José Antonio Félez

Hector, de 17 anos, está em um centro de detenção juvenil. Como parte da terapia de reintegração, ele é enviado para um centro de resgate de animais, onde encontra um cão tímido e esquivo como ele. Quando o cachorro desaparece, Hector decide fugir para encontrá-lo, acompanhado por seu irmão mais velho.

Um serial killer está à solta. Dois detetives de homicídios precisam resolver suas diferenças e trazer o assassino à justiça antes que mais mulheres jovens percam suas vidas.

Depois de ser abandonado na igreja, Diego ( Quim Gutiérrez ) só encontra conforto com seus dois primos, Juliano ( Raúl Arévalo ), um tipo cool e do partido, e José Miguel ( Adrian Lastra ), um jovem neurótico e hipocondríaco que perdeu um olho no Afeganistão . Eles decidem levá-lo para a festa da aldeia, onde você verá pequenas e ainda vivem Martina ( Inma Cuesta ), a juventude o amor de Diego. Eles se reunirão novamente para locais onde passaram os melhores momentos de suas vidas e personalidades que marcaram os como Bachi ( Antonio de la Torre ), um bêbado especialista em cinema, e sua filha Clara ( Clara Lago )

Depois de ser abandonado na igreja, Diego ( Quim Gutiérrez ) só encontra conforto com seus dois primos, Juliano ( Raúl Arévalo ), um tipo cool e do partido, e José Miguel ( Adrian Lastra ), um jovem neurótico e hipocondríaco que perdeu um olho no Afeganistão . Eles decidem levá-lo para a festa da aldeia, onde você verá pequenas e ainda vivem Martina ( Inma Cuesta ), a juventude o amor de Diego. Eles se reunirão novamente para locais onde passaram os melhores momentos de suas vidas e personalidades que marcaram os como Bachi ( Antonio de la Torre ), um bêbado especialista em cinema, e sua filha Clara ( Clara Lago )

Manuel, Ana and Julio get together in a warm summer night after not having seen each other for a while and set off to explore the night.

Pudor is about intimacy, about the desires, obsessions, secrets and fears that we keep hidden, even from those we love most. The characters in this story are a man who is going to die, a woman who receives anonymous erotic notes, an older man who is offered a last chance at falling in love, a teenager struggling to handle the doubts generated by puberty and a small boy who sees ghosts. As is the case in many families, in spite of living together, all the characters in Pudor are alone.

Os destinos de vários personagens se interligam em torno de Jorge, um rapaz que acredita ter sido responsável pelo derrame do seu pai e que assume seu trabalho de porteiro enquanto termina a faculdade. Além disso, tenta ajudar seu irmão que está na cadeia e que é apaixonado por Paula, com quem desenvolve um relacionamento bastante incomum e ainda convive com as incertezas do amigo Israel que descobriu que seu pai é homossexual. Com tudo isso em jogo Jorge resolve mudar de vida…ou não.

Tano is 16-years-old and is already sitting in jail. In 48 hours he’s a free man and off to the wedding of his brother. In the two days he recounts his neighborhood in a section of Sevilla.

After the funeral of his daughter Ema, Frank Osorio travels for the first time to Buenos Aires to tell his granddaughter Alina about her mother's death. But Frank has to big secrets: the first one is about the identity of Alina's father and the second one is related to a crime.

A psychological thriller about an obsessive compulsive, deeply religious woman who flees her abusive husband and accepts a nanny position for a weatlhy family in a different town. The woman's state of mind is extremely fragile, and is made worse by her visits to a Gothic church where things are not as they seem

Joaquín Góñez, a novelist in his sixties recalls his emotions, his wild years in Buenos Aires, the memories of old friends, the meaning of loyalty and the intimate relationship with his mother, Roma.

Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.

In the summer of 1928, several inmates from the National Penitentiary in Buenos Aires managed to escape. The film narrates the fate of each of these runaways in search of their destiny - tough men with their own ethical codes and ready to do anything not to return to prison. Some of them will suffer violent deaths, while others manage de disappear. Sordid and moving stories, not excluding tenderness and love, mercy or horror sealed with a pact of prison love that will remain in the heart of Buenos Aires, as witness of the yearned-for freedom.

Two Argentine sisters, Memé and Aneta, lose their mother in a car crash. Memé, the elder, is also left lame with one badly scarred leg. The orphaned girls go to Uruguay to stay with their aunts. The sisters often bicker, but they are actually very close. Memé flirts but has no luck with boys because of her injury... On their own now, Memé works as a waitress where she gets to know Andy. Returning to Montevideo, they meet Dolores, a friend of their late mother. Memé's affair with a man complicates her relationship with her sister. Then Andy invites the pair to his seaside retreat, a lighthouse.