Quentin Crisp

A collection of interviews recorded for the making of the 1995 documentary "The Celluloid Closet," on the subject of LGBT representation in film history.

Quentin Crisp was a writer, raconteur, social rebel, and "professional being". He was nearly 91 when he died of heart failure in 1999, and his death powerfully affected those who loved him. In this portrait, Tim Fountain (Crisp's biographer, and author of the play RESIDENT ALIEN) interviews friends and family of Crisp, to learn something of the significance of his death, and the "enigma of his life".

March 1999. Tim Fountain and Bette Bourne meet Quentin Crisp in his famously filthy New York apartment for one of his very last interviews before his sudden death in England a few months later during Tim and Bette's production of Resident Alien, a play based on Quentin's life and writing at the Bush Theatre, London.

Gay guru and fading icon Malcolm wants to escape from Homo Heights town, which is ruled by drag queen and leader of gay mafia Maria Callous.

A black comedy version of the classic tale.

This documentary highlights the historical contexts that gay, lesbian, bisexual and transgender individuals have occupied in cinema history, and shows the evolution of the entertainment industry's role in shaping perceptions of LGBT figures. The issues addressed include secrecy – which initially defined homosexuality – as well as the demonization of the homosexual community with the advent of AIDS, and finally the shift toward acceptance and positivity in the modern era.

Três drag queens viajam pelo interior dos Estados Unidos, quando o carro em que estão quebra e elas ficam encalhadas numa cidadezinha onde nada acontece. Ou acontecia... As três tiram proveito da situação e usam o glamour para chacoalhar os moradores com um palco montado para um fim de semana de alegria e simplicidade.

The colleagues, collaborators, and former lovers of a recently deceased theater personality gather together for an impromptu memorial service in this drama featuring the final full-length feature performance of actor Quentin Crisp. Heartfelt pathos blends with over-the-top comedy when the driving force behind a controversial theater group dies. Frank David Niles was the heart and soul of the "In Your Face" theater company, and now his friends and colleagues are determined to give him a proper send off. In addition to marking Crisp's final full-length feature performance, Red Ribbins also marks the return to the big screen for former The Devil in Miss Jones star Georgina Spelvin.

Tells the story of Nelson Sullivan who was the unofficial video documentary filmmaker of the late 1980s downtown New York nightlife and LGBTQ+ community, with extensive archival segments directed by Sullivan himself.

Diva filmmaker June Lang's documentary of her and Mr. Quentin Crisp having lunch at her apartment.

O advogado Andrew trabalha num conceituado escritório de advocacia. Quando descobre que é portador do vírus HIV, é despedido sumariamente. Ele então contrata os serviços de outro advogado para processar a companhia.

O nobre Orlando é condenado pela rainha Elizabeth I a permanecer eternamente jovem. A maldição se cumpre e Orlando atravessa os séculos experimentando vidas, parceiros, sentimentos e mudanças de gênero.

At age 73, writer and melancholy master of the bon mot, Quentin Crisp (1908-1999), became an Englishman in New York. Nossiter's camera follows Crisp about the streets of Manhattan, where Crisp seems very much at home, wearing eye shadow, appearing on a makeshift stage, making and repeating wry observations, talking to John Hurt (who played Crisp in the autobiographical TV movie, "The Naked Civil Servant"), and dining with friends. Others who know Crisp comment on him, on his life as an openly gay man with an effeminate manner, and on his place in the history of gays' social struggle. The portrait that emerges is of one wit and of suffering.

Kojak charms his way into high society to investigate art thefts that are tied to munitions smuggling and murder.

Produced in collaboration with MICA-TV, Summer of Love is a public service announcement produced for the American Foundation for AIDS Research. Featuring The B-52’s, David Byrne, Allen Ginsburg, Quentin Crisp, John Kelly, and others.

Oscar Wilde’s famous and eloquent defence of love – made while he was being cross-examined at the trial that led to his incarceration and death – is strikingly illustrated, word by word, with Mapplethorpe-like imagery.

