Matthew Saville

Matthew Saville

Nascimento : , Australia

História

From Wikipedia, the free encyclopedia. Matthew Saville is an Australian television and film director, who began his career working as a titles designer for many Australian television series. Several of his short films, including Franz and Kafka have received awards and screened widely at film festivals. Matthew Saville came to wider prominence as a writer/director with his one hour film Roy Hollsdotter Live, a bittersweet comedy about a stand-up comedian experiencing a personal breakdown. The film won awards at the Sydney Film Festival in 2003, as well as at the Australian Writers' Guild Awards. The success of that film led, among other things, to a highly successful career as a television comedy director, including the acclaimed Big Bite and We Can Be Heroes, on both occasions working with Chris Lilley. In addition, Matthew Saville has directed episodes of the Australian television drama series The Secret Life of Us as well as directing the first three episodes of The Surgeon. In 2007 Saville's feature film debut Noise was released, for which he received an AFI nomination for Best Director. In 2010 he began directing Cloudstreet, a television miniseries version of Tim Winton's novel. Description above from the Wikipedia article Matthew Saville, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Perfil

Matthew Saville

Filmes

A Month of Sundays
Producer
Frank Mollard, divorced but still attached, can't move on and also can't sell a house in a property boom, much less connect with his teenage son. One night Frank gets a phone call from his mother. Nothing out of the ordinary there – apart from the fact that she died the year before.
A Month of Sundays
Screenplay
Frank Mollard, divorced but still attached, can't move on and also can't sell a house in a property boom, much less connect with his teenage son. One night Frank gets a phone call from his mother. Nothing out of the ordinary there – apart from the fact that she died the year before.
A Month of Sundays
Director
Frank Mollard, divorced but still attached, can't move on and also can't sell a house in a property boom, much less connect with his teenage son. One night Frank gets a phone call from his mother. Nothing out of the ordinary there – apart from the fact that she died the year before.
Segredos de um Crime
Director
Malcolm é um detetive respeitado pelos colegas policiais. Um dia, no entanto, ele acidentalmente atropela um garoto em uma bicicleta. Apesar de chamar a ambulância imediatamente, a vítima corre sério risco de morte. Malcolm pode ser preso pelo que fez, mas dois outros policiais decidem acobertar o caso, para ajudá-lo. Aos poucos, sentindo-se culpado, o detetive deseja contar toda a verdade. No entanto, se revelar todos os fatos, acabará incriminando também aqueles que o ajudaram.
A Writer and Three Script Editors Walk Into a Bar
Producer
A writer tells a joke. Complications ensue.
A Writer and Three Script Editors Walk Into a Bar
Writer
A writer tells a joke. Complications ensue.
A Writer and Three Script Editors Walk Into a Bar
Director
A writer tells a joke. Complications ensue.
Bonny Doon
Producer
Stephen Curry and Dave Lawson travel to Victoria's splendid Lake District, passing the time by discussing Stephen's lengthy career and sundry acting techniques.
Bonny Doon
Director
Stephen Curry and Dave Lawson travel to Victoria's splendid Lake District, passing the time by discussing Stephen's lengthy career and sundry acting techniques.
The King
Director
The King is the story of Graham Kennedy, Australia's first and greatest home grown TV superstar. It traces his rise from working class Balaclava kid, through radio, TV, film, and back to TV again. It also tracks Kennedy's personal tragedies - the loneliness, the unrealised ambitions and the terrible pressures of being Australia's first homegrown superstar in the 1950s and 60s.
Noise
Writer
The community reels after an incident on a suburban train. A young cop, beset with doubt and afflicted with tinnitus, is pitched into the chaos that follows this tragic event. He struggles to clear the noises in his head while all around him deal with the after burn of the crime.
Noise
Director
The community reels after an incident on a suburban train. A young cop, beset with doubt and afflicted with tinnitus, is pitched into the chaos that follows this tragic event. He struggles to clear the noises in his head while all around him deal with the after burn of the crime.
We Can Be Heroes: Finding the Australian of the Year
Director
The story of five unique Australians who have been nominated for the Australian of the Year Award. Phil, a rescue hero who saved nine children in a jumping castle accident. Ricky, a Chinese physics genius and aspiring actor. Ja’mie, a charity-minded schoolgirl who sponsors 85 Sudanese children. Daniel and Nathan, hearing impaired teenage twin farm boys embarking on a world first eardrum transplant. And Pat, a disabled suburban housewife turned elite athlete.
Roy Hollsdotter Live
Writer
Roy Höllsdotter (Darren Casey) is a stand-up comedian in his late 30s making an adequate living as a pub performer. However, all is not well in his personal life – he’s drinking too much and has been stalking his ex-girlfriend Cate (Asher Keddie). When his best friend Simmo (Luke Elliot) finds out what Roy is doing, he tries to intervene, but Roy’s problems only worsen and begin to affect his ability to create and perform his stand-up routines.
Roy Hollsdotter Live
Director
Roy Höllsdotter (Darren Casey) is a stand-up comedian in his late 30s making an adequate living as a pub performer. However, all is not well in his personal life – he’s drinking too much and has been stalking his ex-girlfriend Cate (Asher Keddie). When his best friend Simmo (Luke Elliot) finds out what Roy is doing, he tries to intervene, but Roy’s problems only worsen and begin to affect his ability to create and perform his stand-up routines.
Franz & Kafka
Director
Franz & Kafka are based on the little irreverent premise that Kafkas work “Die Verwandlung” was written by two humans, this film is a great homage to Kafkas writing.