Ian Pringle

Filmes

The Legend Maker
Producer
A professional forger comes under threat from a predatory crime ring in Ian Pringle's first feature in more than two decades.
The Legend Maker
Writer
A professional forger comes under threat from a predatory crime ring in Ian Pringle's first feature in more than two decades.
The Legend Maker
Director
A professional forger comes under threat from a predatory crime ring in Ian Pringle's first feature in more than two decades.
Skinheads - A Força Branca
Producer
Skinheads nazistas em Melbourne descontam sua raiva sobre os vietnamitas locais, que são vistos como uma ameaça à pureza racial. Finalmente, os vietnamitas tiveram o suficiente e confrontaram os skinheads em um confronto total, enviando os skinheads em funcionamento. Uma mulher propensa a convulsões epilépticas junta-se ao bando alegre das peles e as ajuda na fuga da justiça, mas sua aflição também é um sinal de impureza?
Isabelle Eberhardt
Director
Story of a young woman journalist who becomes enmeshed in the politics of the annexation of Morrocco from Algeria at the turn of the twentieth century.
Lover Boy
Associate Producer
Explores the conflicting worlds of a teenager and a mature woman as they discover the full force of their sexuality.
Celia
Associate Producer
Celia, an imaginative and somewhat disturbed young girl, fantasizes about evil creatures and other oddities to mask her insecurities while growing up in rural Australia.
The Prisoner of St. Petersburg
Director
A young Russian man arrives in Berlin in search of a woman, but becomes entangled with two others one of whom falls in love with him and another who represents a classic Russian heroine like out of a novel from one of his countrymen idols.
The Tale of Ruby Rose
Associate Producer
The year is 1933. Ruby Rose (Melita Jurisic) is an Australian woman living with her Welsh immigrant husband Henry (Chris Haywood) in the Tasmanian highlands. Cut off from her superjudgmental family, for whom Henry had once worked as a humble farm hand, Ruby remains isolated in her tiny house. Superstitiously terrified of the dark, she begins developing her own folklore about the inky blackness that surrounds her each night; this folklore eventually develops into Ruby's own personal religion, created to ward off the evils that she imagines lurk in every corner. Only by venturing out of her house and rekindling her relationship with her embittered father is Ruby able to exorcise her fears. Almost hypnotic in its stark beauty, Tale of Ruby Rose is proof enough that writer/director Roger Scholes deserves to be far better known.
Wrong World
Writer
In this standard movie about a young doctor wandering across the U.S. in search of his lost ideals, Richard Moir is David Trueman, someone who has dreams of going to South America to practice medicine among the disenfranchised. Trueman does go, but after he arrives he encounters enough corruption and oppression to drive him out of there -- and into drugs. He decides to travel around the U.S., at a loss with himself and society, and eventually he meets Mary (Jo Kennedy), a young heroin addict who shares his angst about life. As the two commiserate, their bleak outlook lightens up a little, promising some fairer weather in the future. Jo Kennedy received a "Best Actress" Silver Bear award at the 1985 Berlin Film Festival for her portrayal of Mary.
Wrong World
Director
In this standard movie about a young doctor wandering across the U.S. in search of his lost ideals, Richard Moir is David Trueman, someone who has dreams of going to South America to practice medicine among the disenfranchised. Trueman does go, but after he arrives he encounters enough corruption and oppression to drive him out of there -- and into drugs. He decides to travel around the U.S., at a loss with himself and society, and eventually he meets Mary (Jo Kennedy), a young heroin addict who shares his angst about life. As the two commiserate, their bleak outlook lightens up a little, promising some fairer weather in the future. Jo Kennedy received a "Best Actress" Silver Bear award at the 1985 Berlin Film Festival for her portrayal of Mary.
The Plains of Heaven
Writer
Two technicians manning a tracking station on the Victorian High Plains pursue opposite ways of coping with isolation. The ageing Cunningham seems to be rejuvenated by and obsessed with the landscape, while the younger Barker withdraws into the interior and technical world of the station.
The Plains of Heaven
Director
Two technicians manning a tracking station on the Victorian High Plains pursue opposite ways of coping with isolation. The ageing Cunningham seems to be rejuvenated by and obsessed with the landscape, while the younger Barker withdraws into the interior and technical world of the station.