Alfonso Santagata

Biasutti and Perbellini have the same name, Fausto, and they both hate life in the big city. They meet by chance during a trip for amateur photographers, become friends and begin to cultivate together the dream of going to live in the countryside, keeping with the fruit of their efforts. When Biasutti inherits his grandmother’s old house in Valvana, in the hills of the north east, the dream can finally become reality: the welcome in the village, however, proves less warm than expected.

In Torino, a bittersweet crowd is bringing its own belongings to a pawn shop, waiting for a ransom or the final auction. Between the thousands of faces that tell the human inventory of the crisis, three stories intertwine unconsciously in the thin line of moral debt. Sandra, a young trans, in order to escape her past sells her fur coat. Her gaze will cross Stefano’s, a novice who just started working at the bank, and who drags her towards a tender obsession. Michele, a retired porter, asks for a loan to a family member, who will turn out to be fatally the wrong person to ask a favour from.

A ascensão e queda de um clã da Camorra em Nápoles, contada através dos olhos de um chefe do crime e sua família. Quarenta anos de vida de um homem, quarenta anos na história de uma das mais belas e controversas cidades da Terra: Nápoles.

Imaginemos que existe uma nova ocupação, chamada “reposição”. Vamos imaginar também que existe um homem desempregado que a pratica diariamente. Ele não faz nada além de substituir, às vezes apenas por algumas horas, alguém que teve que se ausentar de seu emprego oficial. Ele se contenta com pouco, mas dinheiro não é tudo na vida: ainda existe a necessidade de manter-se em forma e não se deixar perder num momento de crise. Vamos imaginar que existe, também, um rapaz de 20 anos, seu filho, que toca o saxofone divinamente e tem muita sorte em ser um artista. E ainda há Lucia, que esconde um segredo por trás de seu desejo de subir na vida. Será que eles conseguirão chegar ao próximo capítulo sãos e salvos?

Actor turned director Luigi Lo Cascio stars as the talented architect and fervent environmentalist Michele who has moved from Palermo to his ideal city, Siena. He holds a successful job and is living out a dream experiment of functioning one year without running water or electricity. Not surprisingly, he also displays a passionate opposition to cars and driving. One evening, after being forced to borrow his boss’ car in order to collect a colleague for a work function, Michele’s life takes an unexpected turn. In the blinding rain Michele hits something he cannot identify. After leaving a note on a parked car he believes he damaged, he continues down the road only to come across a dead body a few miles down which he later discovers belongs to one of Siena’s most important luminaries. Michele immediately calls the police, but in doing so, he unwittingly brings intense suspicion on himself as his uncertainty raises more questions than he has answers for.

The detective Silvestri has a zealous wife, a child on the way and a double murder to be solved in a livid Rome selling drugs and consuming lives. His investigation intersects the lives of young people and affected Nina and John, in spite of themselves involved in the murder of a drug dealer and his mother. Aerobics instructor her layabout him, the young lovers try to work out and awkwardly from a story larger than themselves. In the background is moving while the murder underworld clan committed to winning a prestigious post in the heroin market. Among African criminals and delirious, Silvestri will be up to restore order and find the culprits. The price you pay will be high, however.

Gianni is sixty. He is retired but has not become lazy for all that. In fact he is a helpful fellow who gives a hand to all those who need one: shopping for his wife, walking the pretty neighbor's dog, and so on. Everybody likes Gianni, but is it for the right reasons? Doesn't his wife profit by the situation (she still works so it is only logical that Gianni do all the chores)? Isn't he subject to the excruciating whims of his rich mother?... Sure, everybody LIKES Gianni, but who LOVES him? Agreed, being kind to them, he is the ladies pet, but he does not attract them anymore. That is why, when his macho lawyer friend Alfonso blames him for not having young mistresses "like every other senior Italian male", Gianni, who is beginning to ask himself questions about what it is like to become old, starts chasing dames.

1828. In the wake of the repression of revolutionary movements in Southern Italy, three young friends join Giuseppe Mazzini's republican and unificationist cause. Their idealism will clash with the inevitable disillusionment as they grow apart over the decades.

A new translation of Dante's Divine Comedy channeling the tools of Edward Muybridge and a meditation on the perception of motion in a motion picture.

Painel brutal e perturbador da máfia napolitana, uma das mais sangrentas e lucrativas da Itália atual.

Gianni is a middle-aged man living in Rome with his imposing and demanding elderly mother. His only outlet from her and the increasing debt into which they are sinking, are the increasingly frequent quiet sessions at the local tavern. As an Oriental saying goes, 'Moments of crisis are moments of opportunities'. These appear during the celebration of the holiday of Ferragosto on 15 August. That's when everybody leaves town to have fun. Opportunity knocks on Gianni's door in the most unexpected way.

Michele Apicella, dirigente do PCI, perde temporariamente a memória por causa de um acidente de carro e vai tentar reconstituir a sua vida e a sua identidade durante um jogo de pólo aquático. No último minuto do jogo, Michele tem que marcar um penalti que será decisivo…