A. Bhimsingh

A 160-minute version of the life of Jesus Christ filmed entirely with a cast and crew of Christian Indians in India.

A 160-minute version of the life of Jesus Christ filmed entirely with a cast and crew of Christian Indians in India.

A widower falls in love with an actress and marries her against his family's wish. But when he's stifled in this relationship, he decides to part ways. However, destiny has other plans in store.

Maattoly is a 1978 Indian Malayalam film directed by A. Bhimsingh and starring M. G. Soman, Sharada, Sukumari, Jayabharathi, and Jagannatha Varma.The film is a remake of Hindi film Dushman.

Nirakudam is a 1977 Indian Malayalam-language film, directed by A. Bhimsingh and produced by Baby. The film stars Kamal Haasan, Sudheer, Sridevi, Sukumari, Kaviyoor Ponnamma and Adoor Bhasi in the lead roles. The film has musical score by Jaya Vijaya.

Nirakudam is a 1977 Indian Malayalam-language film, directed by A. Bhimsingh and produced by Baby. The film stars Kamal Haasan, Sudheer, Sridevi, Sukumari, Kaviyoor Ponnamma and Adoor Bhasi in the lead roles. The film has musical score by Jaya Vijaya.

A university student from an orthodox Tamil Brahmin family is sexually abused by a stranger who offers her lift on a rainy night, then kicked out of her family for it. After all this she becomes determined to make it on her own.

A university student from an orthodox Tamil Brahmin family is sexually abused by a stranger who offers her lift on a rainy night, then kicked out of her family for it. After all this she becomes determined to make it on her own.

A young girl loves bunking school to watch movies. Unable to distinguish between reel and real life, she insists on marrying her favourite hero. The kind-hearted hero agrees to help the family.

1975 film.

Paadha Poojai was released in year 1974. Directed by Bhimasingh A, music by M S Viswanathan and starring Jayachitra, Pandharibai.

Paadha Poojai was released in year 1974. Directed by Bhimasingh A, music by M S Viswanathan and starring Jayachitra, Pandharibai.

Sushma believes that she is too young to get married, but her father, Lalla Banarsilal insists, and she runs away. Her adventures take her to a lonely wealthy widower with a cute daughter named Guddi; a drunken lout in a brothel; Dr. Kruparam, a psychiatrist, who admits her in his mental hospital; a dreaded bandit who has killed his tormentor, cut him into pieces and fed them to birds, and who still on a killing spree; Pandit Gorakhnath who lives a double life - as a priest and as a smuggler; a leper Dhanraj, who once was a very wealthy man, but is now shunned by everyone; a transvestite stage actor; and a hunter who saves Sushma's life by shooting dead a man-eating lion. As things spiral out of control for Sushma, there is yet one more male she has to meet, and it is this meeting that will change her life even more.

Sushma believes that she is too young to get married, but her father, Lalla Banarsilal insists, and she runs away. Her adventures take her to a lonely wealthy widower with a cute daughter named Guddi; a drunken lout in a brothel; Dr. Kruparam, a psychiatrist, who admits her in his mental hospital; a dreaded bandit who has killed his tormentor, cut him into pieces and fed them to birds, and who still on a killing spree; Pandit Gorakhnath who lives a double life - as a priest and as a smuggler; a leper Dhanraj, who once was a very wealthy man, but is now shunned by everyone; a transvestite stage actor; and a hunter who saves Sushma's life by shooting dead a man-eating lion. As things spiral out of control for Sushma, there is yet one more male she has to meet, and it is this meeting that will change her life even more.

Ranjit is the right-hand man of a gangster named "Uncle". He has been working for him since he was a runaway child, and excels in all of kinds of criminal activities, currently managing a night-club called "Playboy". He meets with beautiful Anju and both fall in love with each other. Then he finds out that Anju is not who she claims to be but someone hired by Pratap to be close to him, entrap him, and get him killed. But that does not happen, Ranjit survives, rescued by Anju, and he helps her free her brother, Rakesh, from Pratap's clutches. Then some priceless jewelery is placed on display, and a number of gangsters decide to try and steal them, knowing fully well that there is a 24 hour police guard, as well as an alarm system. It is after this robbery that the past will be re-visited and it is then a number of people, on whom Ranjit has depended upon, will come to know of his real background, including the murder he committed before he started his career as a criminal.

