Ashutosh Gowariker
Nascimento : 1964-02-15, Kolhapur, Maharashtra, India
História
Ashutosh Gowariker (born 15 February 1964) is an Indian film director, actor, writer and producer. He is known for directing large scale, opulent epic films as well as grounded, realistic dramas. His work includes the acclaimed films Lagaan (2001), Swades (2004) and Jodhaa Akbar (2008). Lagaan was nominated in the Best Foreign Language Film category in 74th Academy Awards. He has also been nominated for a European Film Award, and has won a number of other awards, including a National Film Award, five Filmfare Awards, and seven international film festival awards.
Screenplay
A young boy seeks to master the game of snooker to defend his father’s legacy after a humiliating loss. But first, he’ll need help from a hardened pro.
Producer
A young boy seeks to master the game of snooker to defend his father’s legacy after a humiliating loss. But first, he’ll need help from a hardened pro.
Story
Índia durante o século 18, os Marathas emergiram como o império mais poderoso do país até que o rei afegão Ahmad Shah Abdali planeja assumir a Índia. Sadashiv Rao Bhau é trazido para salvar o império do rei, o que leva à terceira batalha de Panipat.
Screenplay
Índia durante o século 18, os Marathas emergiram como o império mais poderoso do país até que o rei afegão Ahmad Shah Abdali planeja assumir a Índia. Sadashiv Rao Bhau é trazido para salvar o império do rei, o que leva à terceira batalha de Panipat.
Director
Índia durante o século 18, os Marathas emergiram como o império mais poderoso do país até que o rei afegão Ahmad Shah Abdali planeja assumir a Índia. Sadashiv Rao Bhau é trazido para salvar o império do rei, o que leva à terceira batalha de Panipat.
Raja Kamerkar
Ventilator is a Marathi Movie about Joint-Family relations and emotions.
Raja Mapuskar
Ventilator is a Marathi Movie about Joint-Family relations and emotions.
Story
During the Indus valley civilization, an Indigo farmer strives for the justice and protection of the city of Mohenjo-Daro and its civilians from an evil politician.
Screenplay
During the Indus valley civilization, an Indigo farmer strives for the justice and protection of the city of Mohenjo-Daro and its civilians from an evil politician.
Producer
During the Indus valley civilization, an Indigo farmer strives for the justice and protection of the city of Mohenjo-Daro and its civilians from an evil politician.
Director
During the Indus valley civilization, an Indigo farmer strives for the justice and protection of the city of Mohenjo-Daro and its civilians from an evil politician.
self
The Film brings to its viewers, a hitherto unseen and unheard narrative of one of the greatest musicians the world has ever known: A. R. Rahman
Screenplay
1930, British India: In the province of undivided Bengal lies the sleepy, peaceful port of Chittagong. In this unassuming little town a revolution is about to begin; a revolution which will forever wake all of Chittagong and inspire the entire nation.
Executive Producer
1930, British India: In the province of undivided Bengal lies the sleepy, peaceful port of Chittagong. In this unassuming little town a revolution is about to begin; a revolution which will forever wake all of Chittagong and inspire the entire nation.
Director
1930, British India: In the province of undivided Bengal lies the sleepy, peaceful port of Chittagong. In this unassuming little town a revolution is about to begin; a revolution which will forever wake all of Chittagong and inspire the entire nation.
Director
Para evitar que a família seja arruinada, Yogesh precisa se casar com a mulher de seus sonhos em apenas 10 dias. O segredo pode estar na astrologia.
Producer
Jodhaa Akbar conta a história de uma aliança entre duas culturas e religiões, onde o Imperador muçulmano Jalaluddin Mohammad Akbar, casa-se com a jovem e destemida Jodhaa, filha do Rei hindu Bharmal de Amer. Um romance épico do século 16, que parte dos campos de batalha onde o jovem Jalaluddin, é coroado, passando pelas conquistas que lhe deram o título de Akbar, o Grande. Em seus esforços para fortalecer suas relações com os hindus, Akbar, aceita desposar a bela e desafiante Jodhaa, sem saber que vai por sua vez embarcar numa nova jornada – a jornada do amor verdadeiro.
