Madan Mohan

Saamiya Siddiqui, é uma jovem advogada paquistanesa que pega como primeiro caso algo impossível de vencer. O acusado, Veer, não fala com ninguém durante os vinte e dois anos que passou preso, porém, por ter sido tratado com dignidade por Saamiya, Veer, lhe conta sua história de amor, da Índia ao Paquistão, e também sobre sua amada, Zaara.

Lawyer Anjali's ideas are tested when she is assigned a new case

In a small town, situated in a picturesque Indian valley, lives a corrupt Deputy collector, Hare Murari, an equally corrupt Police Superintendent, Pasupathi; a doctor; a Judge; and Professor Rampyare. These officials always ensure that no one gets anything done without their permission, thus ensuring that their palms are adequately greased. When a young man named Prem Pratap seeks a license for conducting a song and dance sequence, he too is asked to bribe them, which he does. Subsequently, Hare Murari finds out that Prem Pratap may be a Government Official who has come incognito to investigate and expose them. Hare Murari's and the others worst fears are realized when they find out that Prem has been speaking long distance with none other than the President of India. What follows is hilarious chaos as the officials come together to try and portray themselves as honest and law-abiding citizens.

Kaish Amari comes from a wealthy arab family. At the tender age of six he is sent to school and gets friendly with a young girl named Laila.

While studying for his medical exams in Darjeeling, India, Amarnath Gill sprains his leg and seeks treatment from the local healer, Harihar Thapa. Amarnath is attracted to his daughter, Chanda, and both get intimate. Amarnath promises to return, but never does. About 25 years later, Amarnath returns to Darjeeling, driving an expensive Mercedes, hoping to relax. He casually makes inquiries about Chanda and her father, and finds out that Harihar passed away long ago; Chanda got pregnant and was hastily married to a aged and invalid man, gave birth to a baby girl, subsequently became insane, and died. He also finds out that Chanda sent her daughter, Kajli, away to another town to study and become a doctor. Amarnath is shocked and full of guilt at the injustice and anguish he has caused Chanda and her family. Then he gets to meet Kajli, who is not studying medicine - but earning her living in a brothel - as a foul-mouthed prostitute.

Squabbling Sharma family has a dubious reputation of not having any cook last there for more than a few months. Word spreads out about this family to such an extent that no person wants to be employed as a cook in this household, ironically named Shanti Nivas. Then one day a young man named Raghu offers to work as a cook, and he is hired. Raghu quickly gets a grip on his job and on each of the family members, and soon the squabbles and arguments come to an end. And then the Sharmas find the family jewels and Raghu missing

A romantic drama which tells the story of a 20 year relationship between Hari and Aarti - a deaf-mute couple who try to live their lives to the fullest despite their handicaps.

Kumar Sen is an artist of eminence, a talented painter, and a renowned sculptor; and like the majority of his clan, he has a sensitive introvert. But no artist can achieve any degree of brilliance in his work. Miss Asha Varma is the only niece of a retired, jovial old pensioner, Ashok Varma, and she is truly the light of Kumar's life. One stormy night, Kumar tries to hold Ashok Varma to his unsaid promise of giving him asha's hand in marriage. But the interview ends in unpleasantness for both of them, as angrily the old man ordered Kumar never to darken his doorstep again. Soon after Ashok Varma is strangled to death. Asha's beau Rajesh is arrested for Ashok's murder. The whole drama unfolds in court and truth prevails, who really murdered Ashok Varma and whether Rajesh is innocent or guilty.

Tells the story of newly weds Hamid and Salma. They move into a rental flat next door to the local red light district. The flat had been the former home of a well known mujra and qawali singer, Shamshad. Men still come to the door in the hope of seeing Shamshad and do not seem too put out by seeing Salma despite her protestations. The couple struggle to live within the bounds of their own moral code while the earnings of prostitution seem to be flaunted around them. Hamid gets more and more angry and seemingly unable to reconcile his morality with the immorality of the world and at one point beats his wife and then rapes her making her into a 'whore' of his fantasy. The story here bears resemblance to the later 'Ek Chadar Maili Si' by the same director and seems to explore the complex world of women and sexuality as viewed by Indian men: mother, goddess, whore. This film also explores the ethos of prostitution in its reality and as a metaphor for the outside world.

Nishad, daughter of a noble family, has three suitors. However, after making her decision, it comes to light that the groom only gained noble status after his father won the lottery.

A lawyer's wife dies in his arms. Yet, another woman - identical in appearance and accused of aiding a gang of bandits - claims to be the lawyer's wife. A courtroom drama ensues.

Amal, a young boy with an incurable disease is trapped inside the house by the local pandit-doctor’s orders. He spends the day chattering with passersby and villagers while daydreaming about those encounters later. When the chowkidar tells him the new building across the road from his house is a new Post Office belonging the Raja, Amal starts fantasising about visiting the King beyond the hills, and getting a letter or delivering the letters going all around, setting out from the confine of his house

Sharda, a college student and the daughter of a wealthy educationist, marries Vijay, a college professor, against her father's wishes. Things take a turn when Vijay meets with an accident.

One stormy night, a doctor offers a ride to a ghostly woman he meets on the side of the road. Later, he discovers his intended bride is identical in appearance to the ghost. Who was she and why does she haunt him?

