Martin Schäfer
Nascimento : 1943-07-06, München, Germany
Morte : 1988-04-11
Director of Photography
This first film by choreographer Pina Bausch reflects her method of working as developed with the Wuppertal Theatre of Dance during the 1973/74 season. The film does not tell a story, but is made up of various scenes put together as a collage with scenes set in different locations. The futility of human activity and the search for love make up the film's central theme set against the strains of a Silician funeral march. Filmed on location in Wuppertal, Germany, between October 1987 and April 1989.
Director of Photography
Nino, tough but sickly, and his older brother Vicente live in the country with their father. After their father disappears ― we’re never sure why ― murder is suggested. Vicente brings his girlfriend to the house, and a different kind of family is established as the three youngsters grow fiercely protective of each other. But their uncle grows suspicious about the fate of the missing father and forcibly kidnaps Nino, taking him away to the city and leaving Vicente to locate him there.
Director of Photography
Director of Photography
At the start of the 20th century, a man lives in solitude on an island. One day on the mainland, he saves a young woman from some nasty folk and takes her with him to his island. Her former captors soon find the island as well.
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A director (Hanns Zischler), his fiancee (Vera Tschechowa), a scriptwriter (Rudiger Vogler) and a student interact and discuss their emotions, at length.
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Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.
Director of Photography
Nine Manhattanites receive a chain letter. Depending on their decision to either pass the letter on or to break the chain, the various characters can encounter romance, fulfillment -- and sudden death.
Director of Photography
An old man and a teenage boy, both neo-nazis are travelling across Germany to take funds to the party headquarters. On the way they encounter a young woman and things become difficult.
Director of Photography
Camera Operator
Travis Henderson, um vagabundo sem objetivo que está desaparecido há quatro anos, vagueia pelo deserto fora e tem de voltar a estabelecer laços com a sociedade, ele mesmo, a sua vida e a sua família.
Cinematography
Short film part of Paris Vu Par... 20 Years After
Director of Photography
Director of Photography
A woman is being taken from her German hotel to be interrogated by police agents.
Director of Photography
Story concerns two friends, Freya and Irmtraut and their relationships with the same man, Traugott, who finds it impossible to choose between the two women.
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Computer operator Faber works on securing computers for big companies and banks. His private life is rather dull until he meets a strange women, Juliet and falls in love. Her friend convinces Faber to exploit his knowledge to rob a bank.
Director of Photography
After finding her boss, a private detective, has committed suicide and has left her his agency, Cordelia Gray is asked to investigate the suicide of the man's son. During the course of her investigation, Cordelia becomes obsessed with the young man's memory and his increasingly suspicious death.
Director of Photography
Leão de Ouro em Veneza/1983, "O Estado das Coisas" foi dirigido por Wender durante um hiato na produção de "Hammett", que ele estava filmando nos EUA. Uma equipe cinematográfica está em Portugal para realizar um remake de um clássico de sci-fi americano, "The Most Dangerous Man Alive". A produção é paralisada quando o produtor Gordon vai a Los Angeles apresentar o copião das primeiras cenas e solicitar mais verba aos seus investidores. Como Gordon não retorna, Fritz, o diretor, decide ir procurá-lo nos EUA. Mas o produtor é agora um homem mudado: vive escondido, temendo a chegada de um suposto assassino. Fritz, a princípio, pensa que aquilo não passa de um delírio paranoico de Gordon, mas muda de ideia quando a vida de ambos se transforma numa absurda trama de filme B.
Director of Photography
Two girls go to Berlin, one to find a German girl who lived at home in the 50s when her parents divorced, the other to look for a role in German cinema.
Director of Photography
Gilbert & George are renowned for presenting themselves as ‘living sculptures,’ fusing their art and identity with the external world. Their exploration of the bleak urban surrounds of 1980’s London, powerfully evoke the desires and tensions of its disillusioned youth alongside their own eccentricities. Poetic narration combines with vivid imagery that moves between the startlingly beautiful, the humorous, and the absurd. Church spires and city streets, youth and drunks, dancing and tea-drinking all take on an affecting symbolism when viewed from the unique perspective of Gilbert & George.
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At the end of the 1960s a young woman lays the foundation of the women's movement. As well as political initiatives against male dominance, a detailed picture is drawn of society, which establishes the women’s motivation.
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A man, alone in Berlin. He sleeps and watches TV, walks through the city. A woman approaches him. Does he feel like having coffee with her? No.
Director of Photography
An architect is assigned to modernize a squatted house in the Kreuzberg district of Berlin. But then he meets a young student who is member of a grassroots initiative trying to preserve the quarter. He falls in love with her, although this puts him into conflict with his job. Following his heart, the architect soon changes sides and supports the inhabitants in their struggle against the real estate speculators.
