Producer
In the black marcket, a war orphan is confronted with the struggles of people living in the immediate aftermath of WWII.
Editor
In the black marcket, a war orphan is confronted with the struggles of people living in the immediate aftermath of WWII.
Director of Photography
In the black marcket, a war orphan is confronted with the struggles of people living in the immediate aftermath of WWII.
Writer
In the black marcket, a war orphan is confronted with the struggles of people living in the immediate aftermath of WWII.
Director
In the black marcket, a war orphan is confronted with the struggles of people living in the immediate aftermath of WWII.
How did a single ‘Big in Japan’ videotape change the course of global horror history? Find out in this insightful documentary charting the origins, evolution and diffusion across the world of a distinctive brand of Japanese supernatural chillers featuring vengeful ghosts manifesting themselves through contemporary technology against a backdrop of urban alienation and social decay. From PSYCHIC VISION: JAGANREI (1988) and straight-to-video SCARY TRUE STORIES to such key titles as RING (1998), PULSE (2001) and THE GRUDGE (2002), critics and filmmakers reflect on how the bleak Dystopian visions and unsettling atmospheres infiltrated their way into the world’s shocker consciousness.
Self
A journey into the creative mind of the most iconic video game designer in the world. Featuring appearances from visionary artists Guillermo del Toro, Nicholas Winding Refn, Grimes, George Miller, Norman Reedus, Woodkid, Chvrches, this visually captivating documentary gives a rare insight into Hideo Kojima’s creative process as he launches his own independent studio.
Ririko's father
Shin Kamen Rider is an upcoming Japanese tokusatsu superhero film written and directed by Hideaki Anno, produced to celebrate the 50th anniversary of the Kamen Rider Series and is a reboot of the original 1971 Kamen Rider series.
Self (archive footage)
The panorama of human affairs encounters the “man with a movie camera”. His playground has no boundaries, his curiosity no limits. Characters, situations and places pitch camp in the life of a humanity that is at once the viewer and the thing viewed. But what are the last days of this humanity? Have they already passed? Are they now or still to come?
Takano
Hayami Teruya is a dedicated salaryman who does a workman like job as the chief editor for a magazine. He has personal charm, get along with both the publisher and subordinates and runs the ship well. Chatting with his direct boss he picks up a certain vibe. Did he misunderstand that the magazine is doomed and will be terminated? If so, he is not going down without a fight. He will fight to make it through and keep his, and the others', jobs.
Self
Entramos na década de 1980 com efeitos práticos de filmes de terror, com novas revelações de tipos de gênero e especialistas da indústria.
Self
Career spanning interview up to 2020.
Director of Photography
O fim do período Edo, quando a paz doméstica continuava por 250 anos, era muito flutuante, dependendo da abertura ou não do país. Um trabalho chocante abordando o problema da vida e da morte através de um ronin que é jogado pela onda dos tempos e pessoas relacionadas a ele, situado numa área rural perto de Edo.
Jirozaemon Sawamura
O fim do período Edo, quando a paz doméstica continuava por 250 anos, era muito flutuante, dependendo da abertura ou não do país. Um trabalho chocante abordando o problema da vida e da morte através de um ronin que é jogado pela onda dos tempos e pessoas relacionadas a ele, situado numa área rural perto de Edo.
Editor
O fim do período Edo, quando a paz doméstica continuava por 250 anos, era muito flutuante, dependendo da abertura ou não do país. Um trabalho chocante abordando o problema da vida e da morte através de um ronin que é jogado pela onda dos tempos e pessoas relacionadas a ele, situado numa área rural perto de Edo.
Producer
O fim do período Edo, quando a paz doméstica continuava por 250 anos, era muito flutuante, dependendo da abertura ou não do país. Um trabalho chocante abordando o problema da vida e da morte através de um ronin que é jogado pela onda dos tempos e pessoas relacionadas a ele, situado numa área rural perto de Edo.
Screenplay
O fim do período Edo, quando a paz doméstica continuava por 250 anos, era muito flutuante, dependendo da abertura ou não do país. Um trabalho chocante abordando o problema da vida e da morte através de um ronin que é jogado pela onda dos tempos e pessoas relacionadas a ele, situado numa área rural perto de Edo.
Director
O fim do período Edo, quando a paz doméstica continuava por 250 anos, era muito flutuante, dependendo da abertura ou não do país. Um trabalho chocante abordando o problema da vida e da morte através de um ronin que é jogado pela onda dos tempos e pessoas relacionadas a ele, situado numa área rural perto de Edo.
Director
Shinya Tsukamoto recalls the development of his adaptation of 'Fires on the Plain' by Shohei Ooka
Self
Shinya Tsukamoto recalls the development of his adaptation of 'Fires on the Plain' by Shohei Ooka
Satoshi Takahashi (segment "Canaria")
Six Stories based on Six Songs.
Mokichi
Século XVII. Dois padres jesuítas portugueses, Sebastião Rodrigues (Andrew Garfield) e Francisco Garupe (Adam Driver), viajam até o Japão em uma época onde o catolicismo foi banido. À procura do mentor deles, padre Ferreira (Liam Neeson) os jesuítas enfrentam a violência e perseguição de um governo que deseja expurgar todas as influências externas.
Taka
Shizuoka Miyakonojo is a middle-aged paparazzi photographer. His skills as a cameraman are good, but he gambles and is in debt. When he worked in the editorial department for weekly picture magazine 'Scoop!,' he landed numerous scoops. He now works as a freelance photographer and chases after celebrity scandals. Shizuoka Miyakonojo works with Nobi Namekawa. She is a rookie reporter for 'Scoop!' and they land a scoop.
Satoshi's Father (voice)
A recently divorced and traumatized man moves to Hakodate, Hokkaido and attends a vocational college to learn carpentry along with several other students who are in the same boat as he. When a couple of the guys go to a hostess club the man meets an unconventional girl who likes him and a relationship is born.
Kunio Hazama : Jouhoku University Associate professor
Um monstro gigante e radioativo apareece na baía de Tóquio e provoca o caos na cidade. Enquanto a criatura evolui as autoridades debatem como enfrentá-lo.
Screenplay
In the final days of World War II, occupying Japanese forces in the Philippines face resistance from the local population and the American offensive. The dwindling Japanese soldiers attempt to survive through the horrors of war.
