Jens Harzer

No norte da França, um escritor (Jens Harzer) começa a escrever os esboços para o seu próximo livro e desenvolve, como ponto de partida, um diálogo entre um homem (Reda Kateb) e uma mulher (Sophie Semin), que se encontram em um jardim suspenso na cidade de Aranjuez, na Espanha, onde discutem, entre outras coisas, questões como sexualidade, amor, infância e também suas memórias e a vida em si.

A teenager wakes up in a subway car with no memory of how he got there or who he is.

No final de março de 1945, no campo de concentração Buchenwald, o prisioneiro Hans Pippig descobre em uma mala uma criança judia escondida. Se denunciar a criança de 3 anos com certeza morrerá. Por outro lado, a violação de regras do campo ameaçaria a longa preparação para a revolta dos prisioneiros contra a SS.

The film tells the story of Martin S., his return to Dresden, which he left more than 20 years ago. He discovered some film materials of his own that he shot in 1988, and came upon his files held by the State Security where there was information given by a person which contained details that could only be known by his then first love. So begins his search and questioning about his memories and testing believed reality.

In no less than 180 minutes the film showed frenzied dashes of wild colors and idyllic natural images, of wonderful music and powerful lyricism, which, among others was flawlessly recited by star actors such as Corinna Harfouch, Angela Winkler and Ulrich Matthes. The work treats of the consciousness-defining echoing thunder of modern rock music, of the rock inscriptions of the ancient Egyptians, of the Merseburg magic spells, the author’s childhood impressions, in the latter’s homeland in the forests of the Upper Palatinate, and the ghosts of the Nazi era, who today continue to haunt us in the most vivid manner.

Based on the true story of Benjamin Prufer and Sreykeo Solvan. The unexpected and uncertain love story of Sreykeo, a 21 year old bar girl in Phnom Penh and Ben, a young German student traveling to Cambodia on a post graduation summer trip. When Ben returns home to Germany he discovers that Sreyko is sick and he takes on the responsibility to save her. On the way he discovers a world where not everyone is dealt the same cards and where motivations are not always pure.

Michaela Klingler, protagonista de um fato real, cresceu sob rigorosos preceitos católicos no sul da Alemanha, durante os anos 70. Apesar de sofrer de epilepsia, convence sua família de que pode frequentar a universidade fora de seu vilarejo. Seu pai lhe dá apoio, mas a mãe extremamente protetora tem lá suas dúvidas de que a filha deva sair de casa e prosseguir nos estudos de magistério. As crises de Michaela começam a ficar cada vez mais fortes durante o primeiro ano da faculdade. Agora ela passa também a ouvir vozes. Desconfiada, ela decide procurar um sacerdote em sua cidade natal, que confirma tratar-se de um caso de possessão e lhe sugere um exorcismo.

In WWII Munich, Anna works for a Nazi family as a nanny but secretly steals food and cigarettes and bring those to a Jewish family, who hides from the Nazis. One day, the family is discovered and only by chance can Anna save the family's only daughter, Franziska. Together they escape to Anna's native village where Anna tells everybody that Franziska is her daughter...

Chancellor Helmut Kohl is to blame in Germany and has to go away without violence. The homeless Hick takes up the idea and demonstrates the abolition of Kohl.

In this surrealist film director Picasso can awaken from the dead. He steals a paintings painted by himself of a couple of wealthy psychiatrists. When Picasso meets Takla Bash, a patient of the psychiatrists, Picasso falls in love. Although it is his own daughter, he remembers an incredible love affair, in which a film with a blue cow plays a role. In the majority of the paintings shown in the film are works of Herbert Achternbusch.

Germany, WWII: 10-year old Dagmar has just lost her beloved twin brother Doug and her family through a bomb attack. Together with a young girl who worked in the bakery of Dagmar's parents they escape to Bavaria and find shelter at some far relatives of Dagmar's family. The little girl just doesn't feel comfortable in the strange family but soon finds a good friend: Laurent, a 17-year old French alien employee. Laurent is tormented by August, the "head of the family", but cannot defend himself because as soon as he causes a conflict he will be sent into an approved school in France which is even worse. Dagmar and Laurent become very close and become almost like brother and sister, they are all they have and Dagmar even falls a bit in love with Laurent. One day August sees how Laurent hugs Dagmar, he provokes a conflict and at the end Laurent is sent back to France...

This German political drama from iconoclastic filmmaker Herbert Achternbusch takes a slightly askew look at neo-Nazis and the Holocaust. His non-story (a typical trait of Achternbusch films) is divided into three parts. The first introduces Hades, an eccentric half-Jewish coffin maker. Also introduced are the women in his life. The second part depicts different scenes from the city's Jewish ghetto. Included are disturbing film clips from Nazi propaganda footage that shows the naked corpses of starved Jews piled up in the streets with the insinuation that the heartless relatives of the dead would unceremoniously toss them out when they expired. In the third part, Hades is buried at sea. In between, neo-Nazis march unopposed in Munich, Hades battles skinheads, and Hades' shop is repeatedly vandalized. A scene where Hades is fascinated with death is also seen.

In Gascony, a sparsely populated region in the southwest of France, lives Dr. Jean Cadéot, a ninety-year-old veterinarian who continues to work tirelessly and still enjoys doing so. Although his eyesight is getting worse and worse, he treats his animal patients with all his senses and all his love.