Conor McPherson
Nascimento : 1971-08-06, Dublin, Ireland
História
From Wikipedia, the free encyclopedia
Conor McPherson (born August 6, 1971) is an Irish playwright and director.
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Adaptation
An adaptation of Anton Chekhov's classic play about human frailty, in which secret loves and long-held resentments threaten to tear a family apart. The film is a recorded performance of an award-winning production of Anton Chekhov's classic play at the Harold Pinter theatre in London, made shortly after the show was shut down by the COVID-19 pandemic.
Screenplay
Artemis Fowl é um garoto de 12 anos extremamente inteligente que usa sua capacidade para roubar. Um dia, ele descobre um local mágico chamado mundo das fadas. Decidido a roubar a fortuna local, ele sequestra um elfo e cobra um resgate para libertá-lo. Só que logo a Liga de Elite da Polícia parte em seu encalço.
Screenplay
Michael Farr é professor que cria seus dois filhos sozinho desde que a sua esposa morreu dois anos antes. Ultimamente ele anda vendo e ouvindo coisas estranhas tarde da noite na sua casa. Não está certo se está tendo simplesmente pesadelos horripilantes ou se a sua casa está assombrada. No festival literário internacional, Michael trabalha com uma escritora de livros de terror e começa a acreditar ele está vendo fantasmas.
Director
Michael Farr é professor que cria seus dois filhos sozinho desde que a sua esposa morreu dois anos antes. Ultimamente ele anda vendo e ouvindo coisas estranhas tarde da noite na sua casa. Não está certo se está tendo simplesmente pesadelos horripilantes ou se a sua casa está assombrada. No festival literário internacional, Michael trabalha com uma escritora de livros de terror e começa a acreditar ele está vendo fantasmas.
Screenplay
During the run of a particularly awful interpretation of Richard III, the star, Anthony O'Malley, begins to frequent a rough pub to develop his character. He meets Barreller who he discovers owes someone he's never met a considerable sum of money. Seeing an opportunity to make some fast money, O'Malley convinces hapless extra, Tom, to meet Barreller as the debt collector.
Director
During the run of a particularly awful interpretation of Richard III, the star, Anthony O'Malley, begins to frequent a rough pub to develop his character. He meets Barreller who he discovers owes someone he's never met a considerable sum of money. Seeing an opportunity to make some fast money, O'Malley convinces hapless extra, Tom, to meet Barreller as the debt collector.
Screenplay
An Irish-Italian café owner in a seaside town faces a life crisis, as his wife recently died and he's severely in debt. His oldest son tries to help, but has serious problems of his own, while his younger son and daughter are having troubles in school.
Director
An Irish-Italian café owner in a seaside town faces a life crisis, as his wife recently died and he's severely in debt. His oldest son tries to help, but has serious problems of his own, while his younger son and daughter are having troubles in school.
Director
Hamm is blind and unable to stand; Clov, his servant, is unable to sit; Nagg and Nell are his father and mother, who are legless and live in dustbins. Together they live in a room with two windows, but there may be nothing at all outside.
Loser in Nightclub
Fresh out of prison, Git rescues a former best friend (now living with Git's girlfriend) from a beating at the hands of loan sharks. He's now in trouble with the mob boss, Tom French, who sends Git to Cork with another debtor, Bunny Kelly, to find a guy named Frank Grogan, and take him to a man with a friendly face at a shack across a bog. It's a tougher assignment than it seems: Git's a novice, Bunny's prone to rash acts, Frank doesn't want to be found (and once he's found, he has no money), and maybe Tom's planning to murder Frank, which puts Git in a moral dilemma. Then, there's the long-ago disappearance of Sonny Mulligan. What's a decent and stand-up lad to do?
Screenplay
Fresh out of prison, Git rescues a former best friend (now living with Git's girlfriend) from a beating at the hands of loan sharks. He's now in trouble with the mob boss, Tom French, who sends Git to Cork with another debtor, Bunny Kelly, to find a guy named Frank Grogan, and take him to a man with a friendly face at a shack across a bog. It's a tougher assignment than it seems: Git's a novice, Bunny's prone to rash acts, Frank doesn't want to be found (and once he's found, he has no money), and maybe Tom's planning to murder Frank, which puts Git in a moral dilemma. Then, there's the long-ago disappearance of Sonny Mulligan. What's a decent and stand-up lad to do?
Writer
Director