Astrid Nicklaus

Other essential predecessors of film were those devices that created the illusion of motion by taking advantage of the persistence of vision and the stroboscopic effect, such as the thaumatrope, phenakistoscope or wheel of life, zoetrope or magic drum and praxinoscope and later on, the more sophisticated flip-books such as the kinora and mutoscope.

The film looks at ways of creating spezial illusions through amiguous images, perspective theatres, folding peepshows and from the 19th century, the stereoscope, which look forward to today’s holography.

The history of the magic lantern with demonstrations of moving slides, watertank or polarisation slides, followed by images on paper, which are brought to life with mechanical manipulations, with light shining through them or as panorama.

The film traces the history of the camera obscura, the understanding of perspective and anamorphosis, peepshows and it shows the beauty of historical shadowtheaters and shadow toys.

An exhilarating and amusing encyclopedic look at the "prehistory" of cinema. Werner Nekes charts the fascination with moving pictures which led to the birth of film, covering shadow plays, peep shows, flip books, flicks, magic lanterns, lithopanes, panoramic, scrolls, colorful forms of early animation, and numerous other historical artiffices. Working with these formats, early "producers" created melodramas, comedies, -- as well as lots of pornography -- anticipating most of the forms known today. Nekes probes these colorful toys and inventions in a rich and rewarding optical experience. Film Before Film is a bewildering assault of exotic (and sometimes erotic) images and illusions.

Jurgen is an unknown electrician with a dream of pop stardom. His mother browbeats him into fame, while two managers compete for his contract. All Johnny really wants to do is get some sleep.