Marie Kreutzer
Nascimento : 1977-12-04, Graz, Styria, Austria
Writer
A Imperatriz Elisabeth da Áustria é idolatrada pela sua beleza e moda. Mas em 1877, ´Sissi´ comemora seu 40º aniversário e deve lutar para manter a sua imagem pública. Com um futuro de apenas deveres cerimoniais à sua frente, ela rebela-se contra a imagem hiperbolizada de si mesma e apresenta um plano para proteger seu legado.
Director
A Imperatriz Elisabeth da Áustria é idolatrada pela sua beleza e moda. Mas em 1877, ´Sissi´ comemora seu 40º aniversário e deve lutar para manter a sua imagem pública. Com um futuro de apenas deveres cerimoniais à sua frente, ela rebela-se contra a imagem hiperbolizada de si mesma e apresenta um plano para proteger seu legado.
Writer
Flooding in Krumau am Kamp: three infant bodies , two girls and a boy , are found in the basement of the Trummler family 's farm , which has long been uninhabited . The children were suffocated immediately after birth and buried on the spot . A dark reputation precedes the Trummelrs ; the word "cursed" is used more than once : after the daughter 's disappearance without a trace. The villagers have never quite forgotten the tragedy , and so willOld wounds opened up when Marion Reiter from the St. Pölten homicide squad took up the investigation . She is assisted by the inexperienced but persistent local police officer Ulli Herzog . As the two delve deeper into the Trummels ' dark family secrets . The two of them don't seem to be bothered by the macabre history at first , but the shadows of the past soon catch up with them too .
Director
Flooding in Krumau am Kamp: three infant bodies , two girls and a boy , are found in the basement of the Trummler family 's farm , which has long been uninhabited . The children were suffocated immediately after birth and buried on the spot . A dark reputation precedes the Trummelrs ; the word "cursed" is used more than once : after the daughter 's disappearance without a trace. The villagers have never quite forgotten the tragedy , and so willOld wounds opened up when Marion Reiter from the St. Pölten homicide squad took up the investigation . She is assisted by the inexperienced but persistent local police officer Ulli Herzog . As the two delve deeper into the Trummels ' dark family secrets . The two of them don't seem to be bothered by the macabre history at first , but the shadows of the past soon catch up with them too .
Screenplay
Um casal que enfrenta problemas de fertilidade tem seu casamento testado durante as férias em um resort na Sardenha - e a família ao lado só aumenta a tensão.
Editor
Um casal que enfrenta problemas de fertilidade tem seu casamento testado durante as férias em um resort na Sardenha - e a família ao lado só aumenta a tensão.
Writer
Aos 30 anos de idade, Lola (Valerie Pachner) controla sua vida pessoal com a mesma eficiência implacável que usa para otimizar os lucros em seu trabalho como consultora de negócios de alta potência. Ninguém sabe sobre a história de doença mental de sua irmã mais velha, Conny (Pia Hierzegger), ou de sua família. Mas quando um evento trágico força Conny de volta à sua vida, o domínio de Lola pela realidade parece desaparecer.
Director
Aos 30 anos de idade, Lola (Valerie Pachner) controla sua vida pessoal com a mesma eficiência implacável que usa para otimizar os lucros em seu trabalho como consultora de negócios de alta potência. Ninguém sabe sobre a história de doença mental de sua irmã mais velha, Conny (Pia Hierzegger), ou de sua família. Mas quando um evento trágico força Conny de volta à sua vida, o domínio de Lola pela realidade parece desaparecer.
Director
Hubert and Helga are separated. Hubert has not yet told her about it in order to spare his heart-broken mother. On her 80th birthday he finally wants to tell the truth. The feast takes its course, until at the end all are exhausted, hurt, drunk and desperate and even do not know exactly what they really want. And then, at the right moment, Hubert takes the floor and - lies.
Writer
Three couples in Vienna have children at around the same time. They're all in their mid-30s, successful, cool and live in a popular part of town. As idealistic as they are materialistic, they grow tomatoes on the balcony, drink locally roasted coffee and expensive cocktails and would never buy an electronic device sporting a half-eaten apple. And they're absolutely certain that you can have children without becoming bourgeois. But the reality tells a different story. Between career and kindergarten, Apple and alternative lifestyles, the satire plays cleverly with hipster clichés and mercilessly points up the gap between the old self-image and the new bourgeoisie.
