Screenplay
Sharon, a dedicated and ambitious Tel Aviv art house producer who is on the verge of bankruptcy, gets a chance to save her professional future and self-esteem: to collaborate with Uzi Silver, a revered past director, who has repented And became a rabbi, and now wants to make his comeback film - an adaptation of King Saul's biblical tragedy. But working with Silver is more like a war than a production,
Director
Sharon, a dedicated and ambitious Tel Aviv art house producer who is on the verge of bankruptcy, gets a chance to save her professional future and self-esteem: to collaborate with Uzi Silver, a revered past director, who has repented And became a rabbi, and now wants to make his comeback film - an adaptation of King Saul's biblical tragedy. But working with Silver is more like a war than a production,
Director
Fifty years after Slow Down by Avraham Heffner won a prize at Venice Film Festival, top alumni of the Jerusalem Sam Spiegel Film School challenge the 1968 legendary black and white
Writer
In present day Jerusalem, a city increasingly dominated by religious fanaticism, Naomi, a secular young woman seeks refuge from the pressure of her life as a concert pianist. Despite her intentions to stay alone, however, Naomi quickly makes two unexpected connections- one with a musically gifted Ultra-Orthodox young boy who lives in her building and the other, with Fabrizio, a charismatic Italian monk and organist. While these relationships allow Naomi to reconnect with her love of music and sense of meaning, they also make her a target in her new community. Faced with escalating isolation and violence, Naomi must learn to use music as a bridge to overcome towering religious barriers.
Director
In present day Jerusalem, a city increasingly dominated by religious fanaticism, Naomi, a secular young woman seeks refuge from the pressure of her life as a concert pianist. Despite her intentions to stay alone, however, Naomi quickly makes two unexpected connections- one with a musically gifted Ultra-Orthodox young boy who lives in her building and the other, with Fabrizio, a charismatic Italian monk and organist. While these relationships allow Naomi to reconnect with her love of music and sense of meaning, they also make her a target in her new community. Faced with escalating isolation and violence, Naomi must learn to use music as a bridge to overcome towering religious barriers.
Screenplay
Chen, um jovem garoto, está vivendo um grande conflito cultural entre sua mãe russa e seu pai israelita. Ela é culta e gosta das coisas finas da vida, como teatro e jantares. Ele é externamente rude, mas no fundo é um homem doce e preocupa-se em fazer de seu filho uma pessoa melhor do que a idealizada pela mãe. Um dia, Chen esbarra numa escola de dança para adolescentes e vê Natalie, uma garota russa por quem se apaixona imediatamente. Seu interesse por ela o leva a se matricular nas aulas. Por meio da música, ele começa a construir uma ponte entre a divisão cultural de sua família.
Director
Chen, um jovem garoto, está vivendo um grande conflito cultural entre sua mãe russa e seu pai israelita. Ela é culta e gosta das coisas finas da vida, como teatro e jantares. Ele é externamente rude, mas no fundo é um homem doce e preocupa-se em fazer de seu filho uma pessoa melhor do que a idealizada pela mãe. Um dia, Chen esbarra numa escola de dança para adolescentes e vê Natalie, uma garota russa por quem se apaixona imediatamente. Seu interesse por ela o leva a se matricular nas aulas. Por meio da música, ele começa a construir uma ponte entre a divisão cultural de sua família.
Director
What will Riki do after Asher, her fiancé, tells her that he got second thoughts regarding their wedding?..
Writer
Israeli diplomat Asher Naim travels to Ethiopia to act as negotiator for the release of 15,000 Ethiopian Jews, hoping to save them from a country plagued by famine and civil war. This seemingly altruistic mission, however, is thrown into doubt and skepticism when Naim begins to suspect the rescue mission might be a publicity stunt for his home country, and the Ethiopians wonder whether they have been little more than pawns. At the same time that the escalating situation on the ground becomes combustible, Naim’s crisis of faith grows.