Director of Photography
In the final days of World War II, occupying Japanese forces in the Philippines face resistance from the local population and the American offensive. The dwindling Japanese soldiers attempt to survive through the horrors of war.
Editor
In the final days of World War II, occupying Japanese forces in the Philippines face resistance from the local population and the American offensive. The dwindling Japanese soldiers attempt to survive through the horrors of war.
Producer
In the final days of World War II, occupying Japanese forces in the Philippines face resistance from the local population and the American offensive. The dwindling Japanese soldiers attempt to survive through the horrors of war.
Tamura
In the final days of World War II, occupying Japanese forces in the Philippines face resistance from the local population and the American offensive. The dwindling Japanese soldiers attempt to survive through the horrors of war.
Director
In the final days of World War II, occupying Japanese forces in the Philippines face resistance from the local population and the American offensive. The dwindling Japanese soldiers attempt to survive through the horrors of war.
Sousuke Akiyama
Kazunari Katsuki (Gaku Sano) lied to his classmate that Tokyo stinks. Because of his comment, he goes to Tokyo alone. On his way back, he misses his flight back to Kumamoto. Kazunari only 3,400 yen in his pocket. He becomes confused about his missed flight. At that time, Masami Tanaka (Kaoru Sugita), who works at an airport souvenir shop, talks to Kazunari. On Kazunari's unusual trip back to Kumamoto, he meets many different adults and begins to think about his life.
Director
Shinya Tsukamoto's "Venice 70: Future Reloaded" short about the future of cinema.
Director
Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.
Director of Photography
Suffering from double vision, a single mother tries to take care of her baby in the grip of terrifying hallucinations. Experiencing a nervous breakdown, she is deemed unfit to take care of her child and has it taken away from her. The only respite the mother has from her visions is when she sings. An award-winning novelist overhears her singing whilst riding the bus and the pair subsequently develop a volatile relationship.
Editor
Suffering from double vision, a single mother tries to take care of her baby in the grip of terrifying hallucinations. Experiencing a nervous breakdown, she is deemed unfit to take care of her child and has it taken away from her. The only respite the mother has from her visions is when she sings. An award-winning novelist overhears her singing whilst riding the bus and the pair subsequently develop a volatile relationship.
Producer
Suffering from double vision, a single mother tries to take care of her baby in the grip of terrifying hallucinations. Experiencing a nervous breakdown, she is deemed unfit to take care of her child and has it taken away from her. The only respite the mother has from her visions is when she sings. An award-winning novelist overhears her singing whilst riding the bus and the pair subsequently develop a volatile relationship.
Seitaro Tanaka
Suffering from double vision, a single mother tries to take care of her baby in the grip of terrifying hallucinations. Experiencing a nervous breakdown, she is deemed unfit to take care of her child and has it taken away from her. The only respite the mother has from her visions is when she sings. An award-winning novelist overhears her singing whilst riding the bus and the pair subsequently develop a volatile relationship.
Writer
Suffering from double vision, a single mother tries to take care of her baby in the grip of terrifying hallucinations. Experiencing a nervous breakdown, she is deemed unfit to take care of her child and has it taken away from her. The only respite the mother has from her visions is when she sings. An award-winning novelist overhears her singing whilst riding the bus and the pair subsequently develop a volatile relationship.
Director
Suffering from double vision, a single mother tries to take care of her baby in the grip of terrifying hallucinations. Experiencing a nervous breakdown, she is deemed unfit to take care of her child and has it taken away from her. The only respite the mother has from her visions is when she sings. An award-winning novelist overhears her singing whilst riding the bus and the pair subsequently develop a volatile relationship.
Self
Eleven major film makers from Europe, America and Asia talk about Akira Kurosawa and discover surprising influences on their own work.
Director
Shinya Tsukamoto's animated promo for the Ca' Foscari Cinema in Venice.
Director
Four short films based on ghost stories written by award winning modern Japanese writers.
Director of Photography
Anthony, um jovem nascido e criado em Tóquio pelo seu pai americano, um pesquisador bioquímico, sempre se esforçou para manter sua raiva sob controle desde pequeno. Yuriko e seu filho Tom. Porém, Yuriko está sofrendo de uma crise de ansiedade que a impede de sair de casa e faz que tenha pesadelos constantes sobre um terrível destino para seu filho. Quase que como uma premonição, um motorista deliberadamente atropela Tom e Anthony fica possuído pela ira que tentava combater, provocando uma inusitada mudança em seu corpo, transformando-o em um monstro metálico, uma verdadeira máquina de matar.
Gaffer
Anthony, um jovem nascido e criado em Tóquio pelo seu pai americano, um pesquisador bioquímico, sempre se esforçou para manter sua raiva sob controle desde pequeno. Yuriko e seu filho Tom. Porém, Yuriko está sofrendo de uma crise de ansiedade que a impede de sair de casa e faz que tenha pesadelos constantes sobre um terrível destino para seu filho. Quase que como uma premonição, um motorista deliberadamente atropela Tom e Anthony fica possuído pela ira que tentava combater, provocando uma inusitada mudança em seu corpo, transformando-o em um monstro metálico, uma verdadeira máquina de matar.
Production Design
Anthony, um jovem nascido e criado em Tóquio pelo seu pai americano, um pesquisador bioquímico, sempre se esforçou para manter sua raiva sob controle desde pequeno. Yuriko e seu filho Tom. Porém, Yuriko está sofrendo de uma crise de ansiedade que a impede de sair de casa e faz que tenha pesadelos constantes sobre um terrível destino para seu filho. Quase que como uma premonição, um motorista deliberadamente atropela Tom e Anthony fica possuído pela ira que tentava combater, provocando uma inusitada mudança em seu corpo, transformando-o em um monstro metálico, uma verdadeira máquina de matar.
Editor
Anthony, um jovem nascido e criado em Tóquio pelo seu pai americano, um pesquisador bioquímico, sempre se esforçou para manter sua raiva sob controle desde pequeno. Yuriko e seu filho Tom. Porém, Yuriko está sofrendo de uma crise de ansiedade que a impede de sair de casa e faz que tenha pesadelos constantes sobre um terrível destino para seu filho. Quase que como uma premonição, um motorista deliberadamente atropela Tom e Anthony fica possuído pela ira que tentava combater, provocando uma inusitada mudança em seu corpo, transformando-o em um monstro metálico, uma verdadeira máquina de matar.
