This film, which was to be directed by Pascal-Angot, is characteristic of the communication war in these times of violent military conflicts. It presents a panorama of the benefits of the singular Portuguese presence, which harmoniously rubs shoulders with peoples and cultures: Macao, its cathedral, junks and casinos; the dances of the Timorese; Cape Verde and its morna; the Tchiloli Theatre of São Tomé; the riches of Angola and the development of Mozambique. And several sequences expose at length the Portuguese military power, especially in Guinea-Bissau and Angola – while a part of these countries is actually under control of the separatists. The film is punctuated by the words of Prime Minister Marcelo Caetano, who replaced Salazar in 1968: “These terrorist movements did not appear spontaneously, they originate in a neighbouring territory, and they would have disappeared if the help of the neighbouring powers had stopped. The people of our territories are fighting them.”
Newly-married Rebecca leaves her husband's Alsatian bed on her prized motorbike - symbol of freedom and escape - to visit her lover in Heidelberg. En route she indulges in psychedelic reveries as she relives her changing relationship with the two men.
An arms smuggler organization uses a pirate television station to spread dissention among representatives in an international conference in Portugal. A French diplomat travels to Macao, hoping to locate a sexy spy who had stayed in Lisbon.
