James Chressanthis

Since first donning a tattered fedora and a glove of eviscerating blades in 1984, Robert Englund has become one of our generation's most beloved horror icons. Englund has risen to stand shoulder to shoulder in the pantheon of movie legends alongside such greats as Boris Karloff and Christopher Lee. His portrayal of Freddy Krueger is without doubt a moment as visceral to the horror genre as Chaney's werewolf or Karloff's ground-breaking realisation of Frankenstein's monster. Yet few realise the depths of England's true power as a character actor away from the latex mask and iconic red and green jumper. A classically trained actor and talented director, Englund has starred in many well-received movies in the years since Freddy's cinematic birth as well as directing his own feature film.

This two and a half hour documentary takes a look at the making of the 1998 horror film Urban Legend.

Jennifer (Laura Dern) tem uma ótima carreira como documentarista e professora e um relacionamento repleto de carinho e respeito mútuo com seu noivo, Martin (Common). Porém, quando sua mãe encontra uma história que ela escreveu para escola quando tinha 13 anos contando sobre um relacionamento que teve com dois adultos, ela é obrigada a revisitar um passado traumático e reconciliar suas lembranças com o que de fato aconteceu com ela. (e 16 - Estimado 16 Anos)

Jennifer (Laura Dern) tem uma ótima carreira como documentarista e professora e um relacionamento repleto de carinho e respeito mútuo com seu noivo, Martin (Common). Porém, quando sua mãe encontra uma história que ela escreveu para escola quando tinha 13 anos contando sobre um relacionamento que teve com dois adultos, ela é obrigada a revisitar um passado traumático e reconciliar suas lembranças com o que de fato aconteceu com ela. (e 16 - Estimado 16 Anos)

A very special encounter between legendary American cinematographer Vilmos Zsigmond and young French director Pierre Filmon. A personal journey with the brightest shadowmaker and his friends.

A very special encounter between legendary American cinematographer Vilmos Zsigmond and young French director Pierre Filmon. A personal journey with the brightest shadowmaker and his friends.

Natalie e Nick estão frustrados com a sua sorte no romance. Depois de lançar as moedas em uma fonte, os dois, em seguida, começam a sonhar um com o outro. Mas, de acordo com a mitologia da fonte, eles só têm uma semana para transformar esses sonhos em realidade.

Duncan Mayor, conhecido na vizinhança por ser um cara irritado, acaba de receber em casa sua esposa, Suzy, que retorna após um período hospitalizada. Duncan decide que o melhor remédio para ela, e também o melhor presente de Natal, é fazer com que ela ande em uma roda gigante para relembrar o momento especial em que foi pedida em casamento. Ele passa a construir uma roda gigante no quintal de casa, gerando polêmica na vizinhança.

In the Summer of 1963, Flint, Michigan is home to the Watsons, a close knit family. When 15 year-old Byron’s antics go over the top, his parents realize enough is enough and they decide the family needs a dose of Grandma Sands' no nonsense approach in Birmingham, Alabama. So the Watsons load up their 1948 Plymouth Brown Bomber and head South. When they finally make it to Birmingham, they meet Grandma Sands and her friend, Mr. Robert and discover that life is very different there than in Flint. During that historic summer, the Watsons find themselves caught up in something far bigger than Byron’s antics; something that will change their lives and country forever.

Três amigos tentam quebrar a banca em Las Vegas, mas precisam andar pela linha tênue entre suas namoradas que querem suas cabeças e mafiosos que os querem mortos.

The artistry, triumph and lifelong friendship of the great cinematographers Laszlo Kovacs and Vilmos Zsigmond. With film school equipment, they shoot the Soviet crackdown of the 1956 Hungarian Revolution. As refugees they struggle in Hollywood, finally breaking into the mainstream with their pivotal contribution to the "American New Wave."

The artistry, triumph and lifelong friendship of the great cinematographers Laszlo Kovacs and Vilmos Zsigmond. With film school equipment, they shoot the Soviet crackdown of the 1956 Hungarian Revolution. As refugees they struggle in Hollywood, finally breaking into the mainstream with their pivotal contribution to the "American New Wave."

The artistry, triumph and lifelong friendship of the great cinematographers Laszlo Kovacs and Vilmos Zsigmond. With film school equipment, they shoot the Soviet crackdown of the 1956 Hungarian Revolution. As refugees they struggle in Hollywood, finally breaking into the mainstream with their pivotal contribution to the "American New Wave."

O vigarista Harold Hill finge ser um vendedor de instrumentos musicais e promete ensinar crianças através de um método criado por ele mesmo. Porém, o "professor" não é capaz de reconhecer sequer uma nota musical.

Eloise, de seis anos, mora com a babá inglesa, Nanny, num hotel de alto luxo em Nova York. Inteligente, mas muito levada, a garota leva à loucura os funcionários do lugar com suas travessuras. Aparentemente mimada, Eloise também é uma menina de bom coração que procura aproximar as pessoas e, para tanto, usa de toda a sua esperteza infantil.

Quando Natalie, uma estudante universitária, se encontra no meio de uma série de crimes sádicos, inspirados em mitos urbanos, resolve procurar a verdade mas rapidamente descobre que está na mira de um louco assassino.

The shooting of a U.S. senator's wife raises the stakes for kidnappers seeking a hefty ransom for a computer magnate.

Al is caught between his loyalty to the police force and his love for his brother in a tense setting. It seems that his brother, Rudy, was involved in a mob hit that could potentially start a gang war. Tony C., a local mob boss and childhood acquaintance of Al, hires him to find out who was involved in the hit. Al must find his brother and make some decisions.

Donna is sent to a reform school to take the fall for bad boy Vince. Inside, she makes friends and learns about herself.

Lou Gosset Jr. is a boss-con. A new prisoner, Blair Underwood, is revealed as his long-lost son. When Underwood is released from jail, the parole board stipulates that Gosset live with him. Gosset gets a job as a car mechanic, and falls in with Rae Dawn Chong. Underwood falls in with his old criminal buddies, who decide to rob the dealership where Chong and Gosset work. Underwood gets cold feet, and the gang turns on him. Gosset stops a bullet meant for his son, who then builds a relationship with the daughter he never knew he had.

A war heroine returns to the US to run for president and ends up facing enemies worse than those in the battle: corruption and the dangerous game of power.

Claudia, a girl who gets around, finally lands her dream man in Mickey. However, Mickey's friend Dobbs spoils their nuptial plans when the thugs of a Vietnamese gangster that he has robbed, come looking for him. In order to save Dobbs, Mickey and Claudia, hide him in the boot of their car as they take off to LA. Things don't go as smoothly as planned, and Mickey finds out more about his fiancée than he ever needs to know.

Despite her husband's doubts, a woman reaches out to her dead daughter with a psychiatrist's help.