James Dietrich

Oswald's dogs do dog things.

Oswald throws a birthday party to a bunch of ducks. His dog is not amused.

Meany, Miny, and Moe get involved in an auto race and chaos ensues.

Meany, Miny and Moe, the three monkeys, start out to sing Christmas carols, but wind up doing a good deed for Widow Duck and her family. The stockings were empty at the Duck house so they go to the home of the rich Henrietta Hen and move out the Christmas tree and all the presents to the home of the poverty-stricken Ducks. Mrs. Hen forgives all when she sees how happy the four Duck kids are.

Cartoon rabbit Oswald puts on a live-action puppet show.

An early color cartoon about a boy and his dog that go along with the Sandman to "Candyland"

Santa Claus gets a telegram from Oswald the Rabbit, telling him the city is ready for his Toyland Parade and that there will be a reception in the big department store. Santa is a jolly elf indeed until he discovers that moths have eaten every last shred of his Santa suit. The day is saved when quick thinking on the part of an old elf, armed with red paint and popcorn, turns Santa's ordinary light-blue outfit into a real Santa suit. The parade is a big success, and the reception promises to be even better. Frankenstein's monster, Tarzan, Lupe Velez, Shirley Temple, Al Jolson and Bing Crosby are all there to greet Santa. Laurel and Hardy nearly spoil the day when they dress in a dragon's costume and try to steal the chocolate cake.

A poor shoemaker and his wife have only a stale donut and a cup of coffee left to share. An elf drops by, and they offer to share with him. He teaches them (in song) to dunk the donut in the coffee. Later, as they sleep, he brings several other elves back, and they work through the night making shoes in humorous ways. The shoes are a success. Soon, the shoemaker and his wife are quite prosperous. They treat the elves to a feast of donuts and coffee, and the elves treat us to another chorus of "Dunk! Dunk! Dunk!".

Oswald is at the dentist. A tooth being pulled hangs on tight. Just then, the radio reports "Old King Cole has the blues" and Oswald races off in his car. He gathers up a collection of comics: Charles Chaplin, Stan Laurel, Oliver Hardy, etc. At the castle, they start singing off-kilter versions of Mother Goose rhymes, with Al Jolson in a blackface routine, and the king is quickly cheered up. Laurel & Hardy haul in a large pile of pies, and an all-out fight breaks out. The jester, who has been getting jealous of Oswald, kidnaps him during the fight and hauls him into a dungeon, submitting him to various tortures, where we discover that the real torture has been the dentist pulling the tooth all along.

Pooch the Pup is putting up billposters in preparation of the appearance of "Poodles"

Pooch the Pup takes his girlfriend and an anthropomorphic camera to the jungle in search of the giant ape, King Klunk. They arrive just as the Hot-Cha tribe is offering one of their own girls to the ape as a sacrifice. King Klunk tries to bite down on her head, but even his enormous fangs can't make a dent in her hard skull. His attention turns to Pete the Pup's girl, whom he snatches up in his huge hand. The ape doesn't know what to make of her until Cupid hits him with an arrow. Suddenly, King Klunk is in love. He even battles a dinosaur to prevent her from getting devoured. During the fight, Pooch takes the opportunity to rescue her. After winning his battle, the ape takes after the fleeing pair, but they defeat him by cracking a giant egg over his head. Soon, Pooch and his girl are exhibiting the giant ape in a big-city theater. Mischievous Cupid reappears to reignite the ape's passion for the girl.

The animals on Oswald the Rabbit's farm couldn't be happier with their work. The hens, in particular, enjoy their jobs as egg producers. True, a hen gets a bit anxious when her egg is too small or when she can't lay anything. But on the whole, times are good. That changes when a specter by the name of Depression rises from the dump and travels the globe spreading fear and panic. The Great Depression has begun and has poisoned the entire country, including Oswald's farm. Now, the roosters are listless and the chickens flop around in a daze. Oswald runs to the doctor for help. But Dr. Pill points to a poster of the President, Franklin Delano Roosevelt. "There's your doctor!" he declares. Soon, Oswald is in the White House, knocking down the Vice President in his haste to see FDR. Roosevelt sings "Confidence" and gives the rabbit a generous supply.