Producer
Anthony, um jovem nascido e criado em Tóquio pelo seu pai americano, um pesquisador bioquímico, sempre se esforçou para manter sua raiva sob controle desde pequeno. Yuriko e seu filho Tom. Porém, Yuriko está sofrendo de uma crise de ansiedade que a impede de sair de casa e faz que tenha pesadelos constantes sobre um terrível destino para seu filho. Quase que como uma premonição, um motorista deliberadamente atropela Tom e Anthony fica possuído pela ira que tentava combater, provocando uma inusitada mudança em seu corpo, transformando-o em um monstro metálico, uma verdadeira máquina de matar.
The Guy
Anthony, um jovem nascido e criado em Tóquio pelo seu pai americano, um pesquisador bioquímico, sempre se esforçou para manter sua raiva sob controle desde pequeno. Yuriko e seu filho Tom. Porém, Yuriko está sofrendo de uma crise de ansiedade que a impede de sair de casa e faz que tenha pesadelos constantes sobre um terrível destino para seu filho. Quase que como uma premonição, um motorista deliberadamente atropela Tom e Anthony fica possuído pela ira que tentava combater, provocando uma inusitada mudança em seu corpo, transformando-o em um monstro metálico, uma verdadeira máquina de matar.
Screenplay
Anthony, um jovem nascido e criado em Tóquio pelo seu pai americano, um pesquisador bioquímico, sempre se esforçou para manter sua raiva sob controle desde pequeno. Yuriko e seu filho Tom. Porém, Yuriko está sofrendo de uma crise de ansiedade que a impede de sair de casa e faz que tenha pesadelos constantes sobre um terrível destino para seu filho. Quase que como uma premonição, um motorista deliberadamente atropela Tom e Anthony fica possuído pela ira que tentava combater, provocando uma inusitada mudança em seu corpo, transformando-o em um monstro metálico, uma verdadeira máquina de matar.
Director
Anthony, um jovem nascido e criado em Tóquio pelo seu pai americano, um pesquisador bioquímico, sempre se esforçou para manter sua raiva sob controle desde pequeno. Yuriko e seu filho Tom. Porém, Yuriko está sofrendo de uma crise de ansiedade que a impede de sair de casa e faz que tenha pesadelos constantes sobre um terrível destino para seu filho. Quase que como uma premonição, um motorista deliberadamente atropela Tom e Anthony fica possuído pela ira que tentava combater, provocando uma inusitada mudança em seu corpo, transformando-o em um monstro metálico, uma verdadeira máquina de matar.
Editor
Ryo reads a short story written by Banana Yoshimoto.
Producer
Ryo reads a short story written by Banana Yoshimoto.
Director
Ryo reads a short story written by Banana Yoshimoto.
Producer
A story of the unexplainable things that inflict sheer terror on human beings and how they leave victims psychologically devastated. It is as much a true horror film as it is a psychological drama.
Editor
A story of the unexplainable things that inflict sheer terror on human beings and how they leave victims psychologically devastated. It is as much a true horror film as it is a psychological drama.
Director of Photography
A story of the unexplainable things that inflict sheer terror on human beings and how they leave victims psychologically devastated. It is as much a true horror film as it is a psychological drama.
Writer
A story of the unexplainable things that inflict sheer terror on human beings and how they leave victims psychologically devastated. It is as much a true horror film as it is a psychological drama.
Director
A story of the unexplainable things that inflict sheer terror on human beings and how they leave victims psychologically devastated. It is as much a true horror film as it is a psychological drama.
Asuka's Ex-husband
28 year old freelance writer Sakura Asuka wakes up tied in a white room. The white room is a protected room located in an isolated ward of a psychiatric hospital. Sakura first became unconscious because of heavy alcohol use and a druge overdose. She’s confined in the single room because of her high risk of committing suicide. Sakura tried to talk to the nurses and doctors but they didn’t listen to her. Under the circumstances another patient Miki, who suffers from an eating disorder, leads her to understand the unknown world. But, Sakura is looking for the way to get back to the real world as soon as possible.
Director of Photography
Three people in Tokyo take a surreal voyage of self-discovery through memory and nightmares. "O" intends suicide while talking on a cell-phone with a stranger he meets on line who plans a simultaneous suicide. Events take a horrifying turn. Keiko Kirishima is a cool, seemingly emotionless police detective, brilliant but off-putting. She's faced with two mutilated corpses who appear to have killed themselves, but she's not sure. A cell-phone number links the deaths. She calls on Akumu Tantei, a poor and suicidal young man who has the ability to enter people's dreams. He's reluctant to help. His past haunts him. A subconscious duel of terror and blood awaits the three.
Producer
Three people in Tokyo take a surreal voyage of self-discovery through memory and nightmares. "O" intends suicide while talking on a cell-phone with a stranger he meets on line who plans a simultaneous suicide. Events take a horrifying turn. Keiko Kirishima is a cool, seemingly emotionless police detective, brilliant but off-putting. She's faced with two mutilated corpses who appear to have killed themselves, but she's not sure. A cell-phone number links the deaths. She calls on Akumu Tantei, a poor and suicidal young man who has the ability to enter people's dreams. He's reluctant to help. His past haunts him. A subconscious duel of terror and blood awaits the three.
Art Direction
Three people in Tokyo take a surreal voyage of self-discovery through memory and nightmares. "O" intends suicide while talking on a cell-phone with a stranger he meets on line who plans a simultaneous suicide. Events take a horrifying turn. Keiko Kirishima is a cool, seemingly emotionless police detective, brilliant but off-putting. She's faced with two mutilated corpses who appear to have killed themselves, but she's not sure. A cell-phone number links the deaths. She calls on Akumu Tantei, a poor and suicidal young man who has the ability to enter people's dreams. He's reluctant to help. His past haunts him. A subconscious duel of terror and blood awaits the three.
Editor
Three people in Tokyo take a surreal voyage of self-discovery through memory and nightmares. "O" intends suicide while talking on a cell-phone with a stranger he meets on line who plans a simultaneous suicide. Events take a horrifying turn. Keiko Kirishima is a cool, seemingly emotionless police detective, brilliant but off-putting. She's faced with two mutilated corpses who appear to have killed themselves, but she's not sure. A cell-phone number links the deaths. She calls on Akumu Tantei, a poor and suicidal young man who has the ability to enter people's dreams. He's reluctant to help. His past haunts him. A subconscious duel of terror and blood awaits the three.