O dr. Frankenstein dedica anos de pesquisa para construir o par perfeito para sua primeira criação monstruosa. Ele cria uma mulher, Eva, para casá-la com seu primeiro monstro. Contudo, Eva decide abandonar seu noivo, que não desiste de tê-la para si.

This TV documentary was made for the UK BBC TV "Arena" strand in 1981, and shows some of the colourful residents of and people connected with the New York Chelsea Hotel. Some highlights include Andy Warhol and William Burroughs having dinner; Quentin Crisp pontificating in a blue rinse hairdo on his balcony and Nico forgetting what she is talking about halfway through a dour rendition of "Chelsea Girls". A number of lesser-known characters also appear, linked together by a tour guide walking around the building and some sub-Shining sequences of a child cycling round the landings on a rickety tricycle. (IMDb)

In this witty monologue, Quentin Crisp advises and opines about personal style (with a few digressions).

The classic Shakespeare play in a way you've never seen.

O filme é uma adaptação da autobiografia de Quentin Crisp, um verdadeiro ícone gay da Inglaterra no século vinte, um homem que enfrentou com extraordinaria coragem o preconceito e as perseguições ao longo de décadas, sempre com inteligência e senso de humor. O filme é estrelado por John Hurt. Crisp era um pária mesmo entre os gays. Era efeminado, afeminado e não fazia questão alguma de esconder isso. Pelo contrário, dizia que essa era a sua "contribuição para a causa", décadas antes de se falar de "visibilidade gay". Foi um homem muito a frente de seu tempo, que jamais abdicou de seu direito de ser e de existir, ainda que tenha sofrido por conta disso. Ele foi um transgressor, no melhor sentido da palavra, e isso numa época em que a homossexualidade ainda dava cadeia na Inglaterra.

O filme é uma adaptação da autobiografia de Quentin Crisp, um verdadeiro ícone gay da Inglaterra no século vinte, um homem que enfrentou com extraordinaria coragem o preconceito e as perseguições ao longo de décadas, sempre com inteligência e senso de humor. O filme é estrelado por John Hurt. Crisp era um pária mesmo entre os gays. Era efeminado, afeminado e não fazia questão alguma de esconder isso. Pelo contrário, dizia que essa era a sua "contribuição para a causa", décadas antes de se falar de "visibilidade gay". Foi um homem muito a frente de seu tempo, que jamais abdicou de seu direito de ser e de existir, ainda que tenha sofrido por conta disso. Ele foi um transgressor, no melhor sentido da palavra, e isso numa época em que a homossexualidade ainda dava cadeia na Inglaterra.

Five years before the TV adaptation of The Naked Civil Servant made him a household name, Quentin Crisp - dandy, raconteur, life model and former prostitute - welcomed celebrated filmmaker Denis Mitchell into his dusty London bedsit. Crisp recalls the violence and fascination his extraordinary appearance once provoked, offers tips on avoiding housework and subsisting on a diet of stout and meal replacement powder, and ruminates on life as a "minority within a minority - an effeminate homosexual". In a fittingly eccentric touch, the film was broadcast in Granada's current affairs strand World in Action. John Hurt's immortal 1975 portrayal helped place Crisp in the pantheon of English eccentrics, though Crisp's outspoken views put him at odds with the burgeoning gay rights movement. Crisp lived in the flat on Beaufort Street in Chelsea from 1940 to 1981, when he moved to New York City, having taken his successful one-man show there. He died in 1999, aged 90.

A girl takes her camera along to a rocky beach, but quickly becomes fascinated with a far stranger mechanical contraption that she finds there.

The first half of Ann Wolff's BFI-funded short sees the eponymous captain (played by O'Connor) enacting the bizarre actions of the verse, chewing his beard, bouncing through a window and "frowning at a passing ceiling". In the second half, a curious interplay involving a carrot unfolds at a railway station.