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Director 'Nicholas Ray' is eager to complete a final film before his imminent death from cancer. Wim Wenders is working on his own film Hammett (1983) in Hollywood, but flies to New York to help Ray realize his final wish. Ray's original intent is to make a fiction film about a dying painter who sails to China to find a cure for his disease. He and Wenders discuss this idea, but it is obviously unrealistic given Ray's state of health.
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Set in 1970s Britain, a man drives from London to Bristol to investigate his brother's death. The purpose of his trip is offset by his encounters with a series of odd people.
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Interview film with German director Werner Herzog revisiting the films he made up to ca. 1977.
Assistant Camera
O moldurista Jonathan Zimmerman sofre de uma doença fatal. Ao cruzar o caminho de Tom Ripley, traficante de obras de arte falsificadas, ele é arrastado para o mundo do crime. Zimmerman recebe a oferta de matar em troca de dinheiro, o que asseguraria o bem-estar de sua família após a sua morte.
Director of Photography
"Um relato sobre as origens do festejo informa a sua relação com o culto egípicio ao Sol e à fertilidade, celebrado durante as grandes festas das colheitas. A esta tradição incorporam-se as comemorações cristãs pelo nascimento de São João Batista. Algumas cidades do interior baiano ainda mantêm viva esta tradição, apesar da sua autenticidade se encontrar ameaçada ante o advento dos valores estereotipados por um processo predatório." (INC/CESD)
Camera Operator
Um reparador itinerante de projetores de filmes salva a vida de um psicólogo deprimido que tentou se matar. Eles acabam viajando juntos de um cinema rural alemão para outro. Os dois se unem na sua solidão compartilhada, cada um fugindo do seu passado.
Assistant Camera
Um reparador itinerante de projetores de filmes salva a vida de um psicólogo deprimido que tentou se matar. Eles acabam viajando juntos de um cinema rural alemão para outro. Os dois se unem na sua solidão compartilhada, cada um fugindo do seu passado.
Director of Photography
Loosely adapted from Goethe's novel on the social conventions of marriage raised to level of symbolic parable.
Still Photographer
Baseado em Goethe, o filme descreve seis dias na vida de Wilhelm. No vagão de um trem ele encontra desde um atleta que participou das Olimpíadas de 1936, uma atriz, até interromper o suicídio de um passageiro. Estréia no cinema de Nastassja Kinski.
Camera Operator
Baseado em Goethe, o filme descreve seis dias na vida de Wilhelm. No vagão de um trem ele encontra desde um atleta que participou das Olimpíadas de 1936, uma atriz, até interromper o suicídio de um passageiro. Estréia no cinema de Nastassja Kinski.
Director of Photography
A couple (Karin Thome and Eberhard Klasse), whose relationship can't hold up to the pressure of their financial and career problems, only have their child left as the remaining connecting link. But even their child becomes a pawn in their egoistic power games and possessiveness. The crisis reaches a peak first then, when the husband finds out about an affair that the wife is having and sets out to claim the same rights for himself. This takes him to New York, where he settles. The wife gets her hands on all the cash reserves and follows him there. In spite of the new location, they still remain a couple with a disturbed and insensitive miscommunication, that instinctively cling even more to each other in the new and alienating environment.
Still Photographer
Depois de conhecer uma misteriosa americana, o correspondente alemão Phillip aceita com relutância a custódia temporária da pequena Alice. A amizade dos dois cresce enquanto viajam por várias cidades europeias em busca da avó da criança.
Assistant Camera
Depois de conhecer uma misteriosa americana, o correspondente alemão Phillip aceita com relutância a custódia temporária da pequena Alice. A amizade dos dois cresce enquanto viajam por várias cidades europeias em busca da avó da criança.
Camera Operator
Ann, a ten-year-old girl, becomes the sole heir of millions from her grandmother. Ann's parents, who are short of money and have lost all hope of a bright future try to manipulate Ann's imagination in such a way that she loses her mind.
Director of Photography
The experimental German krautrockers CAN's legendary "Free Concert," recorded in Cologne's Sporthalle, Germany, on February 3, 1972. The circumstances of this Cologne show were unusual. Rather improbably for such an experimental band, Can actually scored a chart success in Germany with "Spoon," which would later be tacked onto the end of Ege Bamyasi.
Director of Photography
A former bank clerk conceives a one-man robbery at the bank he works. He had before established an alibi for himself pretending and declaring him legally dead. Further complications ensue when he rejoins his estranged wife.