Writer
Three people in Tokyo take a surreal voyage of self-discovery through memory and nightmares. "O" intends suicide while talking on a cell-phone with a stranger he meets on line who plans a simultaneous suicide. Events take a horrifying turn. Keiko Kirishima is a cool, seemingly emotionless police detective, brilliant but off-putting. She's faced with two mutilated corpses who appear to have killed themselves, but she's not sure. A cell-phone number links the deaths. She calls on Akumu Tantei, a poor and suicidal young man who has the ability to enter people's dreams. He's reluctant to help. His past haunts him. A subconscious duel of terror and blood awaits the three.
Director
Three people in Tokyo take a surreal voyage of self-discovery through memory and nightmares. "O" intends suicide while talking on a cell-phone with a stranger he meets on line who plans a simultaneous suicide. Events take a horrifying turn. Keiko Kirishima is a cool, seemingly emotionless police detective, brilliant but off-putting. She's faced with two mutilated corpses who appear to have killed themselves, but she's not sure. A cell-phone number links the deaths. She calls on Akumu Tantei, a poor and suicidal young man who has the ability to enter people's dreams. He's reluctant to help. His past haunts him. A subconscious duel of terror and blood awaits the three.
'0'
Three people in Tokyo take a surreal voyage of self-discovery through memory and nightmares. "O" intends suicide while talking on a cell-phone with a stranger he meets on line who plans a simultaneous suicide. Events take a horrifying turn. Keiko Kirishima is a cool, seemingly emotionless police detective, brilliant but off-putting. She's faced with two mutilated corpses who appear to have killed themselves, but she's not sure. A cell-phone number links the deaths. She calls on Akumu Tantei, a poor and suicidal young man who has the ability to enter people's dreams. He's reluctant to help. His past haunts him. A subconscious duel of terror and blood awaits the three.
A documentary on Teruo Ishii, the Japanese "King of Cult"
Director of Photography
A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he’s there, or why he’s bleeding from a stomach wound. Apparently drugged, he occasionally ‘zones out’ of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.
A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he’s there, or why he’s bleeding from a stomach wound. Apparently drugged, he occasionally ‘zones out’ of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.
Art Direction
A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he’s there, or why he’s bleeding from a stomach wound. Apparently drugged, he occasionally ‘zones out’ of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.
Editor
A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he’s there, or why he’s bleeding from a stomach wound. Apparently drugged, he occasionally ‘zones out’ of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.
Producer
A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he’s there, or why he’s bleeding from a stomach wound. Apparently drugged, he occasionally ‘zones out’ of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.
Writer
A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he’s there, or why he’s bleeding from a stomach wound. Apparently drugged, he occasionally ‘zones out’ of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.
Director
A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he’s there, or why he’s bleeding from a stomach wound. Apparently drugged, he occasionally ‘zones out’ of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.
Kazuya goes to live with his mother Shinobu because his father, Yoshiki, who works in the same company, has fired him according to the company policy regarding redundancy. However, Shinobu soon gets remarried to Sakamoto depriving Kazuya of a place to stay. He then meets Sachiko who works in a salon where sexual pleasure is offered to men. They promise to have a date on the next Sunday by the sea.
Director
"The Law of Causality" documents a live perfomance at Shibuya O-NEST, which took place on May 26, 2004. Director of "Tetsuo The Iron Man" Shinya Tsukamoto's crew filmed the gig, which features all new material based around metal percussion and custom intsruments built by Chu Ishikawa.
Director
'Female' is comprised of five short films adapted from five novels by female authors. Directed by Shinya Tsukamoto, Tetsuo Shinohara, Ryuichi Hiroki, Miwa Nishikawa, and Suzuki Matsuo.
Screenplay
A young man awakens in the hospital after an accident wipes his memory. Fascinated by a textbook full of drawings of dissections, Hiroshi is drawn to a medical school where he catches the eye of a fellow student. But it’s another who becomes his obsession…the dead woman on the cadaver table.
Production Design
A young man awakens in the hospital after an accident wipes his memory. Fascinated by a textbook full of drawings of dissections, Hiroshi is drawn to a medical school where he catches the eye of a fellow student. But it’s another who becomes his obsession…the dead woman on the cadaver table.
Editor
A young man awakens in the hospital after an accident wipes his memory. Fascinated by a textbook full of drawings of dissections, Hiroshi is drawn to a medical school where he catches the eye of a fellow student. But it’s another who becomes his obsession…the dead woman on the cadaver table.
Director of Photography
A young man awakens in the hospital after an accident wipes his memory. Fascinated by a textbook full of drawings of dissections, Hiroshi is drawn to a medical school where he catches the eye of a fellow student. But it’s another who becomes his obsession…the dead woman on the cadaver table.
Producer
A young man awakens in the hospital after an accident wipes his memory. Fascinated by a textbook full of drawings of dissections, Hiroshi is drawn to a medical school where he catches the eye of a fellow student. But it’s another who becomes his obsession…the dead woman on the cadaver table.
Director
A young man awakens in the hospital after an accident wipes his memory. Fascinated by a textbook full of drawings of dissections, Hiroshi is drawn to a medical school where he catches the eye of a fellow student. But it’s another who becomes his obsession…the dead woman on the cadaver table.
Noro
Adaptação live-action de um mangá maluco sobre arte, opostos, amor e muito cosplay.
Masuoka
A fear-obsessed freelance cameraman investigates an urban legend involving mysterious spirits that haunt the subways of Tokyo.
Self
Documentary about the Japanese filmmaker Takashi Miike, where we see him attend film festivals, personal influences and of course the study of his main films, apart from the opinions about him by other filmmakers such as Takeshi Kitano or Kinji Fukasaku.
An elusive alligator named Jake leads you on a worldwide psychedelic journey in this animation / live action combo. Play name that celebrity as 24 top Japanese stars (including cast members of Battle Royale and several cult film directors) recollect their stream of consciousness encounters with the cuddly croc.
Director of Photography
Rinko trabalha em um centro de prevenção contra o suicídio, atendendo ligações de pessoas que precisam de aconselhamento. Ela é muito dedicado no trabalho, mas a relação em casa com o marido está ruim, e os dois não fazem sexo e fogem a todo tempo de conversar. Rinko, então, recebe fotos suas em momentos íntimos tiradas por um fotógrafo misterioso que começará a chantageá-la.
