Director
The Diggers is an observation journey into various artisanal mining sites in the east of the Democratic Republic of Congo. The film shows the arduous and surreal labor of adults and teenagers extracting coltan, tungsten and black tourmaline. Our camera captures their repeated movements, their picks, their sweat, fatigue, their faces tense by the effort, their breathing. Their tirelessly repeated gestures compose a kind of bitter-sweet symphony. We enter makeshift tunnels and follow the men who have to arch their backs to advance to the deposits. Our camera is in no hurry to allow the spectators to live and feel this difficult work. The light falls and the workers leave the mining site little by little towards the evening refreshments, before returning to the same routine at dawn.
Cinematography
An impressionistic journey that reveals the daily struggle of the hungry peasant class.
Director
An impressionistic journey that reveals the daily struggle of the hungry peasant class.
Writer
Mathieu Roy's L’Autre maison is an intimate and powerful family drama featuring three generations of great Quebec Actors. Marcel Sabourin plays Henri Bernard, an 86 year-old man with a failing grip on reality. His sons, a jet setting middle aged photo-journalist (Roy Dupuis) and a younger pilot-in-training (Emile Proulx-Cloutier) disagree on a course of action, leaving the father and the younger son inhabiting a rustic cottage in the woods. As the older man's health deteriorates, options become more limited; when an IED accident in Afghanistan kills the photo-journalist's translator, the family must come together like never before. Shot in Quebec, Iceland, Africa and Asia, Another House blends elements of memory, perception and lyricism into a remarkable cinematic mix that moves the story well beyond direct domestic issues into a visual realm that balances nature and humanity.
Director
Mathieu Roy's L’Autre maison is an intimate and powerful family drama featuring three generations of great Quebec Actors. Marcel Sabourin plays Henri Bernard, an 86 year-old man with a failing grip on reality. His sons, a jet setting middle aged photo-journalist (Roy Dupuis) and a younger pilot-in-training (Emile Proulx-Cloutier) disagree on a course of action, leaving the father and the younger son inhabiting a rustic cottage in the woods. As the older man's health deteriorates, options become more limited; when an IED accident in Afghanistan kills the photo-journalist's translator, the family must come together like never before. Shot in Quebec, Iceland, Africa and Asia, Another House blends elements of memory, perception and lyricism into a remarkable cinematic mix that moves the story well beyond direct domestic issues into a visual realm that balances nature and humanity.
Writer
A ascensão da humanidade é frequentemente medida pela velocidade do progresso. Mas e se o progresso for realmente um espiral invertido, em direção ao colapso? Ronald Wright, cujo best-seller, "A short history of progress" inspirou "Sobrevivendo ao Progresso", mostra como antigas civilizações foram destruídas por “armadilhas do progresso" - tecnologias atraentes e sistemas de crenças que servem as necessidades imediatas, mas não resguarda o futuro. Como a pressão sobre os recursos do mundo acelera e elites financeiras levam nações à falência, poderá nossa civilização globalmente entrelaçada escapar de uma última armadilha catastrófica do progresso? Com imagens poderosas e insights clarificadores de pensadores que examinaram nossos genes, nossos cérebros e nosso comportamento social, este réquiem ao progresso como conhecemos também representa um desafio: provar que educar os macacos não é uma má ideia evolucionária.
Director
A ascensão da humanidade é frequentemente medida pela velocidade do progresso. Mas e se o progresso for realmente um espiral invertido, em direção ao colapso? Ronald Wright, cujo best-seller, "A short history of progress" inspirou "Sobrevivendo ao Progresso", mostra como antigas civilizações foram destruídas por “armadilhas do progresso" - tecnologias atraentes e sistemas de crenças que servem as necessidades imediatas, mas não resguarda o futuro. Como a pressão sobre os recursos do mundo acelera e elites financeiras levam nações à falência, poderá nossa civilização globalmente entrelaçada escapar de uma última armadilha catastrófica do progresso? Com imagens poderosas e insights clarificadores de pensadores que examinaram nossos genes, nossos cérebros e nosso comportamento social, este réquiem ao progresso como conhecemos também representa um desafio: provar que educar os macacos não é uma má ideia evolucionária.
Writer
Director
