a hideous monster if they don't nap. Bored of doing nothing, Malena goes out to the nearby bush with her cell phone to look for the internet, without imagining the consequences that a simple walk in the sun can unleash.

The worrying disappearance of Ansio in TRASH (2010) and Ana L in TRASH TWO (2013) alerts the sexagenarian Mom Bruselas who, with a wheelchair in between, will launch herself to the adventure of getting her children back. She will have to go deep inside her own memories to get to the center of such a twisted maze. Drugs that makes you travel through time, an epic gang fight which takes place in a more addictive and violent city, and confusing religious cults in the search for their messiah. All of these will frame the explosive end to this punk cinema saga.

Province of Buenos Aires, Argentina, 2101. The world has been ravaged by a biological warfare. A man wakes up in the desert, unable to remember anything of his previous life.

The story of Daemonium begins in an alternate universe to ours, in which magic and technology coexist with humans and demons. A powerful family hires a band of mercenaries and forces Fulcanelli, a wizard and con artist, to invoke a demon with the purpose of gaining even more power. Of course, things go terribly wrong. The wizard escapes and the demon slaughters the mercenaries, with the exception of Razor. He’s the one who seals the deal to become lord of the criminal underworld. The family kidnaps Lisa, his pregnant wife, and turns her into a merciless killing machine and the spear point of their offensive against Razor. But she’s not the only threat to the crime lord. It’s only a question of time before the demon returns to claim Razor’s soul. Fulcanelli seems to be the key to stopping the demon and Razor sends out his band of sexy killer robots to find him.

Almost all the employees of a spicy sauce factory are slaughtered. Responsible for this drama: hitman Victor Patibulo, notorious for sucking on a pacifier ever since his favorite poodle got killed. One body is absent among the dead: big boss Heraclito, who had just created a revolutionary new sauce. Is there a connection? There’s only one man who’ll be able to find out: the handsome, strong and clever Marcello Risk, star of the anti-terrorism unit K.K.D.B.B. Together with his sidekick, Guadalajara Man, big fan of martial arts and bananas, he’ll try to solve the mystery. But there are many weird and wonderful enemies on their path, their boss is mind-bogglingly dumb and their residential science genius hasn’t eaten in weeks. Cutbacks, you know!

Although Alexia, Franco's ex-girlfriend, has been deceased for some time, Franco still has her as a contact on his social network. When he decides to delete her and move on, something strange starts to manifest through his computer.

Late at night, a brother and his sister ride in an elevator with their father. Suddenly, the lights go off, and the lift gets stuck between two floors. In the dark and unable to get any help, the father pushes his son through the narrow space between the shaft and the hallway. Alone in the claustrophobic box, the father and daughter stay silent, until a childish whining is heard from the shadows. Someone is inside the elevator... breathing by their side.

Late at night, a brother and his sister ride in an elevator with their father. Suddenly, the lights go off, and the lift gets stuck between two floors. In the dark and unable to get any help, the father pushes his son through the narrow space between the shaft and the hallway. Alone in the claustrophobic box, the father and daughter stay silent, until a childish whining is heard from the shadows. Someone is inside the elevator... breathing by their side.

Late at night, a brother and his sister ride in an elevator with their father. Suddenly, the lights go off, and the lift gets stuck between two floors. In the dark and unable to get any help, the father pushes his son through the narrow space between the shaft and the hallway. Alone in the claustrophobic box, the father and daughter stay silent, until a childish whining is heard from the shadows. Someone is inside the elevator... breathing by their side.

Late at night, a brother and his sister ride in an elevator with their father. Suddenly, the lights go off, and the lift gets stuck between two floors. In the dark and unable to get any help, the father pushes his son through the narrow space between the shaft and the hallway. Alone in the claustrophobic box, the father and daughter stay silent, until a childish whining is heard from the shadows. Someone is inside the elevator... breathing by their side.

Late at night, a brother and his sister ride in an elevator with their father. Suddenly, the lights go off, and the lift gets stuck between two floors. In the dark and unable to get any help, the father pushes his son through the narrow space between the shaft and the hallway. Alone in the claustrophobic box, the father and daughter stay silent, until a childish whining is heard from the shadows. Someone is inside the elevator... breathing by their side.

Late at night, a brother and his sister ride in an elevator with their father. Suddenly, the lights go off, and the lift gets stuck between two floors. In the dark and unable to get any help, the father pushes his son through the narrow space between the shaft and the hallway. Alone in the claustrophobic box, the father and daughter stay silent, until a childish whining is heard from the shadows. Someone is inside the elevator... breathing by their side.

A documentary maker, a team of researchers in dead languages ​​and rites, a priest and a cameraman enter a factory that has been abandoned since 2001, when an employee murdered 16 work colleagues and subsequently, in the face of police persecution, killed himself. The police concealed evidence and closed the case as mass murder, but several testimonies, forensic photographs and other studies showed that the killer had practiced Enochian magic.

A documentary maker, a team of researchers in dead languages ​​and rites, a priest and a cameraman enter a factory that has been abandoned since 2001, when an employee murdered 16 work colleagues and subsequently, in the face of police persecution, killed himself. The police concealed evidence and closed the case as mass murder, but several testimonies, forensic photographs and other studies showed that the killer had practiced Enochian magic.

A fragile border separates our world from the realm of darkness, where nightmarish creatures await in the shadows. Only one thing is standing in their way: a secret order of priests, who devote their souls to protect this border. They are the 'Deus Irae'.

A fragile border separates our world from the realm of darkness, where nightmarish creatures await in the shadows. Only one thing is standing in their way: a secret order of priests, who devote their souls to protect this border. They are the 'Deus Irae'.

This documentary made by Elian Aguilar in 2009 brings together all the genre filmmakers from Argentina in the last 15 years, who tell about their time at the Buenos Aires Rojo Sangre festival. In addition, it details the problems related to genre cinema in Argentina, under the urgent need to provide high-quality products, always taking care of budgets. For its part, it highlights the progress of the 'ultra-independent film scene' in establishing a local genre film market.

This documentary made by Elian Aguilar in 2009 brings together all the genre filmmakers from Argentina in the last 15 years, who tell about their time at the Buenos Aires Rojo Sangre festival. In addition, it details the problems related to genre cinema in Argentina, under the urgent need to provide high-quality products, always taking care of budgets. For its part, it highlights the progress of the 'ultra-independent film scene' in establishing a local genre film market.