Screenplay
Felix (56) a criminal boss in the south of Mexico, has always wanted to go to San Francisco so see how drawbridges rise for ships to go through. Misela (23), whose romantic partners die if they make her cry, seeks comfort in her mother and wants to know where she is buried. They are father and daughter, and one must betray the other in order to go on living.
Director
Felix (56) a criminal boss in the south of Mexico, has always wanted to go to San Francisco so see how drawbridges rise for ships to go through. Misela (23), whose romantic partners die if they make her cry, seeks comfort in her mother and wants to know where she is buried. They are father and daughter, and one must betray the other in order to go on living.
Producer
There is a blackout in Mexico City. In the darkness some people are abandoned by God (their conscience) and commit a transgression (murder and infidelity). When the lights come on, conscious of what they have done, they must atone for their sin.
Screenplay
There is a blackout in Mexico City. In the darkness some people are abandoned by God (their conscience) and commit a transgression (murder and infidelity). When the lights come on, conscious of what they have done, they must atone for their sin.
Director
There is a blackout in Mexico City. In the darkness some people are abandoned by God (their conscience) and commit a transgression (murder and infidelity). When the lights come on, conscious of what they have done, they must atone for their sin.
Script Coordinator
Galo has enough free space in his old and luxurious apartment so he asks Fama, an exgirlfriend with cash problems, to come live with him. She arrives with her Canadian boyfriend, Alex. They both couldn’t find themselves in a more comfortable situation: free space to live in, stocked fridge and no pressures to leave anytime soon. Nevertheless not everything goes smoothly for Fama while in there, specially with Carlota (the fourth roomate in the house) who seems to hold an interest for Alex.
Screenplay
A group of beings permeated by the lack of love, guilt, pain and a desire for revenge, meet on the day of a storm at a cantina in the mythical town of Parián, a place where all roads and all destinies converge. There they find consolation for their woes in mezcal and in the distress of the others.
Director
A group of beings permeated by the lack of love, guilt, pain and a desire for revenge, meet on the day of a storm at a cantina in the mythical town of Parián, a place where all roads and all destinies converge. There they find consolation for their woes in mezcal and in the distress of the others.
Writer
A man who travels back to the house of his father, grandfather and backwards.
Editor
A man who travels back to the house of his father, grandfather and backwards.
Director
A man who travels back to the house of his father, grandfather and backwards.
Screenplay
O filme La orilla de la tierra se concentra na história sobre dois homens Gregorio e André à procura de um tesouro que só viram em sonhos, em sua busca eles vão a um lugar onde apenas as mulheres viviam porque os homens foram trabalhar no campo dos Estados Unidos, mas cansado de esperar e deixar a aldeia só fica Matilde que mais tarde se reúne Gregory e André.
Director
O filme La orilla de la tierra se concentra na história sobre dois homens Gregorio e André à procura de um tesouro que só viram em sonhos, em sua busca eles vão a um lugar onde apenas as mulheres viviam porque os homens foram trabalhar no campo dos Estados Unidos, mas cansado de esperar e deixar a aldeia só fica Matilde que mais tarde se reúne Gregory e André.
Director
