Delia Casanova

The woman behind the legend. Biographical film about Nahuí Olín, painter, model and poet born in the late nineteenth century and died in 1978, who lived in Paris and San Sebastian, and throughout his life rubbed shoulders with artists like Henri Matisse, Pablo Picasso, Diego Rivera , Frida Kahlo or David Alfaro Siqueiros, among many others.

Uma garota mimada é enviada para o rancho de sua família para trabalhar durante as férias de verão.

Ramiro is a theater actor who lives estranged from his father and half brother. One morning, he runs into a suicide, who says he is an evil omen. Despite Ramiro´s efforts, the young man dies before his eyes, which leads him to believe that he has caught his bad luck. From then on, his life turns upside down, at the same time as he gets together with his family to fulfill his father´s last wish: to find the love of his life and say goodbye to her.

Catalina se casa muito jovem com um político em ascensão. O casamento não deixa de ser uma maneira de ambos sobreviverem aos conflitos da sociedade em que vivem. Mas, quando um diretor de orquestra entra na vida de Catalina, as coisas mudam.

Um zelador que se tornou prefeito de uma cidadezinha perdida no deserto do México percebe aonde o seu recém-adquirido poder e a corrupção podem levá-lo, depois da visita de um esperto político.

Ana starts falling in love with an ecologist engineer that comes with her father who is from Russia.

Something strange is going on in Dolores' apartment house--or is it mainly in Dolores' head that the strangeness lies... When her best friend Eva is murdered on her doorstep, and her husband begins to have violent nightmares, it appears that there is definately something amiss in the world of delusional Dolores.

Popstar dies by accident, and Heaven's bureaucrats send her back to earth to inhabit a different body.

Heated tempers, frustrated desires and dashed hopes plague a diverse group of individuals whose lives cross paths in Mexico City. There is the bar-owner's son, Chava, who yearns to emigrate to America. A poor barber, Abel, is madly in love with the gorgeous Alma, who eventually becomes a high-class prostitute. Finally, there is Susanita, the desperate spinster who pursues many love affairs in hopes of finding a husband.

A woman, who lives alone with her mother, invents a fantasy life to escape her reality.

After being in a comma for 20 year, Lauro (Retes) wakes up in a very different Mexico than the one he lived on. Ideas, hopes, ways-of-life and customs have changed, and Mexicans of the nineties are strangers for a man sleeping since 1971. Lauro will have to deal with the changes brought by the History, and will have to accept that the future is never as we imagined it when we were young.

Set in Mexico City, Mentiras Piadosas is the doomed love story of Clara and Israel. She is a health inspector and he is an herb merchant, who is obsessed with the construction of an enormous model of the ancient city of Tenochtitlan. They both decide to leave their respective partners to live together, however, jealousy, blackmail and guilt will become unbreakable patterns destroying their tragic relationship

At only 19 years old, Vladimir Olhosvky, fleeing the Russian Revolution and going into exile in Mexico City, will have to make his way in a new country, totally unknown to him but that will bring him a new life.

Luz is in jail, accused of murdering her own children. Her husband and her mother-in-law say she killed them in cold blood. Dr. Rebollar tries to help the woman, but she refuses to remember anything. Luz thinks of jail as the purgatory: it's only one step to reach the Heaven.

Five surreal short stories make up this Mexican anthology film.

Mario Balbuena, a honest cop, becomes the victim of an ambush by drug dealers and dirty cops, after that, he recruits a group of sleazy criminals in order to strike his revenge.

Alsino, a boy of 10 or 12, lives with his grandmother in a remote area of Nicaragua. He's engulfed in the war between rebels and government troops when a US advisor orders the army to open a staging area by the boy's hamlet. Alsino tries to be a child, climbing trees with a girl, looking through his grandfather's trunk of mementos and trying to fly; he goes to town to sell a saddle, has his first drink and is taken to a brothel. But the war surrounds him. The US advisor takes Alsino on a chopper flight, but he's unimpressed. The soldiers' cruelties awake rebel sympathies in Alsino, and after an army assault backfires, the lad is fully baptized into the conflict.

Gumaro and his buddy Chon are among the First Citizens locally. One day, unexpectedly, twin brothers of both of them turn up in town. Adaptation of A Comedy Of Errors.

Mexican feature film

The inner demons of an aspiring writer, whose dissatisfaction has pushed him to alcohol and drugs, lead him to his self-destruction under the guise of confusing political positions.

Returning from a business trip, a man meets some peasants who arouse fears in him.

Narration of one of the bloodiest episodes of the Mexican national history, The Tragic Ten, beginning when General Victoriano Huerta sent to kill President Francisco I. Madero, Vice President José María Pino Suárez and Senator Belisario Dominguez. The film recreates the moment of the execution at the hands of Huerta and his accomplices Bernardo Reyes, Félix Díaz and Manuel Mondragón.

A thirty-something woman fears that life is passing her by and that she's going to end up as the family's 'maiden aunt'. She imagines that somebody in her circle is courting her, and he's too polite to disillusion her. And then...

In Mexico City's infamous Lecumberri prison, three drug-addicted convicts celebrate getting drugs from one of their the mothers. They are found out and locked up in the "apando," the dreaded punishment cell. Protests over the treatment of those held in the cell lead to a bloody confrontation.

Two couples. One of the husbands kills his wife. He is temporarily helped by the other couple. The husband wants to help him, but his wife wants to turn him in to the police.