Screenplay
Jodhaa Akbar conta a história de uma aliança entre duas culturas e religiões, onde o Imperador muçulmano Jalaluddin Mohammad Akbar, casa-se com a jovem e destemida Jodhaa, filha do Rei hindu Bharmal de Amer. Um romance épico do século 16, que parte dos campos de batalha onde o jovem Jalaluddin, é coroado, passando pelas conquistas que lhe deram o título de Akbar, o Grande. Em seus esforços para fortalecer suas relações com os hindus, Akbar, aceita desposar a bela e desafiante Jodhaa, sem saber que vai por sua vez embarcar numa nova jornada – a jornada do amor verdadeiro.
Director
Jodhaa Akbar conta a história de uma aliança entre duas culturas e religiões, onde o Imperador muçulmano Jalaluddin Mohammad Akbar, casa-se com a jovem e destemida Jodhaa, filha do Rei hindu Bharmal de Amer. Um romance épico do século 16, que parte dos campos de batalha onde o jovem Jalaluddin, é coroado, passando pelas conquistas que lhe deram o título de Akbar, o Grande. Em seus esforços para fortalecer suas relações com os hindus, Akbar, aceita desposar a bela e desafiante Jodhaa, sem saber que vai por sua vez embarcar numa nova jornada – a jornada do amor verdadeiro.
Self
While Northern India’s 100-year-old film industry is best known for flamboyant dance sequences and romantic plot lines, its directors have begun to step outside established formulas and explore grittier subject matter. This program surveys the world of Bollywood filmmaking, examining the personalities as well as the commercial and thematic concerns that drive central Asia’s answer to Tinseltown. Interviews with directors Karan Johar, Ashutosh Gowariker, and Yash Chopra are included, along with commentary from choreographers, musical directors, and Cinemaya Magazine editor Aruna Vasudev. The industry’s newfound attention to poverty, homelessness, and other social concerns is examined. Several film excerpts are included.
Writer
Mohan Bhargava (Shah Rukh Khan) saiu do pequeno vilarejo na Índia, onde ele nasceu e foi criado. Viaja para os Estados Unidos, onde trabalha na NASA. Mas depois da morte de seus pais, Mohan torna-se nostálgico e pede uma licença para visitar Kaveri (Kishori Ballal), uma mulher que ajudou a criá-lo. E no processo redescobre suas raízes.
Screenplay
Mohan Bhargava (Shah Rukh Khan) saiu do pequeno vilarejo na Índia, onde ele nasceu e foi criado. Viaja para os Estados Unidos, onde trabalha na NASA. Mas depois da morte de seus pais, Mohan torna-se nostálgico e pede uma licença para visitar Kaveri (Kishori Ballal), uma mulher que ajudou a criá-lo. E no processo redescobre suas raízes.
Story
Mohan Bhargava (Shah Rukh Khan) saiu do pequeno vilarejo na Índia, onde ele nasceu e foi criado. Viaja para os Estados Unidos, onde trabalha na NASA. Mas depois da morte de seus pais, Mohan torna-se nostálgico e pede uma licença para visitar Kaveri (Kishori Ballal), uma mulher que ajudou a criá-lo. E no processo redescobre suas raízes.
Producer
Mohan Bhargava (Shah Rukh Khan) saiu do pequeno vilarejo na Índia, onde ele nasceu e foi criado. Viaja para os Estados Unidos, onde trabalha na NASA. Mas depois da morte de seus pais, Mohan torna-se nostálgico e pede uma licença para visitar Kaveri (Kishori Ballal), uma mulher que ajudou a criá-lo. E no processo redescobre suas raízes.
Director
Mohan Bhargava (Shah Rukh Khan) saiu do pequeno vilarejo na Índia, onde ele nasceu e foi criado. Viaja para os Estados Unidos, onde trabalha na NASA. Mas depois da morte de seus pais, Mohan torna-se nostálgico e pede uma licença para visitar Kaveri (Kishori Ballal), uma mulher que ajudou a criá-lo. E no processo redescobre suas raízes.
Writer
Na Índia de 1890, um arrogante comandante britânico faz uma aposta com os residentes de Champaner a uma partida de cricket e o perdedor deverá pagar altíssimos impostos.
Dialogue
Na Índia de 1890, um arrogante comandante britânico faz uma aposta com os residentes de Champaner a uma partida de cricket e o perdedor deverá pagar altíssimos impostos.
Screenplay
Na Índia de 1890, um arrogante comandante britânico faz uma aposta com os residentes de Champaner a uma partida de cricket e o perdedor deverá pagar altíssimos impostos.
