Michelin Guide Secretary
Rachel, uma modesta funcionária de escritório, conhece Philippe, um jovem brilhante nascido de uma família burguesa. A partir desta breve mas apaixonada conexão nasce uma pequena filha, Chantal. Philippe se recusa a se casar fora de sua classe social e Rachel tem que criar a filha sozinha. Para Rachel, Chantal é sua grande felicidade e por isso luta para que nunca falte nada a ela, e exige que Philippe lhe dê seu nome à filha. Essa batalha dura de mais de dez anos e acabará por mudar as vidas de todos.
Screenplay
The story starts where the tale ends: Snow White wakes up to the age of sexuality and discovers a world where the dwarves have become tall, and her Prince Charming is deprived of charisma. And, most terrible of all, her mother is incomparably more sexy.
Director
The story starts where the tale ends: Snow White wakes up to the age of sexuality and discovers a world where the dwarves have become tall, and her Prince Charming is deprived of charisma. And, most terrible of all, her mother is incomparably more sexy.
Writer
At the start, Christine Blanc is a temp, her boyfriend has gone. Near the story's end, she's been offered a steady job, she has a fiancé, other men seem interested in her, she's passed her driving test, and, after she wins 1000 Euros in a scratch-off, her colleagues sing that she's a jolly good fellow ("one of us"). But something's askew: her gaze is too direct, her eyes open too widely; conversational gambits hit odd notes; she parrots others' words; she cooks too much food when she invites a supervisor to dinner. When the supervisor takes Christine on a spontaneous outing that disorients her, her oddities become something else. Can things ever be normal?
Director
At the start, Christine Blanc is a temp, her boyfriend has gone. Near the story's end, she's been offered a steady job, she has a fiancé, other men seem interested in her, she's passed her driving test, and, after she wins 1000 Euros in a scratch-off, her colleagues sing that she's a jolly good fellow ("one of us"). But something's askew: her gaze is too direct, her eyes open too widely; conversational gambits hit odd notes; she parrots others' words; she cooks too much food when she invites a supervisor to dinner. When the supervisor takes Christine on a spontaneous outing that disorients her, her oddities become something else. Can things ever be normal?
Director
Three young mothers meet each other on a playground with their children.
Screenplay
Director