Director
Three couples in Vienna have children at around the same time. They're all in their mid-30s, successful, cool and live in a popular part of town. As idealistic as they are materialistic, they grow tomatoes on the balcony, drink locally roasted coffee and expensive cocktails and would never buy an electronic device sporting a half-eaten apple. And they're absolutely certain that you can have children without becoming bourgeois. But the reality tells a different story. Between career and kindergarten, Apple and alternative lifestyles, the satire plays cleverly with hipster clichés and mercilessly points up the gap between the old self-image and the new bourgeoisie.
Writer
John Gruber is in his mid thirties, an egocentric, living life in the fast lane and sparing no expense. But all of a sudden he is thrown off track by a cancer diagnosis and by the person who unwillingly delivers the news: Sarah, a DJane from Berlin, who is not his type at all. Feelings just aren’t Gruber’s cup of tea and now, without having asked for them, he has more than ever before…
Director
John Gruber is in his mid thirties, an egocentric, living life in the fast lane and sparing no expense. But all of a sudden he is thrown off track by a cancer diagnosis and by the person who unwillingly delivers the news: Sarah, a DJane from Berlin, who is not his type at all. Feelings just aren’t Gruber’s cup of tea and now, without having asked for them, he has more than ever before…
Writer
Teens Linda and Eta are inseparable friends, though they have plenty of disagreements, but one horrific argument has unexpected consequences.
Screenplay
They never expected Kyra to turn up again. The two brothers and their sister, brought together when their father dies, are stunned by the appearance of their sister.Kyra suddenly vanished over twenty years ago during the breakup of the hippie commune where they were all born. She is like a stranger to them now... but when she discovers that her very existence has been kept secret, she starts to uncover old mysteries. And soon all the brothers and sisters find themselves unearthing the roots of their childhood memories they had suppressed in order to survive. In her debut feature film Marie Kreutzer embarks upon an intriguing and disturbing journey into the past, a gripping study of belonging and solitude, bonds and freedom. Written by Novotny & Novotny Film
Director
They never expected Kyra to turn up again. The two brothers and their sister, brought together when their father dies, are stunned by the appearance of their sister.Kyra suddenly vanished over twenty years ago during the breakup of the hippie commune where they were all born. She is like a stranger to them now... but when she discovers that her very existence has been kept secret, she starts to uncover old mysteries. And soon all the brothers and sisters find themselves unearthing the roots of their childhood memories they had suppressed in order to survive. In her debut feature film Marie Kreutzer embarks upon an intriguing and disturbing journey into the past, a gripping study of belonging and solitude, bonds and freedom. Written by Novotny & Novotny Film
Screenplay
Iris, a 28-year-old studentin a big city, recently left by her boyfriend and too poor to pay her rent, begins to work for a strange old man. He wants Iris to precisely describe the trivial belongings of a dead woman, packed in white boxes, to keep the memory of the woman alive. Iris is disgusted and fascinated at the same time; reflecting on an invisible person's traces, she slowly becomes aware of her own wounds.
Director
Iris, a 28-year-old studentin a big city, recently left by her boyfriend and too poor to pay her rent, begins to work for a strange old man. He wants Iris to precisely describe the trivial belongings of a dead woman, packed in white boxes, to keep the memory of the woman alive. Iris is disgusted and fascinated at the same time; reflecting on an invisible person's traces, she slowly becomes aware of her own wounds.
Writer
Ruža deixou a Sérvia, o seu país, há mais de 30 anos e vive em Zurique. O seu dia-a-dia é uma sucessão de momentos repetitivos até que, um dia, Ana chega ao lugar e perturba o mundo meticulosamente organizado de Ruža. Uma subtil amizade cresce entre estas duas mulheres determinadas.
Writer
Marie Kreutzer's film avoids stereotypes of teenagers. Instead of proceeding from the assumption that having problems is simply part of being 14, the protagonists are shown in the context of their everyday lives. The camera follows Theres, remaining close to her body, her gestures and the objects of her attention. (Maya McKechneay)
Director
Marie Kreutzer's film avoids stereotypes of teenagers. Instead of proceeding from the assumption that having problems is simply part of being 14, the protagonists are shown in the context of their everyday lives. The camera follows Theres, remaining close to her body, her gestures and the objects of her attention. (Maya McKechneay)
