Jérôme Beaujour

Jean, an anthropologist with no history, is appointed Minister of the Family. While he discovers the backstage of the political world, he must also deal with the events that shake his own family, with the discovery of his brother's homosexuality, and the unexpected pregnancy of his wife.

Casanova, conhecido por gostar de participar de diversão e esbórnia, chega em Londres após deixar o exílio. Nesse novo lugar, ele conhece Marianne de Charpillon, uma moça que o atrai a ponto de fazê-lo deixar sua vida de conquistador de lado.

Indochina, 1945. O jovem soldado francês Robert Tassen é o único sobrevivente de um massacre que vitimou o irmão. Cego pela vingança, Robert volta a se alistar para procurar os assassinos. Mas, quando conhece a jovem indochinesa Maï, suas crenças mudam e sua missão é interrompida.

No século XVII, a jovem Suzanne (Pauline Étienne) sonha em ter uma vida livre, mas seus pais têm outros planos para ela: colocá-la em um convento. Embora resista aos planos, Suzanne é forçada a seguir a preparação para a vida religiosa, entre madres superiores tirânicas, e outras carinhosas em excesso... Aos poucos, a jovem começa a preparar seu plano de fuga.

Antoine Méliot is around 40 years old and has everything he needs to be happy: a beautiful wife, two adorable children, friends he can count on, a pretty house in the Yvelines and money. But one day he decides to ruin everything in one weekend.

Like every weekend senator Henri Pagès and his wife entertain guests at their beautiful mansion in a peaceful village near Paris. But this time around, things go awry: Pierre Collier, a psychoanalyst and consummate womanizer, is brutally murdered. Claire, his wife, dazed and confused by his corpse, with a smoking gun still in her hand, seems to be the ideal culprit...

Anne is an attractive woman on the cusp of middle age trying in vain to divide her time fairly between her demanding job as a television presenter and her family. Her colleagues and friends have similar problems though.

After falling off her horse, a teenage girl is rescued by a manly, older fireman with whom she falls in love with tragic consequences.

After 10 years and two children together, Philippe and Marion, finally decide to take a honeymoon Holiday in Venice. At the train station, a abandoned bag filled with money will bring them to a different journey. A journey of doubt where reality never quite lies where it seems, leading from separation to reconciliation.

After 10 years and two children together, Philippe and Marion, finally decide to take a honeymoon Holiday in Venice. At the train station, a abandoned bag filled with money will bring them to a different journey. A journey of doubt where reality never quite lies where it seems, leading from separation to reconciliation.

Marc decide raspar o bigode que conservou por tantos anos. Supondo que faria surpresa à mulher, aos amigos, aos colegas de trabalho, recebe surpresa em dobro pois ninguém notou diferença. Revoltado com a situação, fica sabendo que há muitos anos não usa bigode. A partir daí, o filme adentra a paranoia do personagem que busca evidências sólidas de sua vida, e põe um mísero bigode no centro de seu universo, como se ele fosse determinante ou não para a presença de Marc no mundo.

A humble copy editor becomes a personal assistant to her favorite actress and eventually loses herself both in the actress' demands and her own ego.

At the start, Christine Blanc is a temp, her boyfriend has gone. Near the story's end, she's been offered a steady job, she has a fiancé, other men seem interested in her, she's passed her driving test, and, after she wins 1000 Euros in a scratch-off, her colleagues sing that she's a jolly good fellow ("one of us"). But something's askew: her gaze is too direct, her eyes open too widely; conversational gambits hit odd notes; she parrots others' words; she cooks too much food when she invites a supervisor to dinner. When the supervisor takes Christine on a spontaneous outing that disorients her, her oddities become something else. Can things ever be normal?

A businessman convicted of a white-collar crime becomes a changed person upon his release from prison.

A bored, sexually frustrated woman's life improves when she begins hypnotherapy and tries feng shui, but her husband's life unravels.

Um dia na vida de Valérie, uma jovem parisiense que começa um novo trabalho em um hotel de quatro estrelas no mesmo dia em que revela ao namorado que está grávida.

Conversation between a woman (Duras) and a man (D. Noguez) about a woman and a man.

This afterword to India Song (Duras' celebrated 1975 film) is organized in several parts. It begins with an interview to Marguerite Duras by Dominique Noguez, an expert in her work; the interview links the film to the two movies whom it's related to: The Ravishment of Lol V. Stein and The Vice-Consul. Several themes are tackled: childhood, autobiographical traces, relationships between differents characters and different films and more. India Song's main actors — Delphine Seyrig and Michael Lonsdale, who played Anne-Marie Stretter and the French vice-consul — join the conversation and talk about their roles and their craft. Marguerite Duras then evokes her memories of the shooting with the composer Carlos D'Alessio and her camera operato Bruno Nuytten. The conversations are punctuated by clips of the film.

Reel 23 of Gérard Courant’s on-going Cinematon series.

A documentary about filmmaker Marguerite Duras.

In this interview with Dominique Noguez, Marguerite Duras talks successively about each of her four short films made in 1979: Césarée, Les Mains négatives, Aurélia Steiner (Melbourne), Aurélia Steiner (Vancouver). She touches briefly on the various subjects dealt with: the return to Césarée of Berenice, repudiated for reasons of state, Jewish wandering, the scandal of the camps in the two Aurelia Steiner. Negative Hands as the colonial data of humanity, a film offered to the blacks and Portuguese who clean up Paris before leaving the place. Marguerite Duras also comments, with excerpts, on the various traveling shots that make up the main plot of each of the short films. And the documentary ends with a few words of epilogue: a real pamphlet by Marguerite Duras against dreams, significantly entitled Work and Words.