Production Design
Rinko trabalha em um centro de prevenção contra o suicídio, atendendo ligações de pessoas que precisam de aconselhamento. Ela é muito dedicado no trabalho, mas a relação em casa com o marido está ruim, e os dois não fazem sexo e fogem a todo tempo de conversar. Rinko, então, recebe fotos suas em momentos íntimos tiradas por um fotógrafo misterioso que começará a chantageá-la.
Editor
Rinko trabalha em um centro de prevenção contra o suicídio, atendendo ligações de pessoas que precisam de aconselhamento. Ela é muito dedicado no trabalho, mas a relação em casa com o marido está ruim, e os dois não fazem sexo e fogem a todo tempo de conversar. Rinko, então, recebe fotos suas em momentos íntimos tiradas por um fotógrafo misterioso que começará a chantageá-la.
Producer
Rinko trabalha em um centro de prevenção contra o suicídio, atendendo ligações de pessoas que precisam de aconselhamento. Ela é muito dedicado no trabalho, mas a relação em casa com o marido está ruim, e os dois não fazem sexo e fogem a todo tempo de conversar. Rinko, então, recebe fotos suas em momentos íntimos tiradas por um fotógrafo misterioso que começará a chantageá-la.
Writer
Rinko trabalha em um centro de prevenção contra o suicídio, atendendo ligações de pessoas que precisam de aconselhamento. Ela é muito dedicado no trabalho, mas a relação em casa com o marido está ruim, e os dois não fazem sexo e fogem a todo tempo de conversar. Rinko, então, recebe fotos suas em momentos íntimos tiradas por um fotógrafo misterioso que começará a chantageá-la.
Michiro Iguchi
Rinko trabalha em um centro de prevenção contra o suicídio, atendendo ligações de pessoas que precisam de aconselhamento. Ela é muito dedicado no trabalho, mas a relação em casa com o marido está ruim, e os dois não fazem sexo e fogem a todo tempo de conversar. Rinko, então, recebe fotos suas em momentos íntimos tiradas por um fotógrafo misterioso que começará a chantageá-la.
Director
Rinko trabalha em um centro de prevenção contra o suicídio, atendendo ligações de pessoas que precisam de aconselhamento. Ela é muito dedicado no trabalho, mas a relação em casa com o marido está ruim, e os dois não fazem sexo e fogem a todo tempo de conversar. Rinko, então, recebe fotos suas em momentos íntimos tiradas por um fotógrafo misterioso que começará a chantageá-la.
Self
Interview with world renown cult director Shinya Tsukamoto. This interview will tell you how and when he started creating his own world of cinema exactly the way he thought it should look. Also he is an accomplished actor appearing in many films directed by other directors like Takashi Miike (Ichi the Killer). The interview includes very rare footage of never released films like "10000 Channels" his TV commercials and rare footage of live shows at the Kaijyu Theater in Tokyo.System
Jijii
Anjo, um chefe da máfia japonesa, a Yakuza, desaparece com três milhões de ienes. Os membros de sua gangue, liderados pelo masoquista Kakihara, saem em busca de Anjo, mas os métodos extremamente violentos do novo líder acabam chamando a atenção negativamente de gangues rivais. Tudo piora quando ele contrata o misterioso assassino psicopata Ichi, controlado por um policial aposentado.
A blind masseur kidnaps young women and kills them and then make sculptures of them, while a mysterious dwarf spreading severed body parts around. Detective Akechi Kogorô investigating crimes.
Eisuke
Kotaro and Kuroe marry almost immediately in a Christian ceremony and move into an apartment. Life is completely joyous until, one day, Kuroe falls ill.
Yuuenchi no otoko
Shotaro and Minako are arguing. Minako has confessed her infidelity to her husband and informs him of her intention to leave him. She has ceased to enjoy living with a submissive husband. Minako, who works for a construction company, loves her job and is progressing in her successful career, while her husband eagerly takes care of the house and the kids. He buys groceries, he cooks, he does the laundry – constantly. The couple’s arguing intensifies until Minaka files for divorce. Their older daughter Mari isn’t that upset by her parent’s problems as she’s more interested in the piano piece she’s got to play with her mother at a concert organised by her music school; admittedly, she’s also rather interested in her music teacher. But her younger brother Toru feels betrayed by his mother and can’t manage to reconcile himself to his father’s role as a housewife. A partial reconciliation occurs at Minako and Mari’s concert, where their entrance on stage is met with loud applause.
Tokio
Tokio finds his wife Kumiko drowned in the bathtub one night. He lifts the telephone handset to call an ambulance but hesitates. Instead, he takes a cup of coffee before empting the bathtub and carrying Kumiko to the couch. When he wakes up after a nigh of heavy drinking, he finds himself in bed. Kumiko enters the room and asks how he is.
Wizard
A erupção do Monte Fuji em 1707, libertou hordas de demônios das profundezas da terra. Sakuya, a jovem filha de um samurai morto lutando contra esses demônios, aceita a missão de viajar para o Monte Fuji e derrote os espíritos malignos. Acompanhando-a em sua jornada estão dois guerreiros veteranos que serviram a seu pai e Tarō, um jovem kappa, ou espírito do rio, que ela adotou como seu irmão mais novo. Ao longo do caminho, os dois guerreiros têm dúvidas sobre a lealdade de Tarō, e o próprio jovem kappa deve decidir se permanecerá com sua própria espécie ou com os humanos que cuidaram dele.
Magician Higashino
Two contract killers cross paths in the middle of the same job and realize they are childhood friends. Together they take a break from killing and visit the small island they once called home. After reflecting on their past lives they decided to team up and use their talents in killing for good... much to the upset of the crime syndicates.
Self
A behind-the-scenes look at the making of Shin'ya Tsukamoto's film "Gemini".
Editor
Goda vive uma vida simples em Tókio, como produtor de cinema. Passa longas horas no escritório e bebe algo todos os dias antes de ir para casa encontrar sua namorada. Em um dia em que tudo parecia absolutamente normal, ele encontra seu prédio cercado pela polícia e recebe a notícia de que sua namorada matou-se com um tiro na cabeça. Além de perguntar-se o porquê do suicídio, Goda também tenta entender onde ela conseguiu uma arma, dada a dificuldade que é encontrar uma arma no Japão, mesmo no mercado negro. Goda começará a visitar o submundo do crime em Tókio em busca de uma arma semelhante à usada por sua namorada, e sua busca se tornará rapidamente uma obsessão.
