Thor Michael Aamodt

Carpenter Andersen and Santa Claus makes a deal which saves Christmas for them both.

Follows the Junior Olsen Gang as they hunt down missing tax money stolen from a bank in 1835.

Norwegian engineers are searching for oil and Egon Olsen convinces his friends to buy stocks in the oil market. In the process, Egon, stumbles upon a scheme to fool the Norwegian Government that there is indeed no traces of oil in the North Sea. The Olsen Gang tries to tell the ministry the truth about the oil but they are caught by Sheik El-Altan who, in order to make sure the boys keep their mouths shut, kidnaps Valborg and brings her to Egypt.

Hearing about the Kings Jewels hidden deep in a silver mine, the Junior Olsen Gang embark on a thrilling hunt to prevent the Jewels from landing in the wrong hands.

A warm, dramatic story about eleven-year-old Alise's encounter with a wild horse on the run.

Rock'n'Roll and bananas has arrived the country, and Egon has found out about sabotage plans about a circus, in order to take it over.

The Gang form The Dynamites. After winning a talent competition they are told by manager Pop-Johansen that the band will be huge in the U.S. But is he only after their prize money?

No norte da Noruega uma jovem de 15 anos, Tanja Lorentzen (Maria Mathiesen), é assassinada. Dois detetives suecos rumam para lá, para tentar elucidar o crime. Eles vêem um suspeito na névoa perto do mar mas, na ânsia de pegar o possível assassino, Jonas Engström (Stellan Skarsgard), um dos detetives, dá um tiro e acidentalmente mata seu parceiro. Desesperado, Engström tenta encobrir seu crime. Por vários dias o insone Jonas manipula as provas relacionadas com a morte do seu parceiro, ao mesmo tempo em que procura o assassino de Tanja. Jonas então ouve do criminoso que o viu atirando no seu parceiro, fazendo que ele fique numa situação que nunca passou, pois é manipulado pelo assassino.

«What do you really want», Jan shouts to Reidun. They are a young couple, but their relationship is brittle and seems to be dissolving due to both internal and external pressures. On the weekend they invite another couple for dinner, but the companionship and fun are gradually destroyed by quarrels and infidelity. Still, the two women finally seem to find understanding and solidarity in eachother. Week-End depicts how the political also permeate the private, in a way both original and typical of its age. The tension between old and new gender roles is one cause of the problems in the relationship between Reidun and Jan, but the political is just one aspect in a film that also deals with emotions, relations and identity. Week-End is rooted in 1970s social modernism, mixing modernist storytelling strategies with a political sub-theme of female identity and solidarity