Director of Photography
James Scott's biopic of his father William Scott, his childhood and his origins as a painter.
Director of Photography
A Shocking Accident is a 1982 British short comedy film directed by James Scott, based on Graham Greene's short story by the same name. About a boy whose father is killed in Naples, when a pig falls on him as a balcony collapses. The incident haunts the boy through his later life until he meets a girl who understands his side of the story. The film won an Oscar at the 55th Academy Awards for Best Live Action Short and was nominated for BAFTA in 1983.
Director of Photography
Medieval fable of sorcery and witchcraft in a remote corner of the Scottish highlands.
Director of Photography
A estonteante história do grupo que torceu o pescoço do rock 'n' roll.
Director of Photography
Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.
Director of Photography
Two screens of film about - and sometimes shot by - Claes Oldenburg, detailing his inspiration, his methods and his relationship with his partner Hannah Wilke.
Director of Photography
Receptionist Anne’s new relationship with nascent writer Peter is opening her eyes to a new lifestyle, one far removed from her comfortable middle-class background.
Director of Photography
Del and his friends agree to take part in a robbery with a boy fresh from the borstal. When Del falls in love with Irene they decide to run away from their nagging parents - and the law.
Cinematography
'Love's Presentation' may be a time capsule of a rising art-world star, but it also pokes fun at the perspective of a celebrity profile. In its opening sequence, an antsy-looking Hockney squirms as a narrator reads aloud critic Jasia Reichardt’s introduction to his star persona. Scott’s portrait of Hockney is more expansive, spurning the growing popular image of the artist in favor of following him at work; He’s described the film as a “how-to” documentary. Filmed in April '66 in Hockney’s ground-floor apartment and studio, Hockney himself improvised the narration while watching the film. We watch the artist carve delicate lines into the plates, submerge them in an acid bath outside his window, then wipe his hands on the window curtains... A rare, relaxed close-up on Hockney’s creative process.
Director of Photography
Biographical short about the American Pop Artist by James Scott
Editor
Biographical short about the American Pop Artist by James Scott
