Gonzalo Martínez Ortega

Gonzalo Martínez Ortega

Nascimento : 1934-04-27, Camargo, Chihuahua, Mexico

Morte : 1998-06-02

História

Gonzalo Martínez Ortega (27 April 1934 – 2 June 1998) was a Mexican actor, director, screenwriter and producer. He directed thirteen films and television series between 1973 and 1996.

Perfil

Gonzalo Martínez Ortega

Filmes

El hombre de la mandolina
Story
Towards the end of the 1950s, a young homosexual faced life, society, a dominant mother, and a conservative home.
El hombre de la mandolina
Director
Towards the end of the 1950s, a young homosexual faced life, society, a dominant mother, and a conservative home.
Es mi vida
Writer
Es mi vida
Director
El testamento
Director
After the death of her husband the industrialist, unprepared trophy-wife takes over the management of his business concerns.
El Noa Noa
Writer
Juan Gabriel became one of the most popular Mexican singer-songwriters, beginning his career in this Ciudad Juárez cabaret. This is his story.
El Noa Noa
Director
Juan Gabriel became one of the most popular Mexican singer-songwriters, beginning his career in this Ciudad Juárez cabaret. This is his story.
Del otro lado del puente
Writer
Del otro lado del puente
Director
El jardín de los cerezos
Director
Aristocratic family in decline, ascendency of a new moneyed class.
Longitud de guerra
Writer
Based on the novel Tomochic by Heriberto Frías; tells the story of the rebellion of the inhabitants of the village of Tomochi, Chihuahua, against the government of Porfirio Diaz in 1891. Mexico's submission for the Academy Award for Best Foreign Language Film in 1976.
Longitud de guerra
Director
Based on the novel Tomochic by Heriberto Frías; tells the story of the rebellion of the inhabitants of the village of Tomochi, Chihuahua, against the government of Porfirio Diaz in 1891. Mexico's submission for the Academy Award for Best Foreign Language Film in 1976.
El principio
Writer
Mexico is in the midst of Revolution when the protagonist returns after studying in Paris to find his native town in Chihuahua occupied by Francisco Villa’s revolutionary forces. He visits his deserted home and remembers people and events from his adolescence that provide glimpses of pre-Revolutionary society under dictatorship: his uncle, the chief of police; his sister’s involvement with a liberal political association; bathing with the girls from a local brothel; a labor strike that ended in a massacre. Returning to the present he discovers that his father has been assassinated and, in the company of his father’s former servant, joins the revolutionary movement.
El principio
Director
Mexico is in the midst of Revolution when the protagonist returns after studying in Paris to find his native town in Chihuahua occupied by Francisco Villa’s revolutionary forces. He visits his deserted home and remembers people and events from his adolescence that provide glimpses of pre-Revolutionary society under dictatorship: his uncle, the chief of police; his sister’s involvement with a liberal political association; bathing with the girls from a local brothel; a labor strike that ended in a massacre. Returning to the present he discovers that his father has been assassinated and, in the company of his father’s former servant, joins the revolutionary movement.
Tú, yo, nosotros
Writer
Three interwoven stories where the characters experience deception, passion, love and rejection.
Tú, yo, nosotros
Director
Three interwoven stories where the characters experience deception, passion, love and rejection.
Siempre hay una primera vez
Writer
Tribute to Leopoldo Mendez
Director
Tribute to Leopoldo Méndez, a prominent Mexican artist, considered the most important printmaker in Contemporary Mexico
Tribute to Leopoldo Mendez
Writer
Tribute to Leopoldo Méndez, a prominent Mexican artist, considered the most important printmaker in Contemporary Mexico
Crates
A man renounces all of his personal possessions. Looking for liberty, he goes with his girlfriend to live in a cave, away from the corruptions of the material world.