Art Direction
Goda vive uma vida simples em Tókio, como produtor de cinema. Passa longas horas no escritório e bebe algo todos os dias antes de ir para casa encontrar sua namorada. Em um dia em que tudo parecia absolutamente normal, ele encontra seu prédio cercado pela polícia e recebe a notícia de que sua namorada matou-se com um tiro na cabeça. Além de perguntar-se o porquê do suicídio, Goda também tenta entender onde ela conseguiu uma arma, dada a dificuldade que é encontrar uma arma no Japão, mesmo no mercado negro. Goda começará a visitar o submundo do crime em Tókio em busca de uma arma semelhante à usada por sua namorada, e sua busca se tornará rapidamente uma obsessão.
Producer
Goda vive uma vida simples em Tókio, como produtor de cinema. Passa longas horas no escritório e bebe algo todos os dias antes de ir para casa encontrar sua namorada. Em um dia em que tudo parecia absolutamente normal, ele encontra seu prédio cercado pela polícia e recebe a notícia de que sua namorada matou-se com um tiro na cabeça. Além de perguntar-se o porquê do suicídio, Goda também tenta entender onde ela conseguiu uma arma, dada a dificuldade que é encontrar uma arma no Japão, mesmo no mercado negro. Goda começará a visitar o submundo do crime em Tókio em busca de uma arma semelhante à usada por sua namorada, e sua busca se tornará rapidamente uma obsessão.
Screenplay
Goda vive uma vida simples em Tókio, como produtor de cinema. Passa longas horas no escritório e bebe algo todos os dias antes de ir para casa encontrar sua namorada. Em um dia em que tudo parecia absolutamente normal, ele encontra seu prédio cercado pela polícia e recebe a notícia de que sua namorada matou-se com um tiro na cabeça. Além de perguntar-se o porquê do suicídio, Goda também tenta entender onde ela conseguiu uma arma, dada a dificuldade que é encontrar uma arma no Japão, mesmo no mercado negro. Goda começará a visitar o submundo do crime em Tókio em busca de uma arma semelhante à usada por sua namorada, e sua busca se tornará rapidamente uma obsessão.
Director of Photography
Goda vive uma vida simples em Tókio, como produtor de cinema. Passa longas horas no escritório e bebe algo todos os dias antes de ir para casa encontrar sua namorada. Em um dia em que tudo parecia absolutamente normal, ele encontra seu prédio cercado pela polícia e recebe a notícia de que sua namorada matou-se com um tiro na cabeça. Além de perguntar-se o porquê do suicídio, Goda também tenta entender onde ela conseguiu uma arma, dada a dificuldade que é encontrar uma arma no Japão, mesmo no mercado negro. Goda começará a visitar o submundo do crime em Tókio em busca de uma arma semelhante à usada por sua namorada, e sua busca se tornará rapidamente uma obsessão.
Director
Goda vive uma vida simples em Tókio, como produtor de cinema. Passa longas horas no escritório e bebe algo todos os dias antes de ir para casa encontrar sua namorada. Em um dia em que tudo parecia absolutamente normal, ele encontra seu prédio cercado pela polícia e recebe a notícia de que sua namorada matou-se com um tiro na cabeça. Além de perguntar-se o porquê do suicídio, Goda também tenta entender onde ela conseguiu uma arma, dada a dificuldade que é encontrar uma arma no Japão, mesmo no mercado negro. Goda começará a visitar o submundo do crime em Tókio em busca de uma arma semelhante à usada por sua namorada, e sua busca se tornará rapidamente uma obsessão.
Goda
Goda vive uma vida simples em Tókio, como produtor de cinema. Passa longas horas no escritório e bebe algo todos os dias antes de ir para casa encontrar sua namorada. Em um dia em que tudo parecia absolutamente normal, ele encontra seu prédio cercado pela polícia e recebe a notícia de que sua namorada matou-se com um tiro na cabeça. Além de perguntar-se o porquê do suicídio, Goda também tenta entender onde ela conseguiu uma arma, dada a dificuldade que é encontrar uma arma no Japão, mesmo no mercado negro. Goda começará a visitar o submundo do crime em Tókio em busca de uma arma semelhante à usada por sua namorada, e sua busca se tornará rapidamente uma obsessão.
Director of Photography
When his mother's untimely death quickly follows his father's, a doctor begins to believe a killer may be targeting him and his amnesiac wife.
Director
When his mother's untimely death quickly follows his father's, a doctor begins to believe a killer may be targeting him and his amnesiac wife.
Editor
When his mother's untimely death quickly follows his father's, a doctor begins to believe a killer may be targeting him and his amnesiac wife.
Screenplay
When his mother's untimely death quickly follows his father's, a doctor begins to believe a killer may be targeting him and his amnesiac wife.
Moriyama
Schoolgirl Kuniko is kidnapped by a middle-aged man Iwazono when she is jogging. He tells her that he had a failed marriage which leaves him a deep and everlasting scar in his mind. He kidnaps her in search of a perfect marriage and intends to lock her in the room and 'educate' her to perform perfect sex where body and soul are united.
A salaryman faces a major life change as his firm undergoes financial difficulties. To add to his troubles, a man claiming to be his long-estranged father shows up at his house requesting shelter. One of the best of Somai's seriocomic studies of the messiness of family life.
Producer
A pair of friendly coworkers at a rental video store accidentally become murderers. Borrowing a station wagon, they flee with no particular destination in mind.
A pair of friendly coworkers at a rental video store accidentally become murderers. Borrowing a station wagon, they flee with no particular destination in mind.
A tough woman is dragging a weaker man deeper and deeper into crime. Woman cop Miki is chasing a wanted man when she stumbles on a crashed car and sees the driver, Koichi, ignite spilled petrol to kill himself and his passenger. She drags Koichi to safety, but the passenger dies. Miki says nothing to challenge the inquest finding of `accidental death', and when she visits Koichi in hospital he begins to understand that her complicity in his crime implies a sexual invitation. But a gumshoe has photos of the crash, and the only way to stall his blackmail is to kill him, the first of several murders...
