Michael Dowse
Nascimento : 1973-04-19, London, Ontario, Canada
História
From Wikipedia, the free encyclopedia.
Michael Dowse (born April 19, 1973) is a Canadian film director.
Born and raised in London, Ontario, he was trained as a film editor. His first full-length movie, FUBAR was shot on a digital camera with a tiny budget, but was selected by the Sundance Film Festival and screened on the prestigious midnight slot, which had launched the revolutionary film The Blair Witch Project. Though it failed to get picked up by any major American theatrical distributors, FUBAR subsequently became a cult hit in Canada. Following the success of FUBAR, Dowse went on to direct the higher-budget British film "It's All Gone Pete Tong", the story of a deaf DJ in Ibiza.
Dowse's next production, the 1980s retro comedy Take Me Home Tonight, started shooting in Phoenix, Arizona on the week beginning 19 February 2007 and is scheduled to be released in 2011.
He currently resides in Montreal with his wife and child.
Description above from the Wikipedia article Michael Dowse, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director
No Natal, Jake conta para os que estão em sua casa sobre sua aventura de quando era um garoto. Na mesma data comemorativa, só que em 1980, o jovem Jake embarca em uma aventura em busca do presente de Natal que realmente quer: o novo sistema de videogame Nintendo System.
Director
Um policial de Detroit precisa formar uma dupla com o filho boca-suja da namorada depois que eles descobrem por acaso uma conspiração criminosa.
Director
Quando Stu, um motorista da Uber, é recrutado por um policial (Dave Bautista) para ajudá-lo a investigar o paradeiro de um brutal assassino, algumas regras precisam ser quebradas. Seguindo as poucas pistas que possuem para seguir o traço do criminoso, eles cada vez se complicam mais na perseguição desenfreada.
Writer
Tickel Head é um pequeno povoado na costa canadense cujos habitantes são obrigados a viver de irrisórios subsídios do governo. Um dia, politicos chegam ao local com a proposta de instalar ali uma pequena fábrica. A ideia parece boa, mas a população só irá aceitar com uma condição: é necessário que a cidade tenha pelo menos um médico residente. Percebendo que não vão chegar a lugar algum, contentam-se com a promessa de que um médico ficará na cidade por apenas um mês. Assim o povo se une para tornar aquele o local mais agradável do mundo a fim de seduzir o médico a permanecer ali para sempre.
Executive Producer
Wallace e Chantry são amigos muito próximos, mas a relação entre os dois passa por dificuldades quando eles começam a se apaixonar um pelo outro.
Director
Wallace e Chantry são amigos muito próximos, mas a relação entre os dois passa por dificuldades quando eles começam a se apaixonar um pelo outro.
Director
Doug é um homem satisfeito com sua vida, cujo único talento é bater nas pessoas. Um dia, ele vai a um jogo de hóquei e espanca um dos jogadores, e o técnico de um time fracassado vê em Doug o potencial para levantar a equipe e resolve contratá-lo.
Director
Matt Franklin (Topher Grace) é um jovem de 22 anos recém-graduado que não sabe o que fazer da vida. Ele poderia ter um belo emprego em um escritório ganhando muito dinheiro, mas prefere trabalhar como balconista em uma vídeo locadora. Quando Tori Frederking (Teresa Palmer), a garota por quem era apaixonado no colégio entra no estabelecimento, ele decide tentar conquistá-la. Junto com Wendy (Anna Faris), sua irmã, e seu melhor amigo Barry (Dan Fogler), Matt aproveitará o convite para a festa de Kyle Masterson (Chris Pratt) para ter a melhor noite de todas.
Producer
Terry and Dean head north to make sweet cash in the oil patch.
Writer
Terry and Dean head north to make sweet cash in the oil patch.
Director
Terry and Dean head north to make sweet cash in the oil patch.
Director
O filme mostra a vida trágica do lendário Frankie Wilde. A história nos leva através da vida de um dos melhores DJ´s conhecidos, e a subseqüente batalha com um distúrbio auditivo, culminando com sua misteriosa saída de cena.
Director of Photography
Terry and Dean are lifelong friends who have grown-up together: shotgunning their first beers, forming their first garage band, and growing the great Canadian mullet known as "hockey hair". Now the lives of these Alberta everymen are brought to the big screen by documentarian Ferral Mitchener in an exploration of the depths of friendship, the fragility of life, growing up gracefully and the art and science of drinking beer like a man.
Editor
Terry and Dean are lifelong friends who have grown-up together: shotgunning their first beers, forming their first garage band, and growing the great Canadian mullet known as "hockey hair". Now the lives of these Alberta everymen are brought to the big screen by documentarian Ferral Mitchener in an exploration of the depths of friendship, the fragility of life, growing up gracefully and the art and science of drinking beer like a man.
Writer
Terry and Dean are lifelong friends who have grown-up together: shotgunning their first beers, forming their first garage band, and growing the great Canadian mullet known as "hockey hair". Now the lives of these Alberta everymen are brought to the big screen by documentarian Ferral Mitchener in an exploration of the depths of friendship, the fragility of life, growing up gracefully and the art and science of drinking beer like a man.
Producer
Terry and Dean are lifelong friends who have grown-up together: shotgunning their first beers, forming their first garage band, and growing the great Canadian mullet known as "hockey hair". Now the lives of these Alberta everymen are brought to the big screen by documentarian Ferral Mitchener in an exploration of the depths of friendship, the fragility of life, growing up gracefully and the art and science of drinking beer like a man.
Director
Terry and Dean are lifelong friends who have grown-up together: shotgunning their first beers, forming their first garage band, and growing the great Canadian mullet known as "hockey hair". Now the lives of these Alberta everymen are brought to the big screen by documentarian Ferral Mitchener in an exploration of the depths of friendship, the fragility of life, growing up gracefully and the art and science of drinking beer like a man.
Editor
Ted, his girlfriend Jo, and his brother Johnny are small-time robbers in Montreal. The brothers spend their time watching TV, while Jo rereads Leonard Cohen's novel "Beautiful Losers" and attends writing classes. Luka, a Czech immigrant, picks up Jo when he sees her shoplifting. When Johnny surprises Luka kissing Jo, he attacks him. In the ensuing fight Jo accidentally kills Johnny, and Luka leaves the scene, but drops his wallet. The police assume that Luka attacked Johnny after a break-in and Jo goes along with that, but feels guilty about it.
Editor
A black comedy revolving around the humiliating lengths that people will resort to in order to get by in an unstable financial world from applying for welfare to the compromise of personal ideals to all out robbery. The film follows four characters - two leftover punks from the 80s, a typical gray-suited businessman and a vegetarian idealist - in their desperate struggle to hold onto their respective stations in life. These deftly interwoven stories form a cautionary tale of how people deal with the search for quick cash. In desperate times, even good people turn to bad money.
Director
The story of a deadly CIA black ops assassin code-named the Scorpio, who specializes in regime changes, battles pirates, mercenaries and rogue agents.
