Audrey Campbell

This outlandish compilation of trailers and clips spotlights the women-in-prison sub-genre of grindhouse exploitation films.

Phil and Bea, engaged to be married, are experiencing difficulty in resolving their personal conflicts. They gain insight from Eleanor and Jon, a couple with similar problems.

Cut-n-paste pseudo-documentary about the history of censorship in cinema and the changing mores of the '60s, comprised mostly of footage from the films of Joseph Mawra (who also directed this under the pseudonym of "Carlo Scappine"). Likely the only way to catch footage from Mawra's lost MME. OLGA'S MASSAGE PARLOR.

A writer, a producer, and a director are having a meeting to discuss and plan scenes for their current film project: The story of Liz Adams, who has come to New York to seek fame and fortune through the theatre.

After the death of her prostitute mother, a young woman travels to New York City only to find herself in the clutches of lecherous men and deviate women. She tries to avoid the fast nightlife lifestyle, but she finds it more difficult than it sounds.

Ruthless narcotics dealer and white slavery ring leader Olga keeps her harem of girls in line by hooking them on addictive drugs. Olga suspects an informant in their midst and uses various brutal methods of torture to weed out the squealer. Meanwhile, several of Olga's girls plot their revenge against Olga for her continual sadistic treatment of them.

The beautiful, brutal Olga procures prostitutes and pushes heroin for the syndicate, confining and torturing her pretty victims in a private dungeon located in New York City's sinister Chinatown.

After discovering that her mother is involved in an adulterous affair, a pretty high school student seeks help from a neighbor. While their trusting bond grows into a deep relationship, a secret sex club for the area's pleasure-seeking women is started. Soon, Mom discovers that her daughter is a member!

In this third installment of the "Olga" series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga's House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it's difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.

An art dealer asks a number of local artists for paintings centered around the nude female form; a nudie-cutie ensues.

A New York photographer takes photos of various tenants in a posh apartment building while waiting for a nude pin-up model to show up for him at his studio.

A man travels back in time and meets prehistoric cavepeople who are often nude.

A scrap dealer is making a profit out of wrecked cars, but trouble starts when one of his men demands more money.

A young woman is stabbed in a bar frequented by criminals and her boyfriend is arrested as the main suspect. However, when the girl finally dies, they assign the case to a commissioner, father of the detainee. He will discover that behind the crime is a dark network of blackmail and drugs.