This is a biographical film about the late Yoko Araki, who was the wife of Japan's leading photographer, Nobuyoshi Araki.
"Atlanta Boogie" centers around a mock track meet between the "normal" and "good" citizens of Yokohama and those they want to expel from the neighborhood: the illegal foreign workers, the deadbeats, the juvenile delinquents, and elderly.
The life of a urban planning official and that of an old fellow student, now project developer, are turned upside down by a chance encounter with a beauty obsessed by UFOs.
Director of Photography
A businessman, Tsuda, runs into a childhood friend, Tajuki, on the subway. Tajuki is working as a semiprofessional boxer. Tsuda soon begins to suspect that Tajuki might be having an affair with his fiancée Hizuru. After an altercation, Tsuda begins training rigorously himself, leading to an extremely bloody, violent confrontation.
Art Direction
A businessman, Tsuda, runs into a childhood friend, Tajuki, on the subway. Tajuki is working as a semiprofessional boxer. Tsuda soon begins to suspect that Tajuki might be having an affair with his fiancée Hizuru. After an altercation, Tsuda begins training rigorously himself, leading to an extremely bloody, violent confrontation.
Editor
A businessman, Tsuda, runs into a childhood friend, Tajuki, on the subway. Tajuki is working as a semiprofessional boxer. Tsuda soon begins to suspect that Tajuki might be having an affair with his fiancée Hizuru. After an altercation, Tsuda begins training rigorously himself, leading to an extremely bloody, violent confrontation.
Producer
A businessman, Tsuda, runs into a childhood friend, Tajuki, on the subway. Tajuki is working as a semiprofessional boxer. Tsuda soon begins to suspect that Tajuki might be having an affair with his fiancée Hizuru. After an altercation, Tsuda begins training rigorously himself, leading to an extremely bloody, violent confrontation.
Story
A businessman, Tsuda, runs into a childhood friend, Tajuki, on the subway. Tajuki is working as a semiprofessional boxer. Tsuda soon begins to suspect that Tajuki might be having an affair with his fiancée Hizuru. After an altercation, Tsuda begins training rigorously himself, leading to an extremely bloody, violent confrontation.
Director
A businessman, Tsuda, runs into a childhood friend, Tajuki, on the subway. Tajuki is working as a semiprofessional boxer. Tsuda soon begins to suspect that Tajuki might be having an affair with his fiancée Hizuru. After an altercation, Tsuda begins training rigorously himself, leading to an extremely bloody, violent confrontation.
Tsuda Yoshiharu
A businessman, Tsuda, runs into a childhood friend, Tajuki, on the subway. Tajuki is working as a semiprofessional boxer. Tsuda soon begins to suspect that Tajuki might be having an affair with his fiancée Hizuru. After an altercation, Tsuda begins training rigorously himself, leading to an extremely bloody, violent confrontation.
Screenplay
A businessman, Tsuda, runs into a childhood friend, Tajuki, on the subway. Tajuki is working as a semiprofessional boxer. Tsuda soon begins to suspect that Tajuki might be having an affair with his fiancée Hizuru. After an altercation, Tsuda begins training rigorously himself, leading to an extremely bloody, violent confrontation.
Yamaguchi
Broke, his vintage Nash convertible repossessed, private eye Mike Hama is reduced to combing the mean streets of the Yokohama waterfront on a borrowed bicycle. But when Lily, a beautiful stripper from out of Hama's past, returns to town, the fuse is lit on a criminal powder keg set to blow the lid off the Yokohama underworld.
Masaaki Tomita
In Harari-cho, a small and quiet bayside town by the sea, the firemen have not seen a fire for nearly twenty years. Each day passes eventlessly... until one day. The monotony of their daily lives is interrupted by the appearance of a beautiful female college student, Momoko, who comes to visit her aunt. After catching a glimpse of Momoko, both Tatsuya and Nobuyuki can't stop thinking about her. Since then, the small town is not so quiet anymore…
Yamaguchi
Maiku Hama is a private detective working in Yokohama. Hama comes to the aid of a Taiwanese waiter named Yang and agrees to track down his missing brother. Through a series of double-crosses Hama gets embroiled in a gang war and a revenge plot between the two brothers
Director
A collaboration between Nine Inch Nails and Shinya Tsukamoto for MTV Japan Station.
Director of Photography
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
Producer
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
Art Direction
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
Editor
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
Writer
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
Yatsu - The Guy
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
Director
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
Editor
A school was built on one of the Gates of Hell, behind which hordes of demons await the moment they will be free to roam the Earth. Hiruko is a goblin sent to Earth on a reconnaissance mission. He beheads students in order to assemble their heads on the demons' spider-like bodies. Hieda, an archaeology professor, and Masao, a haunted student, investigate the gory deaths and eventually battle Hiruko.
Screenplay
A school was built on one of the Gates of Hell, behind which hordes of demons await the moment they will be free to roam the Earth. Hiruko is a goblin sent to Earth on a reconnaissance mission. He beheads students in order to assemble their heads on the demons' spider-like bodies. Hieda, an archaeology professor, and Masao, a haunted student, investigate the gory deaths and eventually battle Hiruko.
Director
A school was built on one of the Gates of Hell, behind which hordes of demons await the moment they will be free to roam the Earth. Hiruko is a goblin sent to Earth on a reconnaissance mission. He beheads students in order to assemble their heads on the demons' spider-like bodies. Hieda, an archaeology professor, and Masao, a haunted student, investigate the gory deaths and eventually battle Hiruko.
Director of Photography
Um funcionário de escritório e sua namorada atropelam um homem e tentam esconder seu corpo para não sofrerem as consequências. O homem não morre, e para se vingar faz com que o corpo do rapaz comece a tornar-se gradualmente metal.
Lighting Director
Um funcionário de escritório e sua namorada atropelam um homem e tentam esconder seu corpo para não sofrerem as consequências. O homem não morre, e para se vingar faz com que o corpo do rapaz comece a tornar-se gradualmente metal.
Metal Fetishist
Um funcionário de escritório e sua namorada atropelam um homem e tentam esconder seu corpo para não sofrerem as consequências. O homem não morre, e para se vingar faz com que o corpo do rapaz comece a tornar-se gradualmente metal.