A platoon of Indian soldiers encounters harsh realities while fighting in the Sino-Indian War of 1962.

Keshav, an alcoholic, swears off alcohol after his father's death. He loves Kamala, whose father gets him a job and fixes a marriage date. But, the marriage is cancelled when he starts drinking again.

Balraj (Dharmendra), affectionately called Raj, by his elder brother (Nana Palsikar) and sister Vija (Madhumati), is a student in college in the arts semester. As the family is not very rich, Raj decides to move from the hostel to the residence of a family. He finds one such family in Gandhinagar, which consists of Choudhury Hukumat Rai (Ashok Kumar), a lawyer by profession, his wife (Nimmi), and only daughter Shanti (Mala Sinha). Hukumat takes an instant liking to Raj, and tells him that his wife will only allow him to take up residence if he tells her that he is already married. Raj reluctantly does so, and thus acquires residence with the Rai family. Eventually Mrs. Rai takes a liking to Raj, so does Shanti. Shanti finds out Raj and her dad had lied to the family about Raj's marital status, she confronts Raj, and he readily admits that he lied.

A family drama with a special focus on two generations of the Chopra family. Dinanath Chopra lives in a small tenement with his wife, and two sons Baldev, and Chandramohan. Dinanath re-finances his house in order to get Baldev to study further and be a doctor, and also gets him married with Rekha who comes from a very wealthy family. Chandramohan studies in college, and has a sweetheart in the form of the gorgeous Asha. Asha lives with her mom, and dad, a sort of quack. Differences in the Baldev emerge and multiply. Baldev and Rekha move to their palatial house. The birth of a baby boy to Rekha does lighten things up a bit, but not for long. Dinanath loses his eyesight in an accident and becomes blind.

Agra-based atheist and revolutionary poet/editor of Inquilab, Ejaz, falls head-over-heels in love with Naaz Ara Begum after he hears her sing, and then ends up losing his job. With the assistance of his lovely sister, Kausar Ara Begum, Ejaz and Naaz meet secretly. This does not auger well with Akhtar Nawab, Naaz's paternal cousin, who plans to marry her. To make matters worse, their meeting is witnessed by her enraged dad, Nawab Bakar Ali Khan, who initially asks Ejaz to leave, and then decides to teach him a lesson - with two loaded rifles.

When Bindu's brother is murdered by a night club owner, she decides to take things in her own hands to avenge his death. The film offers a rare window into how and whether she will succeed when she is dealing with an omnipotent villain.

Nirmala (Nargis) is in love with Barrister Rajindra Singh (Pradeep Kumar) and they have plans to get married soon. But Nirmala's aunt is jealous to see her happiness and hence wants to marry her off to an uneducated villagers. The dispute turns big and Nirmala leaves her home. She takes a job in a dancing school, which turns out to be a front for a brothel.

Arjun is an assassin who operates internationally and works for India-based Victor Chaku. He is in love with Manasi, who wants him to quit, and he accordingly approaches Victor with this request.Victor is willing to conditionally let him quit, and even pay for his marriage, provided he carries out one last assignment which is to kill police commissioner.The quest is that how he is able to carry his last assignment.

A rich businessman, Dayashankar Kumar (Shivraj), who is a widow, lives with his two young sons Ashok and Raj. When he catches the younger boy Raj stealing money, he punishes him and threatens to cut off his fingers. A frightened Raj runs away from home. Years pass and the older brother Ashok (Ashok Kumar), becomes the owner of his father's business and property, running Superior Motors, which also extends to Bombay. Ashok is married to Lakshmi (Nirupa Roy) and is a caring and loving husband. They have a young son, Munna (Daisy Irani).

Meena, a wealthy, educated girl, has been promised in marriage to Sunder, a sheltered young man who has received an extremely traditional religious education. Displeased, Meena sets out to find a more suitable candidate, but is taken in by Manohar, a gold-digging conman. Finding Sunder to be clueless about the world, Manohar is soon manipulating him as well as Meena in his schemes to gain possession of Meena's fortune.

Roshan is a pickpocket whose life changes after a man he steals money from commits suicide. Driven by guilt, he sets out to repay the money to the deceased man's family.

Railway Platform is about a love triangle between a princess, a poor man and his lover at a train station. Passengers from all backgrounds get stranded on an isolated railway platform when a natural disaster delays their train for 24 hours.

Dhoon (Tune or Passion) is a 1953 Bollywood film directed by M. Kumar. The film was produced by Silver Kings, a production company formed by Kumar and his then wife, actress Pramila.[1] The film stars Raj Kapoor, Nargis, Motilal, Kumar, Pramila,[2] E. Bilmoria, Leela Mishra and Kamal Mehra. Mehra was a lesser known comedian who started his career in 1951 with Naujawan. He went on to act in several films before starting his own production company Pride Of India under which he made films like Kismat (1968), Mahal (1969) and Naami Chor (1977).[3] The music was by Madan Mohan.

Raju (Raj Kapoor) and Gaura (Nargis) are childhood lovers and promise to be with each other no matter what. Jeevan (Iftekhar) keeps bullying Gaura and is jealous of Raju. He overhears them professing their love for each other and conspires to separate them.

Loosely based on Shakespeare's Romeo and Juliet

Aankhen (meaning The Eyes) is a 1950 Bollywood family drama film directed by Devendra Goel