Chris Paine

Documentário americano que descreve benefícios e, especialmente, perigos da inteligência artificial. Apresenta entrevistas com uma série de indivíduos proeminentes relevantes para a IA, como Ray Kurzweil, Elon Musk e Jonathan Nolan.

Documentário americano que descreve benefícios e, especialmente, perigos da inteligência artificial. Apresenta entrevistas com uma série de indivíduos proeminentes relevantes para a IA, como Ray Kurzweil, Elon Musk e Jonathan Nolan.

Em tempos de uma crise generalizada, é necessário relacionar algumas discussões no que tange ao clima, recursos naturais e cidades. A indústria automobilística cresce desenfreadamente. Ciclistas militantes buscam mudanças radicais na mobilidade das grandes cidades. As diferenças no uso de bicicletas e de carros são gritantes em comparação entre algumas cidades, como São Paulo e Copenhague.

CHARGE is proof that maniacs on motorcycles can be a force for global good. The movie follows several teams to the world's first zero-emissions grand prix on the Isle of Man – the most demanding and deadly circuit on the planet – in 2009 and on their return in 2010, 2011, and 2012. For the visionaries, it's history. For the petrol-heads it's blasphemy. What's racing without the sound and fury of internal combustion engines? CHARGE is about the future. It's about change. It's about the dream of a clean, green world. It's about the dream of winning.

A sequel to 2006's Who Killed the Electric Car?, director Chris Paine once again looks at electric vehicles. Where in the last film electric cars were dismissed as uneconomical and unreliable, and were under multiple attacks from government, the auto industry, and from energy companies who didn't want them to succeed, this film chronicles, in the light of new changes in technology, the world economy, and the auto industry itself, the race - from both major car companies like Ford and Nissan, and from new rising upstarts like Tesla - to bring a practical consumer EV to market.

A sequel to 2006's Who Killed the Electric Car?, director Chris Paine once again looks at electric vehicles. Where in the last film electric cars were dismissed as uneconomical and unreliable, and were under multiple attacks from government, the auto industry, and from energy companies who didn't want them to succeed, this film chronicles, in the light of new changes in technology, the world economy, and the auto industry itself, the race - from both major car companies like Ford and Nissan, and from new rising upstarts like Tesla - to bring a practical consumer EV to market.

In 1996, electric cars began to appear on roads all over California. They were quiet and fast, produced no exhaust, and ran without gasoline... Ten years later, these cars were destroyed.

In 1996, electric cars began to appear on roads all over California. They were quiet and fast, produced no exhaust, and ran without gasoline... Ten years later, these cars were destroyed.

Faster & Faster brilliantly captures the events which made the 2003 and 2004 MotoGP seasons so extraordinary: the tire-smoking arrival of the 215mph Ducati missiles; the shocking death of rising star Daijiro Kato; the drama of Sete Gibernau's wild battles with Valentino Rossi; and the Italian's switch from the all-conquering Honda to the underdog Yamaha – a move which was to seal the Rossi legend. This is the story of an epic time in MotoGP, in the words and actions of the world's greatest motorcycle racers.

Faster is an electrifying tribute to the white-knuckle world of MotoGP™ — the fastest sport on two wheels — where the world’s top riders go wheel to wheel at over 200mph and crash at over 100mph. Narrated by Ewan McGregor, Faster chases two seasons’ worth of the world championship, featuring revealing interviews with riders, mechanics, doctors, commentators and fans. If you want high octane, adrenaline fuelled thrills, Faster will take you on a nerve shredding journey through the most exciting sport on the planet!

On an overcast morning in 1999, William Gibson, father of cyberpunk and author of the cult-classic novel Neuromancer, stepped into a limousine and set off on a road trip around North America. The limo was rigged with digital cameras, a computer, a television, a stereo, and a cell phone. Generated entirely by this four-wheeled media machine, No Maps for These Territories is both an account of Gibson’s life and work and a commentary on the world outside the car windows. Here, the man who coined the word "cyberspace" offers a unique perspective on Western culture at the edge of the new millennium, and in the throes of convulsive, tech-driven change.

A mailman so obsessed with his job isolates himself from reality.