Hélène Viard

"Bania" is an exploration Russian society through its bath-houses in the city, the countryside, in a monastery, a factory or a prison. The film plays with the boundaries between personal and social space in scenes where naked bodies, marked by tattoos, suffering, labour or war, tell a tale. This film was made by a photographer who, confronted by these naked bodies bathed in steam, invents an unique and timeless plastic world, in the style of classical painting.

Believing she comes from a wealthy family, thugs kidnap a young woman hired as an au pair in Paris.

A man has sex with another without using a condom, while struggling with feelings of doubt and guilt.

A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.

Black comedy about two best friends, one a budding playwright and the other a motorbike freak, who spend their time annoying their girlfriends and getting into various scrapes. Things turn nasty, however, when the pair are caught burgling the offices of a karate magazine, the consequences of which sends the playwright into a spiraling bout of depression.

Paris, Reino da França, 18 de agosto de 1572. A fim de evitar o início de uma guerra religiosa, a princesa católica Marguerite de Valois, irmã do fraco rei Carlos IX, casa com o rei huguenote Henrique III de Navarra.

Into the solitary life of middle-aged hitman, Victor Meynard, come two people: Antoine, a youth who becomes Victor's apprentice, and Renée, a bold thief Victor's been hired to kill because she cheated a mobster. When circumstances prevent Victor from killing her, the gangster sends two more teams to do it (and to dispatch Victor and Antoine). Victor decides to help Renée, and the unlikely trio ends up at his house with his temperamental mother; there, as they hide out, Victor's attraction to Renée grows, she discovers his vocation and fears he's going to kill her, and an ultimate showdown with their hunters is inevitable.

As of his early childhood Robinson Crusoe has wanted to become a sailor. And when he does become one bad luck has it that the vessel he sails on gets shipwrecked. Being the only survivor of the catastrophe, he manages to take refuge on a desert island where he will spend several years, learning how to survive...

Lovers Beatrice Dalle and Wadeck Stanczak can't quite cope with the situation when Dalle becomes pregnant. Stanczak fears that his future as an architect will be scuttled by any parental responsibilities. For her part, Dalle wants to keep the baby, but she also wants to keep Stanczak. Attempting to smooth the waters is the couple's mutual friend Francis Frappat. Chimere was the second feature-film project for director Claire Devers, who rose to prominence on the strength of her award-winning maiden effort Black and White.

Orgon is a man of property duped by the false piety of the penniless Tartuffe. Orgon takes him into his house, believing him a paragon of virtue. Orgon orders his daughter to reject her fiancé and marry Tartuffe. First Dorine, the family servant, tries a strategy to avert the marriage; then Orgon's son tries his hand. They anger Orgon, and to prove paternal power, he disinherits his son and makes Tartuffe his heir. Next Orgon's wife tries to bring her husband insight, a stratagem that partially backfires. With the bailiff at the door ordering Orgon to vacate his own home and with Tartuffe at court to prove Orgon's a traitor, all seems lost.

Orgon is a man of property duped by the false piety of the penniless Tartuffe. Orgon takes him into his house, believing him a paragon of virtue. Orgon orders his daughter to reject her fiancé and marry Tartuffe. First Dorine, the family servant, tries a strategy to avert the marriage; then Orgon's son tries his hand. They anger Orgon, and to prove paternal power, he disinherits his son and makes Tartuffe his heir. Next Orgon's wife tries to bring her husband insight, a stratagem that partially backfires. With the bailiff at the door ordering Orgon to vacate his own home and with Tartuffe at court to prove Orgon's a traitor, all seems lost.

Playwright Charles Watson entertains his niece Lily by telling her about the adventures of Philibert.Both these people have something to do with Philibert.

Based on the idea by Roland Topor (screenwriter of Roman Polanski's The Tenant), this very curious completely silent melodrama tells the story of Mona, who has left her father, the railway gatekeeper, after being raped on the train track. She is kidnapped and taken to a Parisian whorehouse. However, a disinherited prince, Dudu who tries to rescue her, is himself kidnapped and forced to serve as a male prostitute. The two captives meet there and fall in love. They are taken away by different rich people - he to an Arab "harem," she to a surgeon's home.

Karl, a young killer is to kill Kate, an adventurous lady living in a mansion by a lake. He approaches her but fails to kill her. Instead, he falls in love and becomes her lover ...

François Naulet turns his bedroom into an island of drugs, loneliness and despair.

A moral fable, loosely based on Dickens.