Sophie Faucher

In an era of political correctness, identity evolution, protests, cultural scandals, activism, media storms, and other disputes, an elderly man no longer having faith in humanity, discovers new landmarks and thus his happiness.

Uma detetive novata e um cientista metódico partem em uma aventura para provar a existência do Yeti no Himalaia com a ajuda de um guia xerpa.

Emily Price tries to balance family life and leading crunch negotiations between a Canadian politician and the president of a country whose natural resources are being exploited.

A young actress is willing to do whatever it takes to get a part in the film of a famous director.

Aos 30 anos de idade Laurence tem uma namorada que ama e um bom cargo de professor, mas algo ainda não está certo... Ele sempre se sentiu uma mulher presa no corpo de um homem, e acredita que já passou da hora de assumir sua identidade, mesmo sabendo que isso poderá despertar reações ruins de todos ao seu redor.

Sophie, que mora em Montreal, cadastra-se em um site de troca de casas. Ela decide passar umas férias em Paris e troca de residência com Bénédicte, uma completa desconhecida. Sophie não sabia que estava cometendo o maior erro de sua vida. Um dia depois de sua chegada, ela é surpreendida pela invasão de policiais em sua “nova” e temporária casa, onde um homem decapitado foi encontrado. Acusada de ser a assassina, Sophie passa a ser confundida com a verdadeira proprietária do lugar e coloca em risco sua própria vida para provar quem é, de verdade.

On the keyboard, the young hands fly rapidly and the melody rises. For the child, nothing is easier; he hears the sounds in his head. These hands belong to 6 years old André Mathieu. He won his audiences and fired up concerts halls in London, New York, Paris and around the world. Adulated, hailed, praised, the child prodigy seemed to have everything to succeed. From the top of his vertiginous successes, to depths of torment, the life of the "Little Canadian Mozart" blends into his music. A romantic and passionate composer wishing for happiness, his story is nevertheless played on tragic notes.

A young Haitian (Michel Mpambara) who loves America visits his uncle (Maka Kotto) in Montreal.

After the death of his mother, a man tries to discover a meaning to his life, to the universe and to rebuild a relationship with the only family he has left: his brother.

Robert Lepage directed this Canadian comedy, filmed in black and white and color and adapted from Lepage's play The Seven Branches of the River Ota. In October 1970, Montreal actress Sophie (Anne-Marie Cadieux) appears in a Feydeau farce at the Osaka World's Fair. Back in Montreal, her boyfriend Michel (Alexis Martin) watches the October Crisis on TV and sees Canadian Prime Minister Trudeau declare the War Measures Act. The Canadian Army patrols Montreal streets. Sophie learns she's pregnant and phones Michel. However, Michel is immersed in politics, while Sophie rejects the amorous advances of her co-star (Eric Bernier), becomes friendly with a blind translator, and passes an evening with frivolous Canadian embassy official Walter (Richard Frechette) and his wife Patricia (Marie Gignac). Meanwhile, in Montreal, Michael plots terrorist activities. Commenting on East-West cultural distinctions, the film intercuts between Quebec (in black and white) and Japan (in color).

A heterosexual man pretends to be gay in order to keep his career in the world of art, which causes many misunderstandings with his wife, and mother.

Two harum-scarums who think they are good stand-up comics try to make a career in showbiz, partly for the career, partly to seduce women. They try alternatively the scene, a movie set and TV. They only succeed in making a fool of themselves

Skin and Bones gently introduce us to the world of anorexia and bulimia. The heroines of this moving film in which reality and fiction merge are called Annie, Andréanne, Hélène, Eisha. They have in common their youth and charm - as well as a terrible tendency to self-destruct.

Three office employees work on their computers until a disturbing presence invades their space and distracts them.