After reading the story of Little Red Riding Hood to three kittens in a cradle, Oswald the Rabbit goes to sleep thinking about the girl heroine. In his dream, he sees the girl pass by and decides to pick a couple of flowers for her. But the stems are impossibly long, and no matter how much he pulls, they just get longer and longer. Meanwhile, a wolf, craving the girl's basket of goodies, pulls the wool off a nearby sheep and disguises himself in it. As a bogus sheep, he asks questions of the girl. She reveals she is going to grandma's house. Soon, the wolf is at grandma's door. The old woman is so frightened, she swallows her harmonica. The wolf stores her in the icebox, promising to eat her later. By the time the girl arrives, the wolf has disguised himself as the old woman. Oswald eventually comes to the rescue. But the wolf finds a magic wand inside the basket of goodies and uses it to put Oswald on top of a construction site.

Em 1921, uma equipe de arqueologistas no Egito, liderados por Sir Joseph Whemple, descobre a múmia do príncipe Imhotep, que vivera há 3.700 anos e teve como castigo ser enterrado vivo. Também foram encontrados manuscritos com o poder de fazer mortos ressuscitarem, e uma noite, um dos membros da expedição traz o príncipe de volta à vida. Agora, Imhotep vive e se passa por Ardath Bay, um egípcio contemporâneo que persegue uma mulher que acredita ser a reencarnação de sua adorada princesa.

Oswald is riding on a camel; he defeats an attacking lion, using the camel's humps as cannonballs. In Cairo, he meets a queen and sings her his theme song; the sphinx and a couple pyramids join in, but the king isn't as happy.

A Oswald the Lucky Rabbit cartoon by Walter Lantz & William Nolan where Oswald do play a song with the animals in the swamp.

Late in the evening, just as a skeleton puts out its cat for the night, the masked Phantom stalks the graveyard, pausing only to insult an overly inquisitive owl. The Phantom enters the local opera house and falls in love with Kitty, a feline singer who is terribly jealous of the star of the show, a husky-voiced hippo. The Phantom falls in love with Kitty at first sight. For her sake, he sabotages the hippo (by popping and deflating her). Then he puts a phonograph player down Kitty's skirt. She walks out and pretends the recording is her own voice. Even though the record skips and, moments later, slows down to a stop (forcing the Phantom to crank the machine for her), Kitty is a hit. But does she appreciate the Phantom? No. Backstage, she jumps into the arms of Oswald the Rabbit. Enraged, the Phantom grabs Kitty and takes her down with him to the catacombs underneath the stage. Oswald goes on a rescue mission.

Oswald the Rabbit puts on a concert for a group of barn animals - but when they discover that he's miming to a record of his idol, Paul Whiteman - they boo and shun him. Oswald wanders off in shame to hang himself from the nearest tree and is stopped by none other than Whiteman himself who happens along in his car. The two begin performing music using parts of the car which leads to some highly surrealistic setpieces (dancing tools - a hood ornament that does an Indian dance, etc.) This rare and whimsical cartoon was used to promote THE KING OF JAZZ and makes reference to same.

Three desperadoes come to Heela City to rob a bank. One of them is the tough-acting, but ultimately cowardly, Oswald the Rabbit. His two fellow bad men - a dog with an eye patch and another with a peg-leg - force him to blow up the town bank with dynamite. Oswald ends up surviving the explosion that turns the other two villains into animate skeletons. The bank is destroyed, but the safe remains. Oswald tries to open it, but turning the dial only gives him a radio broadcast. And then out of the safe pops the bulldog sheriff. The sheriff runs him out of town. Unluckily for the supposedly lucky rabbit, he comes across a wailing baby out in the desert. The baby, in a gruff voice, reveals that his father is the sheriff Oswald just escaped. Oswald is forced to return to town, not so much by his conscience as by the baby's force of will.

Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson.

Oswald takes a job as a lifeguard to keep an eye on Miss Rabbit, who in turn stages a boating accident hoping Oswald will come to save her.