Pia Dumont

In the middle of a midlife crisis, Sacha leaves his girlfriend and moves into his grandparents' Airbnb. There he meets Marjan, a married Iranian woman. The involuntary encounter becomes a moment of new possibilities.

Inspirado na história real de Angelo Soliman, um jovem escravo africano que, no início do século 18, foi escolhido por uma condessa para ser batizado, educado e levado à corte europeia. Já adulto, Angelo ganha destaque e se torna um dos membros mais apreciados da corte de Viena. Porém, quando ele decide se casar secretamente com uma mulher branca, passa a ser rejeitado e percebe que sempre será considerado um estranho pela corte, que não aceita sua origem.

Inspirado na história real de Angelo Soliman, um jovem escravo africano que, no início do século 18, foi escolhido por uma condessa para ser batizado, educado e levado à corte europeia. Já adulto, Angelo ganha destaque e se torna um dos membros mais apreciados da corte de Viena. Porém, quando ele decide se casar secretamente com uma mulher branca, passa a ser rejeitado e percebe que sempre será considerado um estranho pela corte, que não aceita sua origem.

The documentary tells the story of the emancipation of women and women's movements through personal fates of different generations of women of the 20th and 21st centuries . In very personal conversations five younger women and five elderly ladies from Luxembourg , Germany and France tell about their dreams and hopes , their private and public struggles , disappointments and achievements ...

When the ambitious Philip takes over the running of the family business from his father, he finds himself confronted by the mysterious reappearance of his dead ancestors. In the course of a long night, during which there is a murder, an illicit love affair and a game with false identities, Philip uncovers a closely guarded family secret.

Amadeu e Leonardo são dois marginais que ao som do samba e do fado, entre o Rio de Janeiro e Lisboa, lutam contra o destino que os condenou a uma vida de pequenos malandros.

This film journeys deep into the heart of Austria’s favorite daily newspaper, the Kronen Zeitung, the most widely-read paper per capita in the world. The “Krone’s” 2.7 million readers represent 43% of the Austrian press market. A reflection of the Austrian soul, this newspaper serves as a prism through which we can understand the rise of the populist Right in this country and examine the dangerous flirtation between media and politics. Director and editor-in-chief Hans Dichand’s ingenious populist strategy allows him to reach the greatest number of readers: the paper’s style and content play on base human instincts such as the fear of the “other,” the opposition between “good” and “evil,” and the common man’s sense of powerlessness in the political arena. He then wields the might of this enormous audience to influence politicians and impose his nostalgic vision of a pure, prosperous, and peaceful world.

If the entire world population lived like the average citizen of Luxembourg, eight planets of earth would be needed to provide sufficient resources for everyone. Eng Äerd presents long-term initiatives of Luxembourg citizens fighting against the depletion of natural resources. Different initiatives already in existence are presented by those who drive and supervise them. The film wants to encourage viewers to change their thinking, both in their private lives and at the level of associations, as well as from an economic and political point of view. It explores the motivations of these Luxembourgish environmentalists and shows that everyone can contribute to building a new healthier and more solidary society in harmony with nature and for the good of all.