Art Direction
Um funcionário de escritório e sua namorada atropelam um homem e tentam esconder seu corpo para não sofrerem as consequências. O homem não morre, e para se vingar faz com que o corpo do rapaz comece a tornar-se gradualmente metal.
Editor
Um funcionário de escritório e sua namorada atropelam um homem e tentam esconder seu corpo para não sofrerem as consequências. O homem não morre, e para se vingar faz com que o corpo do rapaz comece a tornar-se gradualmente metal.
Producer
Um funcionário de escritório e sua namorada atropelam um homem e tentam esconder seu corpo para não sofrerem as consequências. O homem não morre, e para se vingar faz com que o corpo do rapaz comece a tornar-se gradualmente metal.
Writer
Um funcionário de escritório e sua namorada atropelam um homem e tentam esconder seu corpo para não sofrerem as consequências. O homem não morre, e para se vingar faz com que o corpo do rapaz comece a tornar-se gradualmente metal.
Director
Um funcionário de escritório e sua namorada atropelam um homem e tentam esconder seu corpo para não sofrerem as consequências. O homem não morre, e para se vingar faz com que o corpo do rapaz comece a tornar-se gradualmente metal.
Special Effects
A teenager discovers an electric pylon growing out of his back and is soon forced to battle cyborg vampires over the future of humanity.
Lighting Director
A teenager discovers an electric pylon growing out of his back and is soon forced to battle cyborg vampires over the future of humanity.
Art Direction
A teenager discovers an electric pylon growing out of his back and is soon forced to battle cyborg vampires over the future of humanity.
Director of Photography
A teenager discovers an electric pylon growing out of his back and is soon forced to battle cyborg vampires over the future of humanity.
Editor
A teenager discovers an electric pylon growing out of his back and is soon forced to battle cyborg vampires over the future of humanity.
Writer
A teenager discovers an electric pylon growing out of his back and is soon forced to battle cyborg vampires over the future of humanity.
Producer
A teenager discovers an electric pylon growing out of his back and is soon forced to battle cyborg vampires over the future of humanity.
Kondo
A teenager discovers an electric pylon growing out of his back and is soon forced to battle cyborg vampires over the future of humanity.
Director
A teenager discovers an electric pylon growing out of his back and is soon forced to battle cyborg vampires over the future of humanity.
Director of Photography
Um curta-metragem, onde Shinya Tsukamoto experimenta efeitos e idéias, que resultaram no longa-metragem Tetsuo.
Editor
Um curta-metragem, onde Shinya Tsukamoto experimenta efeitos e idéias, que resultaram no longa-metragem Tetsuo.
Producer
Um curta-metragem, onde Shinya Tsukamoto experimenta efeitos e idéias, que resultaram no longa-metragem Tetsuo.
Writer
Um curta-metragem, onde Shinya Tsukamoto experimenta efeitos e idéias, que resultaram no longa-metragem Tetsuo.
Um curta-metragem, onde Shinya Tsukamoto experimenta efeitos e idéias, que resultaram no longa-metragem Tetsuo.
Director
Um curta-metragem, onde Shinya Tsukamoto experimenta efeitos e idéias, que resultaram no longa-metragem Tetsuo.
Director
“Terry 100 Channels is a 30 minute animated film drawn at the peak of King Terry’s powers and directed by the cult filmmaker Shinya (Tetsuo: The Iron Man) Tsukamoto. It was first issued in 1985 on VHS as part of a series of illustration-based videos produced in Japan. I am proud to reissue this, Terry’s only film, and declare it a masterpiece of drawn cinema and a truly funky good time. Long live the King. Strictly limited edition, man.” – Dan Nadel, (Picturebox)
Visual Effects
Editor
Screenplay
Producer
Director
Visual Effects
Editor
Screenplay
Producer
Director
Visual Effects
Early 8mm student film. Selected for the 1977 Japan Recording Video Festival (sponsored by Nippon Television)
Editor
Early 8mm student film. Selected for the 1977 Japan Recording Video Festival (sponsored by Nippon Television)
Screenplay
Early 8mm student film. Selected for the 1977 Japan Recording Video Festival (sponsored by Nippon Television)
Producer
Early 8mm student film. Selected for the 1977 Japan Recording Video Festival (sponsored by Nippon Television)
Director
Early 8mm student film. Selected for the 1977 Japan Recording Video Festival (sponsored by Nippon Television)
Visual Effects
Early B+W student film.
Early B+W student film.
Editor
Early B+W student film.
Screenplay
Early B+W student film.
Producer
Early B+W student film.
Director
Early B+W student film.
Editor
Early 8mm student film. Selected for the 1975 Japan Recording Video Festival (sponsored by Nippon Television)
Art Direction
Early 8mm student film. Selected for the 1975 Japan Recording Video Festival (sponsored by Nippon Television)
Director of Photography
Early 8mm student film. Selected for the 1975 Japan Recording Video Festival (sponsored by Nippon Television)
Screenplay
Early 8mm student film. Selected for the 1975 Japan Recording Video Festival (sponsored by Nippon Television)
Producer
Early 8mm student film. Selected for the 1975 Japan Recording Video Festival (sponsored by Nippon Television)
Early 8mm student film. Selected for the 1975 Japan Recording Video Festival (sponsored by Nippon Television)
Visual Effects
Super-8 film.
Art Direction
Super-8 film.
Editor
Super-8 film.
Director of Photography
Super-8 film.
Screenplay
Super-8 film.
Producer
Super-8 film.
Director
Super-8 film.
Super-8 film.
Director
Early 8mm student film. Selected for the 1975 Japan Recording Video Festival (sponsored by Nippon Television)
A giant prehistoric man destroys some cities. Early Super-8 Tsukamoto short film. Loosely based on a short Shigeru Mizuki story.
Editor
A giant prehistoric man destroys some cities. Early Super-8 Tsukamoto short film. Loosely based on a short Shigeru Mizuki story.
Screenplay
A giant prehistoric man destroys some cities. Early Super-8 Tsukamoto short film. Loosely based on a short Shigeru Mizuki story.
Producer
A giant prehistoric man destroys some cities. Early Super-8 Tsukamoto short film. Loosely based on a short Shigeru Mizuki story.
Director
A giant prehistoric man destroys some cities. Early Super-8 Tsukamoto short film. Loosely based on a short Shigeru Mizuki story.