The rich Kalpana marries Rajesh, a poor painter, much to her parents' disapproval. She brags about his wealth to them but gets in trouble when they come to visit.

Unorthodox, honest, simple-minded, and unemployed Gopi is blamed for a theft he did not commit, and gets thrown out of his home by his elder step-brother.

Raja Saheb (Ashok Kumar) is a rich man, strict father to sons Virendra (Sunil Dutt) and Mahendra. One day, Mahendra has a big fight with his father and dies of shock afterwards. Virendra leaves home and falls in bad company with Pran. Later, Virendra falls in love with a poor girl (Nutan), eventually deciding to marry her. At home, a lonely Raja Saheb falls ill. When Virendra tells his father about his love, his father reveals his own past: He was in love with a poor girl, who died leaving a daughter (Padmini) behind, who dances on the roads to earn a living. Virendra decides to bring his sister home.

After abandoning Gauri, his wife who is visually impaired, Sanjeev goes on a hunting trip and is presumed dead. He returns months later to find that his best friend Sunil has stolen his identity.

Rajesh, is very insecure and possessive almost to the point of an obsession. He introduces Meena to his close and best friend, Dr. Shekhar, and soon gets formally engaged to Meena. Thereafter, Rajesh and Meena have an automobile accident, in which Rajesh becomes paralyzed and must be confined in a wheelchair. It is then that Rajesh finds out that Shekhar and Meena are having an affair, and the old murderous and possessive hatred, that he had managed to conceal, surfaces again - and this time will it will be Shekhar's turn.

Ramalingam is an honest, principled man, working as a clerk in a company. He values integrity and discipline as the doctrines of daily life. But his honesty is put to test when his son-in-law Raghu comes to him with a big problem. Raghu has misplaced some money in the bank in which he works, and he requests Ramalingam to give him money so that he could make good the loss.

Mehrban is a 1967 Hindi language film written and directed by A. Bhimsingh. It is a remake of Bhimsingh's own Tamil film Padikkadha Medhai (1960) which itself was a remake of the 1953 Bengali film Jog Biyog, based on the novel of the same name by Ashapoorna Devi.

Mehrban is a 1967 Hindi language film written and directed by A. Bhimsingh. It is a remake of Bhimsingh's own Tamil film Padikkadha Medhai (1960) which itself was a remake of the 1953 Bengali film Jog Biyog, based on the novel of the same name by Ashapoorna Devi.

An ancestral property is distributed between two brothers, then a couple of years later, bitterness divides their families. An outsider in the younger brother's family tries to kill the others, which is resisted in time, and they reunite.

Pazhani is a 1965 Indian Tamil-language drama film directed and Screenplay by A. Bhimsingh and produced by A. P. Chinnappan. The film dialogue were written by M. S. Solaimani and story written by G. V. Iyer respectively. . The film features Sivaji Ganesan played titular role with other prominent actors S. S. Rajendran, R. Muthuraman, T. S. Balaiah and M. R. Radha in lead with Devika, Nagesh, Pushpalatha and C. Lakshmi Rajyam played pivotal role. The film had musical score by Viswanathan–Ramamoorthy and was released on 14 January 1965.

Pazhani is a 1965 Indian Tamil-language drama film directed and Screenplay by A. Bhimsingh and produced by A. P. Chinnappan. The film dialogue were written by M. S. Solaimani and story written by G. V. Iyer respectively. . The film features Sivaji Ganesan played titular role with other prominent actors S. S. Rajendran, R. Muthuraman, T. S. Balaiah and M. R. Radha in lead with Devika, Nagesh, Pushpalatha and C. Lakshmi Rajyam played pivotal role. The film had musical score by Viswanathan–Ramamoorthy and was released on 14 January 1965.

Pachai Vilakku (English: Green Lantern) is a 1964 Indian Tamil film, directed by A. Bhim Singh and produced by Rama. Arangannal, A. R. Hassan Khan and T. S. Aadhi Narayanan. The film stars Sivaji Ganesan, C. R. Vijayakumari, S. S. Rajendran and S. V. Ranga Rao in lead roles. The film had musical score by Viswanathan–Ramamoorthy.

