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Vadim Yershov has lost everything he had: family, home, favorite job. His daughter is attached to a wheel-chair after an accident that happened partly by his fault. From this stress, Vadim accumulated so much negative energy that now he can literally kill by his word and look. A big-scale scammer Avenir decides to use Vadim's gift in his interest, offering help with medical treatment for his daughter. Through Avenir, Vadim meets with a wonderful woman named Yelena. His love to her helps him to cure his daughter and his own soul.
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Directed by Andrei Yermash, and written by Isaac Asimov, Budimir Metalnikov, and Andrei Yermash, «Konets vechnosti» is a 1987 Science Fiction film, starring Oleg Vavilov, Vera Sotnikova, Georgi Zhzhyonov, Sergei Yursky, Gediminas Girdvainis and Boris Ivanov.
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Writer
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A 1984 Russian film.
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Writer
Former soldier returns to his village only to discover that his girlfriend married another man.
Screenplay
In the surreal aftermath to a plane crash at sea Dr. Iven an eminent scientist is the only survivor to be taken into the confidence of the alien rescuers. He learns that the world with its weapons of mass destruction is not ready for the wonders of the culture of the pacifist visitors. The situation is further complicated by the close relationship that blossoms between the doctor and the female alien, and due to this relationship he is the only survivor allowed to retain his memory of the events, unlike the other survivors including his wife, whose memories are erased.
Director
In the surreal aftermath to a plane crash at sea Dr. Iven an eminent scientist is the only survivor to be taken into the confidence of the alien rescuers. He learns that the world with its weapons of mass destruction is not ready for the wonders of the culture of the pacifist visitors. The situation is further complicated by the close relationship that blossoms between the doctor and the female alien, and due to this relationship he is the only survivor allowed to retain his memory of the events, unlike the other survivors including his wife, whose memories are erased.
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Screenplay
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The film is dedicated to the great Russian composer Pyotr Tchaikovsky (1840-1893). It tells of the last twenty years of the great master’s life, of his friendship with Baroness von Meck, an outstanding woman of her time, who for many years was Tchaikovsky’s guardian angel. The film also includes retrospections of the composer’s childhood and adolescent years, with Tchaikovsky’s life poetically recounted against the background of fragments from his operas and ballets performed by the best Russian musicians.
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The courage to preserve one's integrity in trying times.
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A story about a difficult life of three women during the years after WWII.
Screenplay
The war was over. Like many of her female friends, Sasha Potapova was left a widow. It was hard living without a man’s shoulder to lean on, without love and affection, yet no one had ever seen her crying or despairing. For her strong character, the fellow-villagers elected her a collective farm chairwoman. The work, with its cares and worries, helped all but forget about her personal misfortune and woman’s loneliness. And then she fell in love – a bittersweet, unshared love, but happy anyway…
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Summer of 1960. A detachment of exploration geologists is working in the steppe region, and among them is Alyoshka, a guy who, before entering the geological exploration institute, decided to walk with geologists. Unskillful and messy in everyday life, he becomes the object of their jokes and practical jokes, which are not always harmless. However, his persistent character, his timid and pure love for the switchwoman Zinka, who lives with her grandfather on a crossing lost in the steppe, makes the guys from the squad take a different look at this inconspicuous guy and at his relationship with each other.
Writer
The adopted daughter of Dr. Skvortsov, Tanya, having learned that her mother Natalya Avdeyevna is alive, who was considered dead during the bombing of World War II, decides to go to her in a distant village on vacation. She recognizes the woman who gave her life and lost her husband and sons due to the war, but cannot call her mother. Meetings on the collective farm with interesting people make Tanya think a lot and experience a lot. She discovers for herself a completely new, largely alien world to her. It does not immediately penetrate the sense of inner kinship with this world, its people, so unusual for her.