René Berthier

Quatro novas gendarmes jovens chegam à delegacia do Gendarme Cruchot (Louis de Funès) com o objetivo de aprender a profissão com os melhores.

O Gendarme Cruchot (Louis de Funès) tenta salvar os habitantes de Saint-Tropez e o resto da humanidade de uma invasão alienígena.

Normandy, France, 1976. After 2 years of wild love with Nadia, Pouplard - unemployed heating engineer, working in his girlfriend's butcher's - decides to marry her and leave for good his (regular) wife and daughter.. He'll have to struggle against his own jealousy and Nadia's incredible sexappeal to get through this 'moment de vie'.

Cannes Film Festival 1976

Depois de ser obrigado a se reformar, o Gendarme Cruchot (Louis de Funès) volta a usar o uniforme para ajudar um amigo que sofre de amnésia.

O grande ladrão Corey acabou de sair da prisão. Mas, ao invés de seguir a linha da liberdade que respeita a lei, ele se vê de volta ao mundo sombrio do crime, cruzando com um notório fugitivo e um ex-policial alcoólatra. Como esse trio improvável planeja um roubo contra probabilidades impossíveis, sua trilha é perseguida por um inspetor implacável, e a sorte sela seus destinos.

A highly qualified worker, exercising his trade as an artist, sees his family and professional life turned upside down by the installation of a robot machine in his workshop.

Quando o Gendarme Cruchot (Louis de Funès) se apaixona por uma viúva e planeja casar-se com ela, sua filha travessa vai fazer de tudo para cancelar o casamento.

A gang of young tugs led by Frankie, opens a nightclub just in front of a gangster's hideout. Morelli is his name and he prepares the stealing of the century.

Base on Paul Féval's "Le Bossu" ("The Hunchback")

A great French restaurant's owner, Monsieur Septime, is thrust into intrigue and crime, when one of his famous guests disappears.

In Case of Adversity é um filme de drama francês de 1958, dirigido por Claude Autant-Lara, estrelado por Jean Gabin, Brigitte Bardot e Edwige Feuillère. Foi lançado como Love Is My Profession nos Estados Unidos.

Dany Robin plays the title character in the French comedy Mimi Pinson. The plot is strictly formula stuff, with Mimi being thwarted on all sides by those who have designs on her money and her virtue. Happily, our heroine triumphs over her foes and predators, finding true romance in the arms of Raymond Pellegrin.

Vallois, a vice inspector for the Paris police, takes special interest in the plight of drug-addicted Lucky (Najda Tiller), whom he considers to be more victim than criminal. Taking it upon himself to wean Lucky away from narcotics, Vallois also wins her love -- and, incidentally, smashes the dope ring responsible for her addiction

Rich industrialist Jacques Decret learns his wife Gloria is having an affair with a young actor. For revenge, he bombards her with anonymous letters, convincing her that her lover is the culprit while Gloria desperately seeks a way out.

"Le septième ciel" became Raymond Bernard's last film; a black comedy about a female brewery owner who donates vast amounts of money to charitable causes. The funds to do this, she raises through her liaisons with wealthy gentlemen... who just "happen" to end up dead!

A bossy count has trouble marrying off any of his six sons. When one of them, Adam, finally makes wedding arrangements, something happens to his bride to be: she develops amnesia after an accident.

Pierre is an engine driver who adopts a small girl, a WWI orphan. A widower, he sees in her the image of her mother.

While celebrating his birthday, police inspector Basquier (Bernard Blier) recalls two of his most-celebrated cases. The first involves duplicitous moneylender Olga (Suzy Prin). The second concerns the brutal broad-daylight murder of innocent young Yvonne (Veronique Deschamps).

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

A few years ago, Isabelle Leritz, a famous pianist, suffered a fit of madness, in the middle of a concert. Now recovered, she fell in love with Jacques whom she plans to marry. She does not know that he is having an affair with Caroline, his sister, director of a fashion house.

The announcement of the future marriage of Franck Reno, the star singer, causes considerable excitement around the world.

A valuable painting has been stolen from an art gallery in Paris.. On a train travelling between Paris and Rome, Zutra, a mysterious and sinister character, tries to find the stolen painting.

Due to financial problems, the boarding-school of Saint-Loup is on the verge of closing its doors. In desperation, Jacquelin, the headmaster, has the idea to invite former students to a fund-raising reunion. Among the alumni, three men whose common point is to have been in love at the time with the headmaster's niece. One is a banker, the second a priest and the last one a globetrotter. All of a sudden, the peace of the assembly is disturbed: Jacquelin's niece has just been murdered.

Hopes and love and ambitions and friendship in a group of young jazz-loving Parisians.

Ronaldo, a singer with the growing reputation dedicating himself body and soul to his art, sacrificing his marriage.

Kohlman, the attorney for the Fournil bank, diverts money from the institution. To hide his malpractices, he imagines to remove the director, the young and overconfident Clement Fournil, during a cruise at sea on the yacht Emile Frechisse.

On his way to Paris, Casanova keeps on collecting female conquests, does not shy away from duels and gets into many a colorful adventure. Once in the capital, the fearless knight saves the honor of a great lady, conquers the niece of his implacable enemy but courts disaster for love of Coraline, a faithless opera dancer.