Pachai Vilakku (English: Green Lantern) is a 1964 Indian Tamil film, directed by A. Bhim Singh and produced by Rama. Arangannal, A. R. Hassan Khan and T. S. Aadhi Narayanan. The film stars Sivaji Ganesan, C. R. Vijayakumari, S. S. Rajendran and S. V. Ranga Rao in lead roles. The film had musical score by Viswanathan–Ramamoorthy.

Pachai Vilakku (English: Green Lantern) is a 1964 Indian Tamil film, directed by A. Bhim Singh and produced by Rama. Arangannal, A. R. Hassan Khan and T. S. Aadhi Narayanan. The film stars Sivaji Ganesan, C. R. Vijayakumari, S. S. Rajendran and S. V. Ranga Rao in lead roles. The film had musical score by Viswanathan–Ramamoorthy.

Balraj (Dharmendra), affectionately called Raj, by his elder brother (Nana Palsikar) and sister Vija (Madhumati), is a student in college in the arts semester. As the family is not very rich, Raj decides to move from the hostel to the residence of a family. He finds one such family in Gandhinagar, which consists of Choudhury Hukumat Rai (Ashok Kumar), a lawyer by profession, his wife (Nimmi), and only daughter Shanti (Mala Sinha). Hukumat takes an instant liking to Raj, and tells him that his wife will only allow him to take up residence if he tells her that he is already married. Raj reluctantly does so, and thus acquires residence with the Rai family. Eventually Mrs. Rai takes a liking to Raj, so does Shanti. Shanti finds out Raj and her dad had lied to the family about Raj's marital status, she confronts Raj, and he readily admits that he lied.

Paar Magale Paar is a 1963 Tamil film starring Sivaji Ganesan, Sowcar Janaki, R. Muthuraman and Vijayakumari. Zamindar Sivalingam (Sivaji Ganesan) is married to Lakshmiammal (Sowcar Janaki) and takes his family's prestige and heritage very seriously. Dancer Sulochana and Lakshmiammal have baby girls at the same time in the same hospital.

Paar Magale Paar is a 1963 Tamil film starring Sivaji Ganesan, Sowcar Janaki, R. Muthuraman and Vijayakumari. Zamindar Sivalingam (Sivaji Ganesan) is married to Lakshmiammal (Sowcar Janaki) and takes his family's prestige and heritage very seriously. Dancer Sulochana and Lakshmiammal have baby girls at the same time in the same hospital.

Bandha Pasam is a 1962 Indian Tamil language film directed by A. Bhimsingh and produced by Periyanna. The film stars Sivaji Ganesan, Gemini Ganesan, Savitri and Devika in lead roles. The film had musical score by Viswanathan–Ramamoorthy. This movie was dubbed in Telugu as Aadharsha Saadharalu.

Believing his wife to be dead, a soldier in the British-Indian army marries another woman and moves on. After few years, he finds out that his ex-wife is still alive and feels miserable.

Believing his wife to be dead, a soldier in the British-Indian army marries another woman and moves on. After few years, he finds out that his ex-wife is still alive and feels miserable.

Believing his wife to be dead, a soldier in the British-Indian army marries another woman and moves on. After few years, he finds out that his ex-wife is still alive and feels miserable.

Narayan works as a laborer on the farmland owned by businessman, Ratan Kumar, in Ramnagar, who also has a rubber estate in Singapore. Although Narayan was an ex-convict, Ratan had assisted him getting a job, some land, and a small house where he now lives with his grown daughter, Gayetri, who used to work as a tutor/teacher. While bringing him his lunch one afternoon, Gayetri faints, and a woman tells him that she is pregnant. A shocked Narayan tries to find out who the father is, but Gayetri refuses to answer. He is all ready to beat the truth out, when Ratan intervenes, asks Narayan to take some money and re-locate, which Narayan gratefully does. They do re-locate and Gayetri gives birth to a baby boy, Narayan takes him to an orphanage donated by Ratan himself, and leaves him there, he returns home and lets Gayetri know that her child was still-born.

