Axel von Ambesser

An episodic film, telling four erotic tales: Angela isn't sexually satisfied by her husband, so she simulates sleep-walking to visit her neighbor across the street every night; when his bathtub runs over, shy Peter gets to meet his sensuous neighbor Lolita; at a high-school reunion his former students pull a prank on Prof. Hellberg and make him believe he cheated on his wife while being drunk; Sybill has a good time during a break at the opera with the famous conductor Cramer.

An episodic film, telling four erotic tales: Angela isn't sexually satisfied by her husband, so she simulates sleep-walking to visit her neighbor across the street every night; when his bathtub runs over, shy Peter gets to meet his sensuous neighbor Lolita; at a high-school reunion his former students pull a prank on Prof. Hellberg and make him believe he cheated on his wife while being drunk; Sybill has a good time during a break at the opera with the famous conductor Cramer.

Landlord Kohlhiesl has two twin daughters that nevertheless couldn't be more different: Liesel is beautiful, feminine, sophisticated, educated and in love with a fellow, Toni, from back home. The other daughter, Susi, is clumsy, masculine, never left home and wants nothing to do with men. Liesel would dearly love to marry Tony, but her father refuses to allow the wedding until her sister Susi has found a husband first...

Father Brown is only too happy to interfere with the work of the police in solving tricky criminal cases, usually with resounding success. That's why the clergyman is transferred to a sleepy island called Abbott's Rock. At first, nothing happens there, but somehow Father Brown seems to be attracted to crime: Soon a gang of thieves is up to no good on the island. So Brown makes the headlines again, and is punitively transferred once more. This time he finds himself in a quiet Irish millionaire community.

Bank accountant Thomas Lieven is forced to work as a triple agent for the British, the French and the Nazis.

Gustl Leubelfing, daughter of the mayor of Nuremberg adores the king of the Swedes. So she happily substitutes her brother as Gustav Adolf's page instead of marrying her fiancée Roland. Of course she has to hide that she's a woman, especially when they go into war against Wallenstein.

With the help of God, the loveable safecracker Paul Wittkowski – aka “Cracker-Paulie” – manages to escape the clutches of the cops. He dresses up as a priest and ends up in a village, whose pastor is in dispute with an influential businessman. To help the pastor and a young widow, Paulie has to use his own special abilities. This work leads him back to the path of righteousness. He contacts the police and, after serving his time, starts a new life with the widow.

In 1815 Vienna, a corsetmaker falls in love with a valet.

Two GIs haven fallen in love with "Fräuleins", decide to stay in Germany and open a typically American drugstore in the center of the small town where their girlfriends live.

The Berger couple want to enjoy their vacation in the mountains, a break that they both deserve. Because Maya suffers from strong emotional swings and feels constrained by the concerns of her husband, who is successful in the hospitality industry. Things don't improve during the holidays, and tensions between the two even escalate when Maya gets involved with a mountain guide. But even this brief affair ends in tragedy: the lover is struck by lightning on a tour and falls to his death.

Germany, 1914: The bourgeois austerity of the small, northern German town in which Ulyssa lives conflicts sharply with her desire to flirt with and be ensnared by charming, young men. That she's married is irrelevant; it's a marriage which exists only on paper. Among all the men Ulyssa flirts with, there is one for which she has genuine affection: Stefen Marbach, an upright and sincere man, far superior to her other men. And, indeed, the two are honest with one another about their feelings, but the outbreak of the First World War separates them. Sometime later, Ulyssa finds out that not only her husband, but Stefan, too, has fallen in battle. The news of this disaster leads her to reconsider and eventually give in to the constant urgings of the Viennese merchant Reindl. Ulyssa joins Reindl in Vienna and lives a life of wealth and comfort, until one day, Stefan shows up.

Germany, 1914: The bourgeois austerity of the small, northern German town in which Ulyssa lives conflicts sharply with her desire to flirt with and be ensnared by charming, young men. That she's married is irrelevant; it's a marriage which exists only on paper. Among all the men Ulyssa flirts with, there is one for which she has genuine affection: Stefen Marbach, an upright and sincere man, far superior to her other men. And, indeed, the two are honest with one another about their feelings, but the outbreak of the First World War separates them. Sometime later, Ulyssa finds out that not only her husband, but Stefan, too, has fallen in battle. The news of this disaster leads her to reconsider and eventually give in to the constant urgings of the Viennese merchant Reindl. Ulyssa joins Reindl in Vienna and lives a life of wealth and comfort, until one day, Stefan shows up.

During his trip to the city, a naïve man from the countryside falls victim to a thief who steals his wallet. Since all his personal documents were in it, he not only looses his money but also his identity. The thief turns out to be a cunning con man, who uses the papers for his criminal schemes. Soon enough, a warrant is issued, and eventually both men – the thief and the innocent guy – are arrested. But since all the red tape of the government causes even more confusion, the odyssey of the victim searching for his lost identity has just started.

Frauen sind keine Engel" was made on a moderate budget and has generally found not as much attention as that which has been rightfully accorded to his 'Viennese trilogy' made at about the same time. Please don't expect the outward splendour of some other Forst films, even though script, acting and direction leave nothing to be desired. However, like many of Forst's more important films this one not only provides great entertainment, but is also a thorough examination of the relation of fiction/art and reality.

The young emperor Joseph II of Austria and Hungary is not interested in romance and marriage, and every time his mother makes arrangements for him to meet eligible young ladies, he escapes under some pretense. This time he is off on a 'tour of inspection' with his trusted friend von Kleber. Things become complicated when von Kleber, pretending to be the emperor so as to protect the real Joseph from discovery, falls in love with Christine, the landlady of their lodgings. And when Christine later writes to the emperor, her letter is read by the mother of the real emperor, as keen as ever to see him getting married, and so the lady is invited to the imperial court.

On New Year′s Eve 1871 Annelie is born – 15 minutes too late, since her parents had calculated her birth to be exactly at midnight. These 15 minutes will again and again become the girl′s fate.

Como o título "O Coração da Rainha" sugere, esta versão inicial, em preto e branco, do reinado e morte incessante de Mary Queen of Scott, concentra-se em sua percepção emocional de forma bastante lírica com algumas músicas, principalmente as criadas por ela.

In a transport museum, the items on display begin to tell their stories. Most interesting is the history of the Pullman car. In the beginning, it served as transport for a princely family; then became the headquarters car for the military high command; and then, most adventurous of all, it ended up with a circus. Converted to a bar, it finally had its day and was supposed to serve as a placard carrier. Luckily, the museum saved it from this sad fate.

In a transport museum, the items on display begin to tell their stories. Most interesting is the history of the Pullman car. In the beginning, it served as transport for a princely family; then became the headquarters car for the military high command; and then, most adventurous of all, it ended up with a circus. Converted to a bar, it finally had its day and was supposed to serve as a placard carrier. Luckily, the museum saved it from this sad fate.