Story
Na Índia de 1890, um arrogante comandante britânico faz uma aposta com os residentes de Champaner a uma partida de cricket e o perdedor deverá pagar altíssimos impostos.
Casting
Na Índia de 1890, um arrogante comandante britânico faz uma aposta com os residentes de Champaner a uma partida de cricket e o perdedor deverá pagar altíssimos impostos.
Director
Na Índia de 1890, um arrogante comandante britânico faz uma aposta com os residentes de Champaner a uma partida de cricket e o perdedor deverá pagar altíssimos impostos.
Writer
A tough and honest police officer wages a one-man war against terrorists and a corrupt politician who have planned to assassinate the chief minister of the state.
Director
A tough and honest police officer wages a one-man war against terrorists and a corrupt politician who have planned to assassinate the chief minister of the state.
Director
A down and out actor,Deepak Bakshi,sees a woman getting attacked. He lands himself into trouble with the police as he is now a suspect for murder.
Arun (as Ashutosh Govarikar)
A boy and girl from opposing families meet and fall in love, determined not to let the hate between their parents stand in the way of their happiness.
In Dhangao village Jeeva and Sakha are inseparable brothers living with their widowed mother when Sakha gets a job as police inspector he is posted at other place hence brothers get separated.Jeeva is in love with Paro.Nagya is a spoil brat who tries to bluff village people by asking them to sell their land to DK for Dhangao Industrial Zone but villager's support Jeeva which irks him after Paro gets married to Jeeva,Nagya threatens to kill her brother and makes her father sign the property papers and does so with many villagers when Jeeva takes action DK kills his person and puts blame on Jeeva,Jeeva now hides in jungle and whereabouts are only known to his friend Baadshah,Nagya kills Jeeva 's mother when she refuses to sign on papers.Sakha returns to the village to perform final rights of his mother and is unaware about things happening in his village and thinks Jeeva should be punished for taking law in his hand.
Monty
When Sunder loses everything, he seeks refuge in a graveyard, where he befriends a ghost.
Sayyad Akhtar 'Rampuri'
Jhanvi Kaul is on trial for the murder of her lover and employer, Ranjeet Choudhary. A series of prosecution witnesses build a damning case against her - that the two of them had embezzled large sums of money, that she had another lover who is also a local goon and that a witness even saw her throwing the body of Ranjeet over her apartment balcony.
Abdul
Salim was born lame. He lives with his family and is looking for a suitable groom for his sister. In the process, Salim gets pulled into a life of crime and communal violence. He wants to reform but there is no redemption for him.
Wedged in a political chaos, Sanjeev has to prove his innocence for a murder he did not commit and expose the real rogue, MLA Kalekar. But, the culprit is also the father of the girl he loves.
The film is set in a lower middle class chawl, an apartment building in Mumbai, a 20-year-old and unmarried Kamla, unable to handle the news of her pregnancy commits suicide. This makes her neighbourhood examine their own secrets and the choices they have made in their own lives.
Vikran
Vikram (Ashotosh Gowariker) is an Indian immigrant from Bombay who lands in San Francisco. His happiness over his arrival in the United States is diminished when customs officers unexplainably trim his tourist visa from six months to one. When he arrives at the home of his sponsor, he finds that the building is abandoned, and his application to study at the University of California has been rejected. He later meets Sue (Heidi Carpenter), a punk-rock femme who works at a late-night theater specializing in horror films, and Vikram becomes very fond of the woman, proposing marriage in hopes of starting a new life in the United States.
Ranjeet Prakash
In a typical college in a typical Indian city, the hostel boys Madan Sharma (Aamir Khan) and his friend are a rowdy lot. The teaching staff suffer from the common apathy of most teachers in similar colleges. The administration has the usual problems, with ill-paid employees periodically going on strike. On the whole, the college is a very normal place. But on this particular day, when Madan and his friends rise from their slumber, some with the customary hangover, they are not so perturbed to find no water in the taps again, as when they hear that it is not going to be a holiday after all. Instead there will be a lecture in the auditorium by the Chairman of the Board (Dr. Shriram Lagoo), on the day of the festival of fire, Holi, and the boys decide not to attend the classes. The hostel superintendent Professor Singh (Naseeruddin Shah), the only lecturer with some human links with the students...