Chan Kiu-Ying

The rich girl Jean and the poor mechanic Dik fall in love at a resort in Japan, but Jean's rich father forbids such a romance for his daughter.

Equipe de jovens policiais é designada para ajudar encontrar um robô de ataque norte-americano em Hong Kong e no meio da investigação um dos membros do time é falsamente incriminado.

In this sequel to Yesterday You, Yesterday Me, Bobby looks back on his youthful dreams -- the joys of love and the pain of separation. He also remembers the summer of 1985 when he was smitten with a woman named Sharon.

During a period of widespread police corruption, Ti Lung is a stubborn cop who takes on both the mob and the political establishment.

Fans of Hong Kong pinup queen Joey Wang are likely to appreciate this ghost-themed seriocomic fantasy about a comic book artist named Shing (Tony Leung) who finds himself haunted by the ghostly Ching-ching (Wang).

When Fung's cop boyfriend Tats (Wilson Lam) puts her supposedly reformed triad father (Foo Wang-tat) behind bars, her daughter Fung (Joey Wong) aims to rid the organization of it's dirty ties, but one of Fung's father chief goons Cheong (Jimmy Lung Fong) in a deliciously over-the-top portrait of plans for a very hostile takeover. To ensure her cooperation, he rapes her, videotapes her naked the deed, and sells copies to his pals when he's whipping her, insulting her, killing her relatives, making her watch him have sex with hookers and reveling in her utter defenselessness but hotheaded partner Max Mok whose unrequited love for Fung, but doesn't fare much better when he goes above the law to get things done.

In a bloody beginning, a pair of stylish Japanese thieves steal some valuable gems. In a harrowing scene, during their escape, they kill the partner of a ruffled detective (think Columbo with a Chuck Barris hairdo). The detective swears revenge, and the thieves played by the athletic and lovely Michiko Nishiwaki and her terminally ill partner/lover played by Stuart Ong plan on going to Hong Kong, sell the loot, and buy weapons for the Red Army. All the while Cynthia, a rookie cop in Hong Kong, tries to get in on the action of the task force she has been assigned to, but unfortunately her superior is her uncle who wants to keep her out of harms way. The Japanese thieves and the detective trailing them, all make their way to Hong Kong, and Cynthia ends up entangled in the same mess with the detective, trying to bring the cold blooded and desperate thieves to justice. People on both sides are killed, leading to crossed paths of personal revenge, everyone out for each others blood.

Chik (Philip Chan), Lucky (Michael Wong), Chi-to (Waise Lee), and his ex-girlfriend Ngao (Carrie Ng) who he is still sweet on but is married to Lucky now, are aiming to make a score on a deal with a Taiwan triad when things take a turn for the BLOODY because Chi-to's cousin, who arranged the deal, set them up.

Wai is a waiter in a country club. One day at work he is humiliated by the wife of a millionaire Harry Tse; and in order to get even, he and his gang plan kidnap Mrs. Tse. His gang includes Jacky Chong, Sly Sze and Martha. The kidnapping goes wrong from the beginning. Instead of getting Mrs.Tse, they kidnap Harry Tse by mistake! The police sends Inspector Mina Ho to investigate, and she suspects Wai as one of the Kidnappers. Mina also asks Mrs. Tse to cooperate with the police, but Mrs. Tse refuses. On the other Hand, Wai and the others do not know how to get the ransom money. Harry in fact helps them to devise a plan, since he's afraid they might do something nasty to him if they don't get the money...

In Thailand in the 1950s, Detective Au Wei is shot to death by Cha Tin-Hung in a raid because of Cha's involvement with black market diamonds and jewelery. Wei's daughter Chun Chun swears revenge, helped by Wei's friend Yeh Tai-kor, a professional con-man.

Flora and her friends are about to be released from the juvenile detention center. After being persuaded by the instructor, she goes back to school. She lies to her mother claiming that she goes to the tutoring center after school and gets home late all the time. After school, she changes her clothes and goes to parties. At parties, she does more than fun but also stirs up troubles. One time, the girls walk into a brand name store. The products there are very expensive and they get humiliated by store staffs. It drives them to work hard and earn money. They are too young to tell wrong from right.…

After losing everything, a young man rebuilds his life and finds love in 1920s Shanghai -- all while rising to power in an organized crime syndicate.

The psychotic son of a rich man continues to get away with raping young women, with the help of an unscrupulous lawyer. A journalist working for a women's magazine becomes involved when her friend becomes a victim. Because of her campaigning efforts, the journalist herself becomes a target of the vicious brat's attentions.

In “82 Tenants” the widow Zhang and Bing, her new young consort, want to sell an apartment house to a property developer but old man Zhang's will provided that the current tenants can stay there as long as they want or the building survives. So it is clear who the villains are—joining the greedy couple is Chao who has purchased all the land around the building but needs this final piece so he can know everything down and build a money spinning edifice. One the other side are the tenants, a disparate group whose grudgingly and occasionally antagonistically shared communal life, while not ideal, is certainly better than not having a place to live.

Four heroes embark on a secret mission for Dr Sun Yat Sen's Nationalist Guard. Relentlessly pursued by the warriors of notorious Warlord Yue Sai Hoi, they have seven days to reach the Lo Yang Pass with their secret cargo.

Ah Wei used to be a policeman but his many battle scars and bullet wounds have demoted him to the daily grind of a sercurity guard. His existence is anything but boring, however, as this Hong Kong film like all the others, thrives on shoot-outs, chases, and enough violence to keep an audience awake.

Cops and Robbers depicts a city where ordinary citizens hold little trust for the police; far removed from the post-ICAC Hong Kong of today.