The true story behind the Prince of the City.
Herself
A collection of interviews recorded for the making of the 1995 documentary "The Celluloid Closet," on the subject of LGBT representation in film history.
Self
This hour long documentary on the making of Alfred Hitchcock's "Marnie" incorporates the usual melange of contemporary interviews with surviving participants and liberal helpings of film clips and production shots. It also presents a nice selection of script pages and memos as well. In the former category we find cast members 'Tippi' Hedren, Diane Baker, and Louise Latham, rejected screenwriters Joseph Stefano and Evan Hunter, final screenwriter Jay Presson Allen, daughter Pat Hitchcock O'Connell, production designer Robert Boyle, makeup artist Howard Smit, unit manager Hilton Green, Hitchcock historian Robin Wood, composer Bernard Herrmann biographer Steven C. Smith, and Hitchcock fan/filmmaker Peter Bogdanovich. An entertaining account of the film's production, the participants offer loads of valuable information and anecdotes. Highly enjoyable for Hitchcock fans and the film's growing number of admirers.
Self
This documentary highlights the historical contexts that gay, lesbian, bisexual and transgender individuals have occupied in cinema history, and shows the evolution of the entertainment industry's role in shaping perceptions of LGBT figures. The issues addressed include secrecy – which initially defined homosexuality – as well as the demonization of the homosexual community with the advent of AIDS, and finally the shift toward acceptance and positivity in the modern era.
Writer
Advogado alcoólatra e decadente vê a chance de recuperar a sua auto-estima quando lhe é dado um caso sobre um erro médico. Mesmo quando uma quantia razoável é oferecida para se chegar a um acordo e o caso não ir a julgamento, ele não concorda e decide enfrentar um poderoso grupo, que é defendido por um renomado e ardiloso advogado.
Executive Producer
A Broadway playwright puts murder in his plan to take credit for a student's script.
Screenplay
A Broadway playwright puts murder in his plan to take credit for a student's script.
Executive Producer
New York City detective Daniel Ciello agrees to help the United States Department of Justice help eliminate corruption in the police department, as long as he will not have to turn in any close friends. In doing so, Ciello uncovers a conspiracy within the force to smuggle drugs to street informants.
Screenplay
New York City detective Daniel Ciello agrees to help the United States Department of Justice help eliminate corruption in the police department, as long as he will not have to turn in any close friends. In doing so, Ciello uncovers a conspiracy within the force to smuggle drugs to street informants.
Producer
A television producer woman tries to let down her overbearing boyfriend who is her boss. She wants to marry with a young writer.
Screenplay
A television producer woman tries to let down her overbearing boyfriend who is her boss. She wants to marry with a young writer.
Novel
A television producer woman tries to let down her overbearing boyfriend who is her boss. She wants to marry with a young writer.
Screenplay
Na Nova York dos anos 1930, em pleno período da Depressão, a entertainer Fanny Brice divorcia-se do jogador Nick para se casar com o compositor Billy Rose. Juntos, eles se esforçam para manter o sucesso tanto no palco quanto na vida privada. Continuação de "Funny Girl - A Garota Genial".
Writer
An eight-year-old boy discovers a family of tiny people, only a few inches tall, living beneath the floorboards of a Victorian country home.
Writer
After an overnight fling with a man nearly 20 years her junior while vacationing in Greece, Ann Stanley returns to New York assuming she'll never see Peter Latham again. Until, that is, he shows up on her doorstep to take her daughter to a party. Despite her yearning for Peter and the encouragement of her friends and family, Ann initially rebuffs him when he pursues her, but slowly she yields to his charm and her own stifled emotions.
Screenplay
At his mother's funeral, stuffy bank clerk Henry Pulling meets his Aunt Augusta, an elderly eccentric with more-than-shady dealings who pulls him along on a whirlwind adventure as she attempts to rescue an old lover.
Screenplay
Berlim no início da década de 30. O nazismo fazia sua ascensão meteórica, mas a grande maioria das pessoas ainda não tinha noção do terrível poder que aquela força política se transformaria. Sally Bowles (Liza Minnelli), uma jovem americana que canta em um cabaré e sonha em ser tornar uma estrela, se apaixona por Brian Roberts (Michael York), que é bissexual. Ambos se envolvem com Maximillian von Heune (Helmut Griem), um rico e nobre alemão. Quando Sally fica grávida, Brian diz que quer casar e declara não se importar de quem seja o filho. Mas o futuro lhes reserva outro destino.
Screenplay
Edinburgh, 1932. Jean Brodie (Maggie Smith) é uma professora em uma escola para meninas, que inspira suas estudantes com suas idéias sobre arte, música e política, sendo que a última é baseada em noções românticas, que a levam a expressar sua admiração pelo fascismo na Itália.
Theatre Play
Edinburgh, 1932. Jean Brodie (Maggie Smith) é uma professora em uma escola para meninas, que inspira suas estudantes com suas idéias sobre arte, música e política, sendo que a última é baseada em noções românticas, que a levam a expressar sua admiração pelo fascismo na Itália.
Screenplay
Marnie é uma mulher perturbada psicologicamente que vai trabalhar para Mark Rutland e tenta roubá-lo. Só que Mark acaba casando com ela e tenta ajudá-la a curar sua doença, confrontando o seu passado.
Theatre Play
Husband and wife Bill (Van Johnson) and Bertie Austin (Janet Leigh) and their daughter live in a low-rent apartment. He's a struggling writer, at least until agent Lucinda Ford breaks the news that she's sold his book to a publisher, including the rights to turn it into a Broadway play. A new house in Connecticut is the first way to celebrate. But during the long hours Bill is away working on the play, Bertie befriends hard-drinking neighbor Fran Cabrell and her boyfriend Wylie, who plant seeds of suspicion in Bertie's mind that Bill and his beautiful agent might be more than just business partners. Bertie jealously retaliates by flirting with Gar Aldrich, an actor who will be in her husband's play. Bill goes to Connecticut for a heart-to-heart talk, finds Gar there and punches him.
This documentary premiered at the Kennedy Center in Washington, DC. Explore the challenging world of the screenwriter with renowned industry writers.