Martin Gressmann

A long-term observation of the forgotten former “Gestapo grounds” in Berlin 1986-2013.

A long-term observation of the forgotten former “Gestapo grounds” in Berlin 1986-2013.

When Johanna's blind grandmother Ruth tells her the secret about their Jewish past, the “sleeping dogs” of the family history awake.

Thirteen German directors present short films exploring the state of their country.

After a period of separation, Sarah visits her research scientist mother on a remote New Zealand island. Before long Sarah becomes inextricably involved in events involving both Maori legend and an Albatross.

Hovering between the realms of poetry and history, this stunningly photographed, elegiac work – shot mostly in long takes – mixes cryptic metaphor and fantastic symbolism to tell the story of Avetik, an Armenian filmmaker exiled in Berlin. In sensuous, lyric styling, Askarian employs dreamlike images to reflect the history of his homeland, tranquil childhood memories, images inspired by erotic medieval poetry, and autobiographical shades of his own exile in Germany.

Feature film.

The film is dedicated to the Armenian monk and genius composer Komitas, and the 2 million victims on his people in Turkey in 1915. The final 20 years of Komitas life were spent in various mental hospitals. The destiny of Komitas? This is the magic beauty of Armenian culture and the abhorrent brutality of Armenian history. A cultural and artistic world that was slaughtered with a curved knife. A humanity that doggedly advances towards an apocalyptic catastrophe, that does not recognize its own original purpose, eradicates its own memory, its final roots.

Based on a well-known Turkish novel, Dilan narrates the story of a peasant woman who decides to avenge the murder of her lover. In a remote village in Southeastern Turkey, two men are in love with beautiful Dilan: the rich Paso and the poor but brave Mirkan. When Dilan chooses Mirkan, Paso has the youth killed by one of his men. Dilan marries Paso, but she murders him on their wedding night and runs away to the mountains. A tragic love story as well as a realistic portrait of the existence of the rural people of Anatolia, Dilan was shown at several international film festivals, including Cannes, Venice and Berlin.

Here is the third and last of three self-contained shorts by Helke Sander from her series of shorts entitled From the Reports of Security Guards & Patrol Services . BTW the numbering of the parts is a bit confusing, the only existing parts of the series are No. 1,5 and 8.

A renomada cineasta alemã Helke Sander relata a seguinte história verídica: com seus dois filhos pequenos, uma mulher se dirige a um local de construção…