Rudolph Bernauer

1838: Fritz Jüterbog and Ottilie von Henkeshofen love each other, but the difference in status is too great for Ottilie's parents to give their consent to a marriage. And so Fritz sets off for America and returns from there 20 years later as a made man to ask for Ottilie's hand in marriage again. In the meantime, however, Ottilie - believing that Fritz had long since forgotten her - is married in a manner befitting her status, but very unhappily. Fritz, who is highly successful as an entrepreneur, is elevated to hereditary nobility because of his great services to the fatherland. It is too late for a union with Ottilie, but despite the years that pass, the two cannot forget their love. 75 years later, Fritz and Ottilie have died in the meantime, their grandchildren Fred and Tilla meet and fall in love.

The year is 1880. On the outskirts of the fictional small Scottish town of Levenford there stands a strange building, half cottage, half castle, embraced with thick stone walls. The townsfolk nickname the fortress "Hatter's Castle", for James Brodie, the man who built it. Brodie is a hatter who keeps the members of the family in fear and submission; he is brutal, arrogant, selfish and cruel. His wife, who has long been ailing, and his daughter Mary, are in awe of him. His son Angus, aged 15, alone dear to his heart, suffers under his love as the others suffer under his sternness.

Judy Aalders grows up in an orphanage. Albert Woudenberg happens to be present when Judy confronts the trustees of the orphanage and is expelled. He decides to send her to university and Judy, who has only ever seen his shadowy long legs, refers to him as 'Daddy-Long-Legs' from that day. Not knowing he is in fact her benefactor, Judy's relationship with Albert gradually turns into love.

During the First World War, a woman doctor falls in love with one of her patients who turns out to be a German spy. She herself ends up working for German intelligence.

In this musical, an enigmatic masked woman catches the roving eye of a wily playboy gambler at a masquerade ball. If he knew that she was using her wiles as bait and was planning to reform him of his gambling womanizing ways after catching him, he may have head for different waters.

A musical comedy of false identities.

A famous tenor manages to charm away a lovely young lady who was just about to be married to the opera director.

During a concert tour, famous tenor Riccardo Gatti meets Lixie at an Aida rehearsal and takes her for a ballet dancer. She is in fact trying to get a position for her boyfriend, so she accepts Gatti's date for supper. When she runs away he publishes a newspaper ad offering to give a concert anywhere she chooses if she shows up. She chooses a swimming pool hoping to discourage him, but he accepts.

Fred von Wellingen is a wealthy industrialist, part of a large family-owned corporation. Fred has fallen for Lia, a comely bartender in the Berlin Cabaret. He proposes to her, much to the horror of his family, which considers Lia and her unsophisticated father far below their caste. The family convinces Fred to give up the girl in exchange for increased position and income in the company. But Fred's lapse is momentary, and he again pursues Lia. But she, by this time, has learned of his erstwhile agreement and has agreed to marry someone else.

An impecunious clerk falls for a blonde who also has limited resources, but when she lands a film contract, that saves them both from the poor house.

An impecunious clerk falls for a blonde who also has limited resources, but when she lands a film contract, that saves them both from the poor house.

The wealthy von Wellingens are shocked when the father of their son Fred's fiancée Lia juggles desserts at a formal dinner. They encourage Fred to break the engagement. Lia goes to Berlin to marry a Baron von Schwarzdorf, and Fred arrives too late to stop the marriage.

Felix Bressart, later one of the most delightful members of the Ernst Lubitsch "stock company," plays the title character in the Austrian comedy Hirsekorn Greift Ein (Hirsekorn Does Something About It). It's a typical worm-turns affair, as a mild-mannered provincial actor ends up working as a chauffeur for a scatterbrained female novelist. Slapstick is the order of the day, except in the scenes involving heroine Charlotte Susa. Guiding the actors through their paces was Rudolf Bernauer, a stage actor-manager of vast experience. Critics in 1931 felt that Hirsekorn Greift Ein was too thin to be stretched to 90 minutes.

Felix Bressart, later one of the most delightful members of the Ernst Lubitsch "stock company," plays the title character in the Austrian comedy Hirsekorn Greift Ein (Hirsekorn Does Something About It). It's a typical worm-turns affair, as a mild-mannered provincial actor ends up working as a chauffeur for a scatterbrained female novelist. Slapstick is the order of the day, except in the scenes involving heroine Charlotte Susa. Guiding the actors through their paces was Rudolf Bernauer, a stage actor-manager of vast experience. Critics in 1931 felt that Hirsekorn Greift Ein was too thin to be stretched to 90 minutes.

In this romance, a banker's daughter suddenly breaks off her engagement on her wedding day. She then meets a man who believes in easy money. He sees her as his meal ticket and the two take off together.

A woman allows her husband, who she knows no longer loves her, to believe that she has been killed in a train wreck. Her husband later finds her as a hostess in a gambling den.

Toni Le Brun, a beautiful Viennese singer, becomes the ward of the wardrobe mistress of a Monte Carlo nightclub. Her benefactor, however, is actually a baroness incognito. Toni falls in love with the handsome Richard, but as they prepare to marry, she comes to believe he is only after the wealth accompanying her new noble status. But truth, like true love, will not be kept secret long.