Gérard Giroudon

While visiting a friend at the hospital, Momo, a jobless comedian, meets Michel, the director of an unpaid clown's association, who visit sick children. Thanks to Michel's support and belief, Momo sets himself a new challenge : make the children laugh, despite their illness.

Written in 1760, Carlo Goldoni’s comedy has never been performed at the Comédie-Française, perhaps overshadowed by the famousHoliday Trilogy. A satire of the Venetian merchant class, embodied by narrow-minded, complaining and intolerant men whose mistrust of the fairer sex borders on the absurd, The Boors perfectly illustrates Goldoni’s theatre, a “theatre of life with a real content, characters observed in reality, and a natural expression.” Thus, a theatre in which the man Voltaire described as “nature’s son and painter” scrutinises his contemporaries, their relationships and their social behaviour. His work served to entertain while providing posterity with an acute testimony of the morals of his time. Indeed, Jean-Louis Benoit warns against reducing the author to a simple “photographer of reality”.

Woman hero Dom Juan lives a life full of excesses and love affairs. When he seduces the nun Elvire, but shows no interest in her a short time later, he gets to deal with her vengeful brothers. Dom Juan and his assistant Sganarelle have to flee and set out on a journey full of strange encounters.

Silvia’s father grants her permission to meet Dorante, the man she’s promised to in marriage, by pretending to be her servant Lisette, who in turn will play the role of her mistress.

Françoise Barnier, the film's heroine, is a mother. One day, she stole something. She was in dire straits but no more so than usual. She was not in debt. She had always refused the degradation of excessive debt and charities, attempting to live in line with the rules laid down by society and the law. We follow her journey through the judicial institution. Here, two ideas of justice and law collide.

Set in a forlorn mining town near Valencienne in the north of France, the story is about one man's struggle to bring life to his once prosperous village and its inhabitants. Philippe Torreton, who won a César for Best Actor with his title role in Capitaine Conan, plays Daniel, the head teacher of a nursery school in a town demoralized by unemployment. Daniel is determined against all odds to bring life to the community. When a parent who has come to pick up her children collapses at the school grounds due to alcohol abuse, and social services turns a deaf ear to all pleas for help, Daniel decides to take the law into his own hands. Despite resistance from the townspeople, in the long run his efforts are not fruitless.

Theater play "Les fourberies de Scapin" played by the "Comédie française" in 1998.

First performed in 1732, Marivaux's play on the theme of cross-dressing, depicts the stratagems of the young princess Léonide in love with Agis, the legitimate heir to the throne of Sparta. To meet the prince, watched over by the philosopher Hermocrates and his sister, Léonide disguises herself as a man and seduces the whole household.

Alceste hates all of humanity, denounces its hypocrisy, cowardice and compromise. But he nevertheless loves Célimène, flirtatious and slanderous. The virtuous thus launches into battles lost in advance which force him to flee.