Gopal dearly loves his brother Raju, despite the latter's unkind acts and frauds. But fate seems to have something else in store for Gopal as he is soon accused of killing Raju

Paalum Pazhamum is a 1961 Tamil-language film directed by A. Bhimsingh and featuring Sivaji Ganesan, B. Saroja Devi, Sowcar Janaki and others. Sivaji is a doctor searching for a cancer cure. Saroja Devi is Sivaji's nurse assistant. Sivaji offers to marry her after her father's death. Saroja Devi assists him in his research. After putting in enormous efforts, Sivaji emerges successful in formulating a new drug but Saroja Devi is diagnosed with tuberculosis. Sivaji neglects his duties as a doctor and starts focusing more on Saroja Devi's health. Saroja Devi flees on a train as she does not wish to divert him from his research.

Two siblings, Rajasekharan and Radha, become orphans when they lose their mother at a young age. Things take a turn when Rajasekharan's friend Anand falls in love with Radha.

Two siblings, Rajasekharan and Radha, become orphans when they lose their mother at a young age. Things take a turn when Rajasekharan's friend Anand falls in love with Radha.

Two siblings, Rajasekharan and Radha, become orphans when they lose their mother at a young age. Things take a turn when Rajasekharan's friend Anand falls in love with Radha.

The deeds of a dishonest man lead three children from a family to be raised by different foster parents. The children grow up in Muslim, Christian and Hindu households respectively.

The deeds of a dishonest man lead three children from a family to be raised by different foster parents. The children grow up in Muslim, Christian and Hindu households respectively.

The deeds of a dishonest man lead three children from a family to be raised by different foster parents. The children grow up in Muslim, Christian and Hindu households respectively.

The deeds of a dishonest man lead three children from a family to be raised by different foster parents. The children grow up in Muslim, Christian and Hindu households respectively.

Chandrasekaran, an industrialist, is very successful in his business and has a loving family. His three sons and two daughters live happily as one family. He brings up an orphan, Rangan (Sivaji Ganesan), who is utterly devoted to the family. Calamity strikes the family in the form of loss in business. The last daughter's marriage gets cancelled. The brothers and their wives ill-treat their parents and Rangan and his wife. Seeing this Chandrasekaran has no choice to ask Rangan and his wife leave their house. Aftermath Chandrasekaran dies a broken-hearted man leaving his wife and youngest daughter to be in their children's merciless hospitality. Rangan, with his simplicity and pure-hardheartedness, takes it upon himself to look after the mother and sister. In the end, he proves that love and affection is the greatest wealth.

Kalathur Kannamma (English: Kannamma of Kalathur) is an Indian Tamil romantic drama film produced by A. V. Meiyappan and directed by A. Bhimsingh. The film stars Gemini Ganesan and Savitri in the lead, while Kamal Hassan made his debut in this film as a child artist. The film's critically acclaimed soundtrack was composed by R. Sudharsanam. The film tells the story of a young couple who are separated by unfortunate circumstances, while their innocent son is forced to grow up in an orphanage.

Pazhani has two children — Chandiran and Meena. Meena is married. Chandiran loves Pankajam. His father and grandmother want him to marry a relative girl, Thangam, who is very helpful to the family. But Chandiran marries Pankajam defying them. Although brought in for comic relief, the ever-loveable J. P. Chandrababu and his milkman character became the real irresistible pull of this family melodrama. Director A. Bhimsingh—a rare talent to have successes in both South Indian and Hindi cinemas—masterfully blends lightness and pathos.

Pazhani has two children — Chandiran and Meena. Meena is married. Chandiran loves Pankajam. His father and grandmother want him to marry a relative girl, Thangam, who is very helpful to the family. But Chandiran marries Pankajam defying them. Although brought in for comic relief, the ever-loveable J. P. Chandrababu and his milkman character became the real irresistible pull of this family melodrama. Director A. Bhimsingh—a rare talent to have successes in both South Indian and Hindi cinemas—masterfully blends lightness and pathos.

Vaidyalingam Moopanar and his younger brother Sundaralingam live together along with their family. It is one big happy joint family. Vaidyalingam does not have any children while Sundaralingam has two sons. His older son's left hand is paralysed since childhood, while his younger son is studying in college in the city. Vaidyalingam's wife is bitter and keeps cursing Sundaralingam and his family, while Vaidyalingam is very affectionate towards them and is unhappy with his wife for her bad behaviour.